“An Untitled Film” by George Alshevskij-Jones is a short documentary/visual essay about the struggles of moving to seek a better future in a different country. The research for the film was done by observing and talking to people who have left their home country. It doesn’t matter what country a person has left and in which country he has found himself, the general experiences and emotions stay the same. The most important message that I want the film to convey is that everything is possible and home is not a place on a map, but a place in the soul of each person that I spoke to. The unconventional way of showing many people as one is not just a way of making the film more convenient to create, but a way to fit a much information into one consistent image, that the audience is more likely to understand and perceive as the author intended it. My own experience blended in with the experiences of others.
When her father enlists to fight for the British in WWI, young Sara Crewe goes to New York to attend the same boarding school her late mother attended. She soon clashes with the severe headmistress, Miss Minchin, who attempts to stifle Sara's creativity and sense of self-worth.
A boy imagines a monster that helps him deal with his difficult life and see the world in a different way.
Kate and Matt discover that a part of their house can grant wishes. In the wake of two miscarriages, what they want most is a child.
The tale of two brothers with serious financial woes. When a third party proposes they turn to crime, things go bad and the two become enemies.
A young girl, institutionalised by her abusive stepfather, retreats to an alternative reality as a coping strategy and envisions a plan to help her escape.
Sophia, a new high school student, tries to make friends with Barbara, who tells her that “she kills giants,” protecting this way her hometown and its inhabitants, who do not understand her strange behavior.
A homeless couple looks for a way to get ahead, working and making an effort, while trying to overcome their past.
An inspiring documentary about overcoming homelessness and addiction in the City of Los Angeles.
A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?
Sarah Kamya is a school counselor in New York City. She began the project Little Diverse Libraries on June 3rd and has already raised over $13,000, supported black owned bookstores, and has distributed 775 books to Little Free Libraries across all 50 states. Sarah is helping educate communities while most importantly amplifying and empowering black voices.
A group of homeless people struggle to survive on the streets against a harassing gang, an unforgiving community, and the local authorities.
Twentysomething J. and two of his close friends are in the process of realizing their utopian dream: turning an abandoned cathedral into a grant-powered, environmentally sustainable art space. Newcomers to the post-industrial frontier where they found this chapel, they have been carried here by progressive beliefs that have since left them in a muddled quandary to question the validity of their presence. But there is work to do every day. Work to realize the dream they might still have.
With a massive, unrestricted salvage area, the Yellowknife dump is one of the last and largest open dumps in North America. People from all walks of life go there, to search for everything from tools to clothes to home décor. This documentary follows a group of passionate salvagers over five years as the dump evolves and eventually succumbs to the inexorable efforts of city bureaucrats to subject it to sensible regulations and controls.
In the heart of Yogyakarta, a tall bike enthusiast takes a stand against the city's lacklustre cycling infrastructure in the city with the "Bicycle Friendly City" label.
A bedraggled young wanderer lives in a desolate world in complete isolation until reviewing their past choices forces them to call for help.
Openland is an art film guided by issues surrounding micro states and its derivative definitions. Through intertwining interviews, meta-narratives, and digital landscapes, Openland unfurls a dialogue between consciousness, individuality and collectivity.
This short documentary examines an innovative educational program developed by John and Gerti Murdoch to teach Cree children their language via Cree folklore, photographs, artifacts, and books that were written and printed in the community. Made as part of the NFB’s groundbreaking Challenge for Change series, Cree Way shows that local control of the education curriculum has a place in Indigenous communities.
A documentary about socialising and society in early 1970s New Zealand.