16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.

Chantal Akerman reads a script detailing the woes that befell her on the day she thought about "The Future of Cinema". The camera continuously rotates 360 degrees around her apartment as she rereads the script at an exponentially increasing speed. At its heart, an homage to Godard.

A short documentary about Father Christmas' annual six-day trek through the Australian desert aboard the Tea and Sugar Train.

This documentary is one of the earliest film enquiries on women's condition in Italy, seen in its different aspects: social, economic, psychological. Starting from an analysis of the feminine role models proposed by the cultural industry, the film finds its protagonists among all kinds of women.

In January, 1997, a team of five nurses, four anesthesiologists, and three plastic surgeons arrive in Vietnam from the United States for two weeks' of volunteer work. They operate on 110 children who have various birth defects and injuries. They also talk to the film crew about why they've made this trip and what it means to them. We watch them work, and we see the children, their families, and their surroundings in the Mekong Delta. Over the closing credits, Dionne Warwick sings Bacharach and David's "What the World Needs Now Is Love".

Stole Popov's Oscar-nominated Dae depicts a group of Roma celebrating St. George's Day. The documentary doesn't contain dialogue, just footage of the festivity.

This Documentary goes over how the special effects in the 1981 film "Scanners" were done.

Luca Guadagnino left for Sicily from Milan to knock on the doors of his childhood friends and discuss with them their experience of this exceptional moment, which has united the entire world.

DIYSEX is a film that reflects on the use of the image and the language of mainstream pornography, and wonders how far this use can transcend when making your porn film.

A year in the life of the Palm Springs Follies, featuring beautiful, ageless performers from around the world in a show that is always Standing Room Only. The film intercuts colorful interviews with the participants and footage of auditions, rehearsals, and the actual performances.

Autobiographical documentary by Juan De La Mar. Join me to plant myself back to live.

In 1921, the Tulsa, Oklahoma neighborhood of Greenwood was one of the most affluent all-black communities in America. Known as the 'Black Wall Street,' it covered 40 square blocks and boasted more than 600 businesses and 15,000 residents which was demolished, scores killed, and thousands left homeless. This is the retailing of this story through a mix of mediums and performances as well as spoken word.

Kitty Tsui, Chinese American writer, poet, body builder, and lesbian activist, tells of her arrival as an immigrant to San Francisco and, amidst the anti-Vietnam war protests, finding her way to San Francisco State, which influenced her on her path as an activist and poet. In this first ever documentary about a Chinese American Lesbian, Tsui brings to life her coming of age in San Francisco in the 1970s, her challenges, and her continued rise to celebrity by being re-discovered by a whole new generation of Feminists.

Leonardi's film about the Living Theatre is less concerned with a straight documentary presentation of the exile theatre group from New York, but rather is concerned with the specific atmospheric factor which is indicated by their name, and which constitutes the highly suggestive effect of their playing. Cutting, for Leonardi, is the most decisive aesthetic device. The result is a wonderfully composed furioso of pictures. The hand-held camera catches rehearsals, conversations without sound, bits of theatre and daily life actions (which, for Living Theatre people, is very often intermixed).

Short documentary on people who survived the Nazi concentration camps.