Through a poetic language, "White Noise" seeks to reflect on the whitening processes that Brazil suffered for 130 years, after the abolition of slavery. How it affects our offspring and makes it difficult to search for the identity of black people in a historically racist country.
Captures the sculptor Marisol posing among her work.
Robert Indiana with a few companions sitting, smiling, and smoking as life passes idly by.
A documentary about Gian Lorenzo Bernini, creator of the Baroque sculptural style. It shows more than 60 masterpieces exhibited in Villa Borghese, Rome. These prestigious masterpieces are explained and analyzed in detail.
Marisol has been posed against a light-coloured background and carefully lit from left and right. Her face emerges from the dark mass of her hair. The film is slightly out of focus throughout. At one point she glances off-screen, then resumes her gaze into the camera.
This short film provides a glimpse at famous art galleries of Rome, Florence, and the Vatican.
16mm, black and white film, silent, 4:30 min.
An exploration of the work of controversial pop artist Allen Jones, whose erotic sculptures have angered feminists, challenged his contemporaries, and delighted collectors and gallery goers worldwide. WOMEN AND MEN attempts to demystify the artist through discussion with prima ballerina Darcey Bussell, wife Deirdre Morrow, fellow artist Gary Hume, and Jones himself.
A story about the first Serbian Olympian who won bronze medal at the first Olympic games in 1896, also a world class architect.
The history of how the Museum of Spanish Abstract Art of Cuenca was created. In the mid-1950s, the Spanish collector and painter Fernando Zóbel de Ayala (1924-84) becomes fascinated by the young generation of Spanish abstract artists, so he begins to collect their works to show them to the public in Toledo. Until Gustavo Torner, a young forest engineer interested in art, proposes him to visit his city, Cuenca.
Artist Taylor Denise sets out to make her first painting, which also happens to be her largest work to-date. As she embarks on this creative process of making shit because it looks cool, she's met with comradery, debauchery, and people's brains interrupting art whatever way they want to-ery.
In the summer of 2018, on the Serpentine in London's Hyde Park, world-renowned artist Christo created his first public work of art in the UK. Inspired by ancient Mesopotamian tombs, the Mastaba is constructed from 7,506 painted oil barrels and weighs six hundred tonnes. It is the latest work in a career spanning half a century and stretching across the world. His work to date have included surrounding 11 islands off the Florida coast with pink polypropylene and wrapping Berlin's Reichstag and the Pont Neuf in Paris. This programme charts the creation of the Mastaba - from the first barrels being put on the water to its final unveiling - and paints a portrait of Christo as he looks back on a life spent making provocative works of art with his wife and partner Jeanne-Claude.
Vertical Expectations is a documentary that explores the nexus between architecture, development and society through an ethnographic analysis of the current building of the Shard.
A history of the work of Merce Cunningham.
An oral history of Artists Space, the legendary New York artists organization. Told through the voices of the artists, critics and curators who formed it, the film is narrated by voiceover culled from 30 hours of archival cassette tape interviews over a 45 year period. Artists such as Laurie Anderson, Mike Kelley, Hito Steyerl and David Wojnarowicz walk us through the decades. A formally-experimental and raucously-told chronology composed of rare archival documentation, The Business of Thought... is a reminder of the radical potential of the arts and the importance of collective, cultural spaces.
As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.
In 1960, Utrecht University took over the Studio for Electronic Music from Philips. In this studio in Utrecht, composers and artists worked on their own compositions. In 1961, Jan Vrijman made a film about Karel Appel, De werkelijkheid van Karel Appel, and Appel himself made a musical composition for this film in the studio in Utrecht. Van der Elsken films and photographs Appel during the composition of his Musique Barbare, as well as recording conversations on tape; the film is in fact a kind of collage of film, photographs and sound. As well as an exceptional record of Karel Appel’s working process, this film is a unique documentation of the studio and therefore a significant piece of Dutch musical history.
An intimate portrait of Eric Carle, creator of more than 70 books for children including the best-selling "The Very Hungry Caterpillar". At 82, Eric is still at work in his studio making books and creating art. As he methodically layers a tissue paper collage of the caterpillar, he describes the feeling he achieves working in his studio, the sense of being at peace, all alone, when everything grows quiet and it is just himself and his work. The film taps into that deep creative need in each of us, a spirit that started in Eric as a very young child and is unceasing today.
A documentary about one of the most popular cultural venues in the world and one of the most visited monuments in France—the Centre Pompidou