The ceremony performed every morning. The breakfast which never ends.
In describing the foundations for SOLAR SIGHT, artist Lawrence Jordan writes, "A question I had in mind was: what's the place of the human being in the cosmos? More and more we think about what is 'beyond.' Less and less is art concerned. I don't know why. The question seems a bit grandiose but I approached it quite simply. I have never worked with color photography as primary background to cut-out animation before. I was surprised that the result was so powerful (helped by John Davis' very resonant music). It was liberating to release human figures into an apperception of suggested space, along with the primordial enigma of the revolving sphere."
A moody love story featuring a cat and mouse. Even if we are lucky enough to love and be loved, deep down we remain a bit lonely. The film talks about how dearly we have to pay for our inability to endure this loneliness. About the fact that we must take care of love carefully, because returning to a loved one may prove impossible, even if there is a glowing longing on both sides. A broken diamond can no longer be glued together.
Ponders the possibilities of what awaits us at the end of our life.
Conceived, drawn and animated live by a team of patients from a psychiatric clinic, this achievement presents, in the eyes of its author, less interest on a purely cinematographic level than on that of human experience. It is the disturbing wordless story of a woman and a man living in a strange setting where objects are endowed with life that they have chosen to tell us through this theater of shadow puppets in cut out figurines. Their characters will know a tragic fate since carried in the air by balloons, they will finally be devoured by a horrible dragon.
Mr Hublot is a withdrawn, idiosyncratic character with OCD, scared of change and the outside world. Robot Pet's arrival turns his life upside down: he has to share his home with this very invasive companion.
Sam, the Duke of Yosemite, will inherit one million pounds if he can keep his temper in check. Thing is, he has to endure Bugs Bunny as his house guest.
Outer space invader Yosemite Sam wants to capture typical earth creature Bugs Bunny.
Wile E. Coyote tries to drop a rocket bomb on the Road Runner from a balloon but inflates himself instead.
Bugs races Daffy to get to the TV station first and win the prize on the "Beat Your Buddy" show.
The cartoon starts off with Woody who, tired of flying, stops to rest on a cloud...
Big Bad Wolf and his nephew create a club for rabbits, Club del Conejo, to try to catch Bugs Bunny.
A grand collision of Mizue’s signature visual music forms and Onohana’s mesmerizing impressionistic illustrations, featuring music by Twoth.
After a long journey through the stars a space archaeologist and an outcast rabbi are about to find the lost and mythical Earth… or at least what's left of it.
Leonardo is truly a terrible monster-terrible at being a monster that is. No matter how hard he tries, he can't seem to frighten anyone. Determined to succeed, Leonardo sets himself to training and research. Finally, he finds a nervous little boy, and scares the tuna salad out of him! But scaring people isn't quite as satisfying as he thought it would be. Leonardo realizes that he might be a terrible, awful monster-but he could be a really good friend.
Bernard faces the stereotype of an animal predator, one you wouldn’t cross paths with. Feeling resigned, he tries to express the truth about his isolation, and suppress the call of nature in him.