Academy Award winning film maker Hilary Harris’ epic vision of New York City shot over 15 years [1959-74] during which time Mr. Harris pioneered and contemporized time-lapse film making techniques to achieve this unique experiential view of the world we inhabit: chaos and confusion seem to multiply in every corner of the Big Apple. Yet there seems to be some order in all that chaotic and relentless system and things seem to work just fine. The same can be said about the human body. Director Hilary Harris proves with this short documentary that cities and organisms are all-alike.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

According to the U.S. Department of Veterans Affairs, one veteran dies by suicide in America every 80 minutes. While only 1% of Americans has served in the military, former service members account for 20% of all suicides in the U.S. Based in Canandaigua, NY and open 24 hours a day, 365 days a year, the Veterans Crisis Line receives more than 22,000 calls each month from veterans of all conflicts who are struggling or contemplating suicide. This timely documentary spotlights the traumas endured by America’s veterans, as seen through the work of the hotline’s trained responders. CRISIS HOTLINE captures extremely private moments, where the professionals, many of whom are themselves veterans or veterans’ spouses, can often interrupt the thoughts and plans of suicidal callers to steer them out of crisis.

A compilation of trailers for various horror and sci-fi films, narrated and hosted by Vincent Price.

Jean-Luc Godard visits NYU in order to discuss his latest feature "La chinoise" with graduate students on filmmaking and politics.

This half-hour documentary by acclaimed director Jonathan Demme ("The Silence of the Lambs") captures singer-songwriter Neil Young and his hard-rocking backing band Crazy Horse "live" in the studio playing a set of four songs. These sessions took place at the Complex Recording Studios in Los Angeles on October 3, 1994, just one day after Young's critically-lauded Bridge School Benefit concert. Earlier that year, Young and his band had recorded the studio album "Sleeps with Angels" at the Complex studios and came back to film a series of music videos. Jonathan Demme was there to document the recording session, which began at 6:30 pm on a Monday evening and concluded at 4:30 am the next day. "The Complex Sessions" is the result of these sessions. Set List: 1. My Heart (3:08), 2. Prime of Life (4:44), 3. Change Your Mind (14:56), 4. Piece of Crap (3:08).

Nannies combines autobiographical elements with a reflection on the presence of nannies in Brazil. With a subjective narration, the film incorporates photographs, domestic footage and newspaper adds from the 20th century, as well as contemporary images of nannies and children, building a personal narrative about the presence of nannies in the daily lives of many Brazilian families. A situation where the affection is genuine, but does not dissolve violence and racism.

A group of Macedonian women are shown hard at work.

Christine attends her first and last prom accompanied by Martin Fredericksen

A short documentary depicting a typical day in the life of a 1940s era flying stewardess.

In the world's first media interview, shot in Paris in August 1886, the great photographer Nadar interviews the famous scientist and sceptic Chevreul on his 100th birthday. In their own words - originally recorded in shorthand - they discuss photography, colour theory, Moliere, the scientific method, the crazy ideas of balloonists, and - of course - how to live for 100 years. These two legends of the 19th century have a lively and interesting conversation. One was born before the French revolution; the other was destined to see the marvels of the aeroplane and the movies.

The documentary, made by the students of RUFA documentary course, followed Alice Pasquini for many months, resuming her pictorial interventions, interviewing friends and family, collecting archival material and participating in meetings for the realization of the book. The flow of images is a sort of specific itinerary that Alice Pasquini takes when she decides to give form and substance to what her mind imagines.

A documentary essay on coming of age and the power of the unconscious. In the same vein as Sweatlodge Song, this is a message of courage and hope.

In the coffee-growing village of Santuario, Colombia, lives an indigenous transgender community. That is where Juliana and Berómica were banished due to the prejudices of their own strongly Catholic community.

“Sonic artist” Chris Cree Brown discusses composing with new media and how he orchestrates particular sounds into formal compositional structures. Some sounds are made instrumentally, while others are recorded from his environment. In 1980 few classically-trained musicians in New Zealand experimented with synthesized sound and the gloriously large and sturdy equipment Brown uses to create his music will be of sure anthropological interest to many musos. The documentary was recorded with no script to capture the true art of creation.

A short experimental tone-poem documentary that explores three stages of the gentrification of Seattle.

An Interstellar x Google Play collaboration. Building off the themes of Interstellar, this short film weaves submissions from people around the world into a story celebrating the human experience on Earth. Directed by David Brodie and creative directed by Angus Wall, the film will serve as a time capsule that shows future generations what life on Earth was like, should we leave this planet.

In the decades after Bacon's Rebellion, an African man and an English woman - husband and wife - sing of their fate, their future as law by law, edict by edict, their family, their marriage, their love made illegal.

Documentarian Jon Boorstin follows architect Frank Gehry and his sister, Doreen Gehry Nelson, as they attempt a new method of teaching elementary school children in Los Angeles. With funding from the National Endowment for the Arts, the siblings work together on a pilot program of “design-based learning” that would restructure the typical classroom curriculum, replacing rote math or civics lessons with an imaginary city designed and built entirely by the students themselves. Restored in 2018 by the Academy Film Archive.