The radical new take on Dickens’ classic seeks both to exhume the original story’s gritty commentary on social inequality and the corrupting influence of greed, and to breathe new life into the lyricism of the original text by setting its scenes to extraordinary tableaux of modern dance.

Single, unemployed and with nothing to lose, Anton accepts an offer to start working in an illegal coal mine. When his colleague is buried underground in an accident, Anton finds a replacement in the face of Hristo, 28, a young local Roma. The two men quickly bond, until the mob boss Tzetzo finds out that they've been hiding things from him. And in this town, some secrets better remain buried.

Shinta repeatedly calls her boyfriend, but she gets no answer. As if he just disappears in a thin air. Meanwhile in her school, Shinta becomes a gossip among her school friends. They talk about her video that is widely spread everywhere, including to her friends and neighbours. As if it’s not enough, Shinta also finds her self pregnant. And even more shocking, her best friend Ayun confirms that her so-called-boyfriend is a married man with children. It seems that Shinta’s world is crumbling down.

A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac. Joe tells her life and sexual experiences with hundreds of men since she was a young teenager while Seligman tells about his hobbies, such as fly fishing, reading about Fibonacci numbers or listening to organ music.

The murder of 13-year-old Yara Gambirasio shocks the little town of Brembate di Sopra, Italy. To bring the culprit to justice, prosecutors have only scant DNA evidence and no database to compare them to. Based on a true story.

A dramatization of the controversial trial concerning the right for Neo-Nazis to march in the predominantly Jewish community of Skokie, Illinois.

Set in the Bengali Renaissance of the 1930s and 1940s. A group of young intellectuals get embroiled in the struggle for Indian independence, sometimes at the expense of their personal lives.

Maurice Hines, a charming, gay African-American entertainer navigates the complications of show business while grieving the loss of his more famous, often estranged younger brother, tap dance legend Gregory Hines.

Johnny Fraser leaves his mother in their small home town and sets out for the big city. He obtains a job with a large firm of architects. Steve Carson, a fellow employee, is constantly flaunting the money he has won at the race track. Johnny also bets the races, but loses heavily and takes some of the firm's money to cover his losses.

Alvin Ailey played a key role in the growth of modern dance in USA and his company, founded in 1958, is one of the USA’s oldest dance troupes as well as one of the most youthful and vital on the dance scene. In this two-part program, members of Ailey's dance company celebrate his memory by performing three works choreographed by Ailey himself, as well as a special ballet tribute choreographed by Ulysses Dove. Each piece is introduced by Judith Jamison, the dancer and choreographer whose career was nurtured to stardom by Ailey, and who was, at the time of this production, Artistic Director of the company. The Alvin Ailey Dance Theater is uniquely eclectic in range, repertory, and style. As a choreographer, Ailey explored the black experience and went beyond, finding universal human truths in all his work.

Dazzling, brash and dynamic, yet equally graceful and poetic. DIVINING was Judith Jamison's first major work as a choreographer for Ailey, evoking a strong feeling for African tribal ritual, is set to hauntingly rhythmic drum music. REVELATIONS, often describes as the company's signature tune, has become an American classic. It expresses Ailey's intense feelings for his roots, with Ailey's vivid "blood memories" of the blues, spirituals, gospel music, ragtime and folk songs as well as the hard life of the Southern black during the Depression. Set to Modern Jazz, THE STUCK-UP takes place in modern-day Harlem, about the cruel reality of urban street life as a young man is destroyed by drugs. CRY, choreographed by Alvin Ailey in 1971 for Judith Jamison, is one of his most famous pieces. Created as a birthday present for his mother, it is Ailey's tribute to black women and inspires moving emotions with its portrayal of struggle, anger and most importantly, its feeling of celebration.

About two key pioneers of Swedish dance in the 1900s: Birgit Åkesson and Birgit Cullberg. Both were born in 1908 and became choreographers who made a big impression in the international dance history. Birgit Åkesson, in the serious "Fertility" directed by Alf Sjoberg, debuted in 1934 in Paris. She was co-designed the European avant-garde modern dance language, and created in the 1950s and 1960s, legendary works for the Stockholm Opera together with others including composer Karl-Birger Blomdahl and Erik Lindegren as librettist. Birgit Cullberg gives a much more relaxed and humorous impressions in "Antonius & Cleopatra", directed by Gerd Osten. Cullberg got her big break as a choreographer a few years in "Miss Julie" in 1950. After spending some time abroad Birgit Cullberg returned to Sweden and formed in 1967 the Cullberg Ballet, which she led until 1985. Topsy Håkansson, who performs the role as the gypsy.

The Cloud Gate Dance Theatre of Taiwan performs their elegant Tai Chi-based dances to the music of J.S. Bach. Choreography by Lin Hwai-Min. This dance film examines the correlation between essence and appearance, effort and effortlessness, man and woman , all explored using water, mirror, light and reflections.

Mangala Vaathiyam is a 1979 Indian Tamil-language film, directed by K. Shankar and produced by Gopikrishnan son of M. S. Viswanathan. The film stars Kamal Haasan, Sripriya, Y. G. Mahendran and Nagesh in lead roles. The film had musical score by M. S. Viswanathan.

Adaikalam, an accused, who has been imprisoned for many years helps two other men to escape from jail. They decide to mingle with the devotees travelling to Sabarimala in order to trick the police.

Federico, a virtuous nobleman from an impoverished family, is brought into service by autocrat Cesare Borgia. His promiscuous sister Lucrezia seems to have an amorous interest in Federico and wants him as her lover though Federico is in love with Diana, the Duke of Alva's daughter, whom he has saved from being raped. When he learns about Diana's feud against the Borgia clan, he becomes aware of their infamous deeds.

When a child goes missing in a small town, a troubled fisherman is forced to confront the past that destroyed his family.

A comedy-musical movie of Nestor de Villa and Nida Blanca’s love team. It depicts the family extended family culture and grown-up children providing for the family needs. Its satirist approach makes it effective in its attempts to criticize the most abused Filipino traits of family ties.

A troubled teenager confides in an imaginary friend who tries to help him understand the artificial nature of people.