A track coach in a small California town transforms a team of athletes into championship contenders.
After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
A teenage girl gets ready to go out to meet her boyfriend, despite her mother's loud verbal disapproval of her clothes. She goes out to a deserted area with him and he begins to touch her up and have sex with her, however a dog reveals the true nature of her boyfriend.
Kathy, a rebel and reserved teenager, wants only one thing: to escape from the psychiatric institution where she was locked up. She soon escapes and searches for her father, the only person who can free her from her prison. To make things a little more complicated, her roommates, Nabila and Carole, join Kathy in the escape.
A woman's seaside vacation takes a dark turn when her obsession with a young mother forces her to confront secrets from her past.
On her wedding night, Sipang's husband leaves his bride hurriedly after receiving a call. That, unfortunately, would be the last time Sipang sees her husband. As the young bride teams up with her husband's brother and his wife, she slowly uncovers facets of her husband's life she never knew existed. With her husband still missing, Sipang launches a desperate search for him.
The Sound of Music Live! is a television special that was originally broadcast by NBC on December 5, 2013. Produced by Craig Zadan and Neil Meron, the special was an adaptation of Rodgers and Hammerstein's Broadway musical The Sound of Music, starring country singer Carrie Underwood as Maria von Trapp, performed and televised live from Grumman Studios in Bethpage, New York. Meron felt that if the telecast were successful, the concept could become "another kind of entertainment that can exist on TV." By her request, Underwood's casting as Maria was personally endorsed by Julie Andrews, who starred in the 1965 film.
In a sleepy provincial town, a Jehovah’s Witness community is under attack from an extremist group. In the midst of this conflict is Yana, the wife of the community leader, whose familiar world is slowly crumbling around her. Meanwhile, a detective intrudes on her home with devastating consequences.
The ghost of a woman who died after an avalanche returns to live with her husband, who has not been able to overcome her death.
Conventions of civility among family members are severely strained by the very real breakup of the bonds between them. During a few days at a vacation home, Katha, a woman in late middle age, tries to cope with an influx of discontented, disconnected relatives. Her divorced daughter brings all sorts of people to the house, including a woman-friend accompanied by her psychotic son; the grandfather of the house is convinced he is dying and is satisfied by nothing; and some friends drop off their angry teenage son to stay with her, while they go on a long trip abroad. Her friend Emma doesn't help much with keeping a lid on things, as she is a social worker who is fascinated by the awfulness of these situations.
A hypocritical and selfish older sister holds power over her younger, unselfish and humanitarian sister by hiding the shame of her younger sister's pregnancy, with the purpose of upholding the aristocratic status of their name and household. Or that is what we are told, because underneath the facade, is a story of two sisters, who have had intimacy with the same man.
As Shayla continues to suffer with her depression, her younger sister Sofia suggests that the pair get out of the house for the day in hopes that she can understand what her sister is going through
A 16-year-old girl, bored with her own age group, becomes involved with an older man at a theater she passes.
“Draw or Die” is the divine imperative received by the painter, Hannah, who is being nurtured by her Grandmother, but controlled by her pragmatic mother. When her Granny spirit shouts this command to Hannah, she closes a celebration of personal visions in a dance piece that is close to visionary in itself.
Joanna - a university student - leaves her course to become a nun.
The day of the cremation of her grand mother, Emilie, a young mixed-race Asian girl, buries herself into her grandmother memories. She discovers the Indochina of Hoa, her romantic encounter with Jacques (a French colon), the birth of Linh (Emilie's mother) and her tragic departure to France in 1956. She relives with Linh the arrival into the camp of Sainte-Livrade, the exploitation of the Indochinese women by the market gardeners of Lot-et-Garonne. Between memories, dance, anger and traditional rituals, Emilie learns to accept this heritage.
A young socialite hires a bodyguard to protect her when an ex-convict begins stalking her.
Leila is a singer-songwriter who lives in Brussels. When Antoine, the man she is in love with, suddenly walks out on her for another woman, she leaves for Berlin to start a new life.
Reuniting by chance on a train journey to their friends wedding, a young ex-couple reflect back on their lives between leaving school and stumbling into "adulthood" and how their break-up affected their subsequent relationships.