The Hamburg Ballet was one of the first ballet companies internationally to return to its studios after the first lockdown. The ballet Ghost Light by John Neumeier deals with isolation and the feelings and fantasies an empty stage may evoke. Developed in fragments using small groups of dancers and under the constraints imposed by Covid-19, the choreography reflects situations, fears, relationships, memories, and emotions experienced during the pandemic.
When the ballerina star of a musical feature walks off in a huff, aided by the fit-throwing director, her understudy steps in and a star is born.
A ballet dancer struggles with his homosexuality and the increasing allure of a young ballerina who seeks to draw him away from his domineering lover.
One sunny afternoon, during a garden party, young Alice sees with surprise how the writer Lewis Carroll, a friend of her parents, unusually turns into a white rabbit, and immediately feels the irrepressible desire to follow him into a magical rabbit hole.
Internationally acclaimed as the greatest male dancer of his generation, Carlos Acosta stars as the rebel slave in the most spectacular of Soviet ballets. Filmed in Paris after triumphant performances in Moscow and London, the Bolshoi's classic production presents the Cuban star at the height of his physical and dramatic powers -- as the greatest Spartacus of our time.
Lauren Cuthbertson, Sergei Polunin and Claire Calvert star in this true gem from the classical ballet repertory, set to Tchaikovsky's glorious music.
Starvinsky's ballets The Firebird and The Rite of Spring in the restored original choresography by Michel Fokine (Firebird) and Vaslav Nijinsky (Rite of Spring).
Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a life of luxury as his mistress she can’t resist.
La Esmeralda is a ballet in three acts and five scenes, inspired by the novel Notre-Dame de Paris by Victor Hugo, originally choreographed by Jules Perrot to music by Cesare Pugni, with sets by William Grieve and costumes by Mme. Copère.
In 1931 Shostakovich wrote a full-length score for the Leningrad Music Hall, for a show that involved many of the leading entertainers of the day, as well as dancing girls, a jazz band, a dancing dog, sequences of silent film, simulated air-raids and gas attacks, a lorry, a storm, waiters and waitresses in a luxury restaurant, river nymphs and even a scene in Heaven with the Devil, the Twelve Apostles, the Archangel Gabriel and all the other angels doing a blasphemous knees-up. The show was naturally a momentary scandal and the score soon disappeared. In 1991 Gerard McBurney reconstructed from the surviving sketches a sequence of 21 of the orchestral numbers to make a hilarious sequence of gallops, saucy polkas, marches and schmoozy waltzes.
The 2006 revival of Natalia Makarova's 1992 production of La Bayadere, recorded at the Teatro alla Scala featuring two international ballet stars Svetlana Zakharova and Roberto Bolle.
Inspired by dark and gripping real life events, this Royal Ballet classic depicts the sexual and morbid obsessions of Crown Prince Rudolf leading to the murder-suicide scandal with his mistress Mary Vetsera. The oppressive glamour of the Austro-Hungarian court in the 1880s sets the scene for a suspenseful drama of psychological and political intrigue as Rudolf fixates on his mortality.
In 1984, a fashionable young woman spontaneously lectures her friend about good oral hygiene. Produced by the American Dental Association.
A biographical look at the career of the acclaimed Margot Fonteyn. As a little girl called Peggy Hookham growing up in Shanghai, she told her mother she would one day become the greatest dancer in the world. Still performing at the age of 67 despite being almost unable to walk, hers is a story of courage and tenacity, of unbelievable devotion to her art and to those whom she loved. Those who ultimately left her penniless and alone, to be buried in a pauper’s grave.
A choreography to cracked linear textural sound. Elements of classical and neoclassical ballet used to choreograph a dancer's movements to jagged lines of sound.