Through a poetic language, "White Noise" seeks to reflect on the whitening processes that Brazil suffered for 130 years, after the abolition of slavery. How it affects our offspring and makes it difficult to search for the identity of black people in a historically racist country.

Captures the sculptor Marisol posing among her work.

Robert Indiana with a few companions sitting, smiling, and smoking as life passes idly by.

Explore the near half-century career of the legendary comic book artist and writer. Made for his fans following a near death experience, the documentary delves into Miller's radical and defining influence on art, storytelling and culture. Following his small town beginnings in Vermont, to New York City, Hollywood, and beyond; this intimate documentary delves into his failures, successes, self-destruction and re-discovery.

Lou Reed was wise to chronicle a concert by his early-'80s band, featuring lead guitarist Robert Quine and bassist Fernando Saunders. Reed had used them on his trilogy of strong albums -- The Blue Mask, Legendary Hearts, and New Sensations -- released between 1982 and 1984. This 52-minute video, shot at the Capitol Theater in Passaic, NJ, in 1984, is a straightforward, no-frills live show. Reed, in black T-shirt and black leather pants, stands on-stage before a cityscape background and makes his way through a set that features both a selection of Velvet Underground songs, and his sole hit single, "Walk on the Wild Side," plus highlights from his three recent albums, notably such songs as "I Love You Suzanne." As such, the video makes a good Lou Reed career sampler.

Marisol has been posed against a light-coloured background and carefully lit from left and right. Her face emerges from the dark mass of her hair. The film is slightly out of focus throughout. At one point she glances off-screen, then resumes her gaze into the camera.

A documentary about the now abandoned and very influential punk club S.O.36. A punk music club on Oranienstrasse near Heinrichplatz in the area of Kreuzberg in Berlin, Germany.

This short film provides a glimpse at famous art galleries of Rome, Florence, and the Vatican.

16mm, black and white film, silent, 4:30 min.

An exploration of the work of controversial pop artist Allen Jones, whose erotic sculptures have angered feminists, challenged his contemporaries, and delighted collectors and gallery goers worldwide. WOMEN AND MEN attempts to demystify the artist through discussion with prima ballerina Darcey Bussell, wife Deirdre Morrow, fellow artist Gary Hume, and Jones himself.

In the summer of 2018, on the Serpentine in London's Hyde Park, world-renowned artist Christo created his first public work of art in the UK. Inspired by ancient Mesopotamian tombs, the Mastaba is constructed from 7,506 painted oil barrels and weighs six hundred tonnes. It is the latest work in a career spanning half a century and stretching across the world. His work to date have included surrounding 11 islands off the Florida coast with pink polypropylene and wrapping Berlin's Reichstag and the Pont Neuf in Paris. This programme charts the creation of the Mastaba - from the first barrels being put on the water to its final unveiling - and paints a portrait of Christo as he looks back on a life spent making provocative works of art with his wife and partner Jeanne-Claude.

Pig heads, intestines, megaphones: all these and more have been thrown into crowds of loyal fans following the influential punk band THE STALIN or any of number of Michiro Endo's other bands since 1980. Taking a step in front of the camera, however, Endo offers a very different kind of encounter in this inspiring self-portrait. "Mother, I've Pretty Much Forgotten Your Face" follows the artist, a native of Nihonmatsu, Fukushima, on the 2011 nationwide solo tour celebrating his 60th birthday, which was interrupted by the Great East Japan Earthquake. Traveling, performing and talking with fellow musicians and activists, Endo reflects on the past and future of Fukushima, the legacy of Hiroshima, his upbringing and his feelings about his mother, communicated in the song from which the documentary is named.

In March and April of 1966, Markopoulos created this filmic portrait of writers and artists from his New York circle, including Parker Tyler, W. H. Auden, Jasper Johns, Susan Sontag, Storm De Hirsch, Jonas Mekas, Allen Ginsberg, and George and Mike Kuchar, most observed in their homes or studios. Filmed in vibrant color, Galaxie pulses with life. It is a masterpiece of in-camera composition and editing, and stands as a vibrant response to Andy Warhol's contemporary Screen Tests. Preserved by the Academy Film Archive in 2001.

A multi-awarded 23 minute short film about pansexual punk rockers in a toxic relationship in London’s underground music scene

PC-4L follows a powerviolence band’s ritual of drinking Four Loko during practice. It originated with Victoria filmmaker Ailín Ó Dálaigh and was shot on Super 8mm film in one day on a visit to Dallas, TX with filmmaker Dariel Hernandez.

Amateur documentary chronicling the first six years of Showbread's touring career. Previously available as the main feature of the independently released How Showbread Ruined My Life DVD.

Leonhard Lapin is the classic and the enfant terrible of Estonian contemporary art, constantly followed by scandals, lewd legends and envious grumbling. Lapin confidently steps on the cornea of mediocrity, enjoying the situation to the fullest. Loved by his muses, the artist is not ashamed of his dalliances. He still has plenty at the grand old age of 70. The new Estonian film opens the doors to a disappearing Bohemianism, in which racy vocabulary reigns instead of political correctness.

An oral history of Artists Space, the legendary New York artists organization. Told through the voices of the artists, critics and curators who formed it, the film is narrated by voiceover culled from 30 hours of archival cassette tape interviews over a 45 year period. Artists such as Laurie Anderson, Mike Kelley, Hito Steyerl and David Wojnarowicz walk us through the decades. A formally-experimental and raucously-told chronology composed of rare archival documentation, The Business of Thought... is a reminder of the radical potential of the arts and the importance of collective, cultural spaces.

As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.