They are around us. Everywhere. People talk about it, movies and TV shows talk about it, but what are UFOs? What do they want? And the most important question: what do they do in our daily life?

How did it come about that we no longer see living beings in farm animals, but objects? Every year, 70 billion farm animals are slaughtered for consumption around the world. 80 percent are kept on large farms. They live crammed together in overcrowded stables, are fattened and finally slaughtered without ever having been in nature. In less than two generations, intensive husbandry has become established worldwide. Researches in Poland, the USA, Germany and Vietnam gets to the bottom of the system and those responsible. The meat industry is subsidized by the state. Corporations, governments and consumers tacitly support a deregulated and dehumanized economic system that makes unlimited consumption of animal products the norm - and with it, animal cruelty. The documentary film describes the triumph of industrial agriculture, in which the animal has to endure unimaginable suffering, becomes a commodity, a raw material that is always available and can be slaughtered and processed at will.

A few months before he died, Jean-Louis Comolli meets up with Dominique Cabrera for some free conversations with Isabelle Le Corff. They talk about cinema, life, love, death and Chassagne-Montrachet wine. There is laughter and smiles. One is not really serious at the age of eighty.

Gilles Bertin founded in 1980 the punk band "Camera Silens" whose name is inspired by the isolation cells in which members of the Red Army Fraction were locked up. Years of music, heroin squats, anarchy and theft follow... He is one of the masterminds of the legendary Brinks robbery. It was April 26, 1988. Disguised as gendarmes, an unlikely team of robbers – punks, anarchists and drug addicts – rob the coffers of the Brinks. Balance sheet: 11.7 million francs (1.8 million euros) and not a shot. Most of the criminals were arrested and convicted, except Gilles Bertin who managed to escape. His escape will last nearly thirty years. No one imagines then that he has rebuilt his life a few hundred kilometers away, in a popular suburb of Barcelona.

A TV special/documentary in which David Copperfield is interviewed in his Magic Warehouse by his girlfriend, the German supermodel Claudia Schiffer, about his career as an illusionist, speaking primarily of the most famous illusions and escapes performed over a period of about 15 years. The illusions shown are taken from 8 TV specials between The Magic of David Copperfield IV: The Vanishing Airplane (1981) and The Magic of David Copperfield XV: Fires of Passion (1993) and are 12: "Train Car Vanish" (1991), "Amazon Ritual" (aka "Burning Rope Escape" and "Fires Of Passion") (1993), "Graffiti Wall" (1992), "Cocoon" (aka "Passion's Prison") (1993), "Lear Jet Vanish" (1981), "Death Saw" (1988), "Brazilian Water Levitation" (1991), "Statue Of Liberty Disappears" (1983), "Touch The Magic - Destinations Of Flight" (1992), "Walking Through The Great Wall Of China" (1986), "Building Implosion" (1989) and "Flying" (1992).

When the pandemic hit it highlighted how much Western countries rely on the chip industry. Today Europe, America and China are involved in an intense commercial struggle to dominate this sector that is so strategic for the future. From Taiwan to Shanghai, via Brussels and San Francisco, investigative journalist Nicolas Vescovacci went to meet the most influential players in this microchip war, which is redefining world geopolitics.

A film about the murder of Olof Palme. The clock starts when the killer fires the first fatal shot. Second by second, the testimonies are placed and the witnesses tell what they saw. A new, surprising scenario of what has reasonably happened emerges.

A short documentary on Linda Blair's controversial role in The Exorcist and the problems she encountered when the public seemed unable to separate fact from fiction. Originally aired 19 October, 1996, as part of Channel 4's Fame Factor series.

An amusing portrait of the English at work and at play in the industrial north of the country. Photographs by Henri Cartier Bresson. Broadcasted only once, in the cultural program Tempo, in 1963, on the ITV/ABC channel. The photographs filmed in the title box are cropped and augmented with tenderly ironic commentary on the English, inspired by Cartier-Bresson's notes for this commission.

Documentary about the impact of the film The Blair Witch Project, hosted and presented by film critic Mark Kermode.

Rita Patiño, an indigenous woman from Mexico, was found by a human rights organization inside a Kansas psychiatric hospital, where she had been involuntarily confined, for 12 years, despite the fact that the hospital authorities were never able to determine who was this woman, where did she come from, or what language she spoke. After the consequences of confinement and medical negligence, Rita returned to Mexico, where she lives with Juanita, her niece, and primary caregiver, in a context of precarious economic possibilities. A moving portrait of the lives of these two Tarahumara women, questioning the multiple forms of racism and discrimination that indigenous women in Mexico and the United States face.

A documentary film about the life and work of artist and author Carl Barks, including his lifetime association with Walt Disney and the Donald Duck character family.

In extreme conditions, in ice-covered areas of the Earth, something unprecedented is happening. Everywhere, glaciers and ice sheets have begun to break off and accelerate towards the oceans at an alarming rate. As scientists try to predict the future effects of the great glacial melt, internationally renowned photographer James Balog is risking everything just to capture the phenomenon on film.

A documentary about Nikolaus Lehnhoff's 2004 production of Wagner's last opera, Parsifal, at the Festspielhaus Baden-Baden. Interviews, behind-the-scenes footage and clips of the live performances provide a documentary analysis of the opera on the quest for the holy grail.

An old mountaineer goes to the mountains with his friend. Due to the avalanche, he gets stuck in the mountains. The federation of professional mountaineers sends a team to save him, and on the other hand, the children of this mountaineer go to rescue their father too. Both groups arrive almost simultaneously...

In a context with few possibilities of mobility, Diego and his mother are faced with the need to share time and space. Household chores and interviews accompany their routine, suddenly, a malfunctioning boiler interrupts life. Diego's girlfriend's birthday is coming up and with it several decisions to make.

an intimate look at the traditions associated with New Orleans’ music and the preservation of those traditions through the work of local musicians and educators who mentor young talent; museum curators who care for musical treasures; historians and archivists who research and document the stories; activists working to protect, heal and inspire the many musicians whose livelihoods were taken away by Katrina. All are committed to the preservation of the rich musical heritage of New Orleans, as well as the future of New Orleans music. “The living museum is a manifestation of participation,” proclaims Ellis Marsalis—revered jazz pianist, music educator, and patriarch of the Marsalis family jazz dynasty/

THIS.IS.PROGRESS is a documentary exploring the inner workings of the UK's leading, independent wrestling promotion, PROGRESS Wrestling. On September 25th at the O2 Academy Brixton, PROGRESS organised one of the largest independent shows the UK has seen for a decade. This film charts the build-up to (and including) that momentous day in front of 2,500 people. Told from the perspective of their promoters, wrestlers and fans, THIS.IS.PROGRESS charts the companies ascension to the heady heights of the UK wrestling scene whilst dissecting what makes their company stand out as one of the most exciting promotions not just in the UK, but the world.