Tala, a London-based Palestinian, is preparing for her elaborate Middle Eastern wedding when she meets Leyla, a young British Indian woman who is dating her best friend. Spirited Christian Tala and shy Muslim Leyla could not be more different from each other, but the attraction is immediate and goes deeper than friendship. But Tala is not ready to accept the implications of the choice her heart has made for her and escapes back to Jordan, while Leyla tries to move on with her new-found life, to the shock of her tradition-loving parents. As Tala's wedding day approaches, simmering tensions come to boiling point and the pressure mounts for Tala to be true to herself.
A big-city cop is reassigned to the country after his superiors find him too angry to be an effective policeman. While on his temporary assignment he assists in a manhunt of a suspected murderer.
Muhammad Yunus, Nobel Peace prize winner, is known in the whole world as the banker of the poor, because he pioneered and tested a funding system in Bangladesh: by lending little sums of money to the less well-off with no interest, and returning it by installments gained with their work, people are able to get free from extreme misery. Thus, what can happen if three boys, just graduated, who live in Naples, try to import this funding system that subverts every economic rule?
A repressed gay teen transforms into a beast after being bitten by a hunky classmate.
Controversial director Angela Chan explores the "La Cage Aux Folles" demi-monde that thrives in today's Hong Kong, but which has never before been portrayed in a major movie. Alex To plays a handsome fashion designer trapped in a tangle of ambiguous relationships that becomes even more complex when he falls for a beautiful D.J. (Cecilia Yip) who, with the help of her best friend (Cherie Chung), is trying to get out of an arranged marriage. This film looks and sounds like a comedy, but has some serious comments about a veiled segment of Hong Kong.
Comedy about a film crew shooting a movie about guns and robbers, when real robbers turn up. Having to go home in robbers costume, they are mistakingly accused. In the end the real robbers are brought to justice. One of the earliest films portraying bisexual characters.
In Cairo on her own as she waits for her husband, Juliette finds herself caught in a whirlwind romance with his friend Tareq, a retired cop. As Tareq escorts Juliette around the city, they find themselves in the middle of a brief affair that catches them both unawares.
In 1899, Lord Kang must decide which of his three sons will take over his family's Chinese banking empire. When circumstances dictate that he appoint his unreliable youngest son, family bonds are pushed to the limit as father and son clash in a climate of political turmoil. Winner of the Special Jury Award at the 2009 Shanghai International Film Festival.
Mike, a young hired hand in California is working a small farm with a close friend, Dan. Mike is content on the farm and obviously attracted to the handsome Dan. Dan seems to be attracted to Mike as well but is a drifter and not happy as a farmer. He longs to finish out the contract and move on to a big city, perhaps with Mike. Gary, a boy from the next farm over, befriends them during their daily chores. When an innocent session of skinny-dipping is misconstrued, the young hired hands soon find themselves unjustly suspected of wrongdoing in a suddenly hostile small town.
The year is 1898. Héloïse, 9 years old, comes from a family belonging to the anti-Dreyfus and anti-Semitic Parisian high bourgeoisie. In a spirit of revolt, she begins a love affair with Maxime, a young Jewish journalist. During a terrible quarrel with her father, the latter suffers a stroke and dies. To get her away from Maxime, her mother Mathilde and her cousin Olympe take Héloïse on a trip to the Orient. After Cairo and the Pyramids, they go up the Nile and cross the desert in a caravan.
Accompanied by a lilting soundtrack, characters wander through London's concrete jungle as the narrator reflects on the current state of the city and her imagined future.
Adaptation of a poem written by Thomas Hood.
Samantha, Lydia, Isabella, and Lisa. These four young women are about to learn that humanity is just an irrelevant flame burning nowhere in the vastness of space. Their dreams will be shattered and one man will marvel at the evil he has committed.
Diogo Alves is a Spanish fugitive that comes to the Portuguese capital terrorizing the inhabitants by his cut-throat methods against rich and poor people alike. He attacks the women launderers on the Lisbon Aqueduct and throws the bodies over the high wall, and assaults homes with his large band of criminals. Eventually arrested, he, his female companion and his henchmen are condemned to death by the court.
Ministry of Information-sponsored comedy short showing wartime audiences how to deal with the threat of incendiary bombs.
After another of their fights, rival brothers are forced to wait at a country train station en route to their Father's. Their mother tells them the next time she has to intervene in their in-fighting, there had better be blood.
A group of migrants from the drought areas of Northeastern of Brazil gets a truck "pau-de-arara" trying to move to São Paulo and have a better life. Along their travel, one of the women delivers a baby on the road. The driver, indeed, intends to carry them to the slave-work in the fields of a powerful "colonel", but the brave Ana faces the foreman of the farm and the driver, and the truck follows to the hired final destination.
Cecile and Pierre are riding a Ferris wheel when Pierre announces their relationship is over. But the surprised Cecile doesn't give up easily.
During his rehabilitation in a municipal swimming pool, a man has to learn how to cope with his new body though he is not ready to accept it. The physiotherapist accompanying him will try to bridge the distance that the man maintains both with his body and the swimming pool environment.
When Aziza finally shares a recurring dream, it’s what she leaves unsaid that reveals her fractured sense of self. Aziza’s dream – in which she must sing a song – takes her on a journey through the post-industrial hills of the American Rust Belt, the eternal fields of Egypt, and the most repressed parts of her mind.