Père-Lachaise - one of the world's most famous and beautiful cemeteries - is the final resting-place of a gifted group of artists from all eras and corners of the world. Some - such as Piaf, Proust, Jim Morrison and Chopin - are worshiped to this day. Others have fallen into oblivion, or are visited occasionally by a single admirer. In Forever we see the mysterious, calming and consoling beauty of this unique cemetery through the eyes of people of flesh and blood. Many come for their 'own' beloved: husbands, wives, family and friends. Others Honor 'their' artist by leaving behind a personal message or a flower. While admirers share with us the importance of art and beauty in their lives, the graveyard gradually reveals itself as a source of inspiration for the living. Death offers little consolation except for the passing of time, the melancholia of a moss-covered tomb, and the beauty and power of a piece of music, a poem or a painting Written by Cobos

A documentary about the legendary jazz singer Billie Holiday (1915-1959). There exist many myths and legends about the Jazz Singer Billie Holiday — one of the greatest voices of the last century. Most of them tell the story of the tragic victim of drugs, alcohol, men, color, or the circumstances of her upbringing. To some extent she contributed herself to these legends, especially in her autobiography "Lady Sings the Blues". In recent years, more and more records and reports have shown a different picture of her. These statements of confidants, colleagues and friends clean up with many of the legends and show a strong personality who has been anything but a pitiable victim. Billie Holiday was a strong-willed and determined person and a very complex personality who did not correspond to the classic victim type.

Music performed by The New York Philharmonic Orchestra and conducted by Pierre Boulez. Schwartz manipulates by computer, in real-time the images of the Maestro to realize a unity between his music and the picture.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Catherine Deneuve couldn’t care less about being a celebrity, but fame made her an icon long ago and she occupies a special place in our imagination. The star is not one to let others get too close, but when she gives you her confidence, she keeps her word. If Deneuve’s career covers a half-century of cinema, it also bears witness to the force of a generation that experienced the deepest transformation of mores. This portrait reflects her entirely. The story of a mystery and an adventure.

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

This documentary seeks to open your eyes to the the costly consequences of the Information Age, when we are addicted to constantly replacing our electronic devices with newer and better versions.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Meet Tajikistan's answer to the Jackson family. Nearly 80, Allo "Papa" Alaev rules his celebrated folk music clan with an iron tambourine. Beginning with his unilateral decision to emigrate to Israel, the gifted musician micro-manages nearly every aspect of their lives, both on stage and off. From every meal made in his kitchen to what instrument each member will play, the patriarch accepts nothing less than total commitment and obedience. Every child and grandchild lives in their single-family house in Tel Aviv. All but one, that is. His only daughter, Ada, chose her own way in life, a sin her father will not forgive. As generations clash over new musical directions, competing personal interests and Papa's advancing age, the family show must go on—but who will lead the band? Set to a blazing tribal soundtrack, drama and drumbeats sing out from every entertaining exchange in this grand family affair.

Nebbishy filmmaker Joanna Arnow documents her yearlong relationship with an open-mic poet provocateur. What starts out as an uncomfortably intimate portrait of a dysfunctional relationship and protracted mid-twenties adolescence, quickly turns into a complex commentary on societal repression, sexuality and self-confrontation through art.

"Michael Moore doesn't like documentaries. That's why he doesn't make them." A documentary that looks to distinguish what's fact, fiction, legend, and otherwise as a camera crew trails Michael Moore as he tours with his film, Fahrenheit 9/11.

Heda Blochová was born in Prague into the Jewish family of the cofounder of the well-known Koh-i-noor factory. She married Rudolf Margolius, a lawyer. Soon after the wedding the young couple and the whole Margolius family were deported to the ghetto in Lodz. After spending a couple of years there, they were all taken to Oswiecim concentration camp. There the family was parted. Heda was lucky enough to be taken to a labour camp after a few months and was finally made to join the Death March. She managed to escape the guards and thus saved her life.

This is the story of the few people who went ahead, beyond racial prejudice. And their struggle to open the workplace to other people.

An observational documentary about Jakub Špalek and all his activities, victories and losses in the years 1989 to 1999.

A documentary film following several years in the life of Jan Potměšil who has become a very popular actor at an early age, representing the type of a young sporty intellectual. After a serious car crash in 1989, he ended up on a wheelchair. He was 23 years old at the time. After a year of rehabilitation, he returned to the stage. Excelling in “Flowers for Algernon”, he continuously acts in the production in front of sell-out crowds across the country. He also lives his personal life, experiencing new loves and breakups, is engaged in civic affairs and returns to the hospital now and then. The film aims to give a non-pathetic image of a life lived to the full despite adversity.

An airstrip, a hangar and a classroom somewhere in rural Ghana: This is the place where 18-year-old Lydia and 20-year-old Esther hope to achieve their dream: learning how to fly. They have joined the first aviation school for girls in West Africa. There, an ambitious Englishman wants to train young women from rural areas to become pilots. Yet, during training and everyday life at the Aviation Academy Western ideals collide with African values, and the girls gradually realize, that their dream of flying comes at a price.

The Sea [Morze] is a 1933 Polish short documentary film directed by Wanda Jakubowska. It was nominated for an Academy Award in 1933 for Best Short Subject (Novelty).

A documentary on the German Women Football National Team and the 2011 FIFA World Championship in Germany.