Avant garde/experimental film. A mesmerizing trip through the psychedelic vastness of space.
For a young boy, ordinary facts and things of daily life seem to have great importance.
#11 (Marey Moiré) is a film in which all images were generated by intermittently recording the movement of a line. It is a film about the discontinuity that lies at the heart of the film medium.
An abstract experimental short film from Jordan Belson.
SONG 4: Three girls playing with a ball. Hand painted (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONG 1: Portrait of a lady (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONG 8: Sea creatures (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONG 7: San Francisco (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONGS 2 & 3: Fire and a mind’s movement in remembering (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONGS 2 & 3: Fire and a mind’s movement in remembering (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONG 6: The painted veil via moth-death (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONG 9: Wedding source and substance (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
SONG 10: Sitting around (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
Experimental film which incorporates a range of materials, ink, coloring pencils, watercolors, and graphite, to narrate the story of a woman who is transformed into a cat while she drinks the celebrated beverage of the island, coffee.
Combines animation, documentary footage, and hand-painted film as well as slide projections, a painted 12" x 24" backdrop, and sculptural palm tree to create a kaleidoscopic portrait of the Puerto Rican psyche.
Tale about the fragility of power, the story of a David and a Goliath. Animated frame by frame with modeling clay on a light box's glass.
First part of the Trilogy of the Island in which Poli Marichal expresses and vents the anger and frustration caused by the colonial situation.
Hand painted, scratched Super 8 film meditating on Puerto Rico's political status through the layering of traditional Bomba music and governmental speeches.
The dynamic performance of drummer Jörg Mikula serves as the trigger for a new work by Siegfried Fruhauf that explores the reciprocal relationship between the two time-based media of film and music in a wild way. WHERE DO WE GO reveals itself to be a synesthetic experiment rendering sight as rhythmical and the visual edit as musical. The filmmaker painstakingly animates brief phases of movement recorded with a Lomography Supersampler* to create a visual series of trains, tracks, bridges and nature that are re-constellated and brought together in a multiple split-screen projection.