A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.
A candid-camera view of professional wrestling as seen in the Montréal Forum, where some of the biggest bouts are staged, and in back-street wrestling parlours where the warriors practice their art.
A silent succession of black-and-white photographs of the city of Montreal.
Hacks is a 73 minute European documentary exploring what nature of "Hacking" is in a social context. In HACKS, the Austrian multimedia artist Christine Bader examines who is the computer hacker and what moves him or her. Is the hacker a Robin Hood in cyber space or an anarchistic agitator? Bader speaks with Dutch, German and American communication freaks who are working with various kinds of network issues, like making the Internet accessible to individual persons (Felipe Rodriguez, founder of Internet provider Xs4all), creating a meeting place in cyber space, or designing an ultramodern communication network on a ‘multimedia art ship‘. ‘Hackers are not encumbered by technical, financial or organizational problems, they just want to do things‘, Rodriguez thinks. That the technological means ‘just to do things‘ are now freely available is demonstrated by the numerous computer initiatives that whiz past in HACKS.
This documentary looks at the computer hacker community in New York City of today, its meetings and conferences, political annotations, and historically explores the roots of the original definition 'hacking' amongst the model train enthusiasts at MIT.
Chez Schwartz takes us inside a year in the life of Schwartz's Deli - the unique 75-year-old landmark on Montreal's historic Main. Filmed through changing seasons, from the quiet of early morning preparation to the frenetic bustle of packed lunch times and never ending line-ups, to the more relaxed ambiance late at night - Chez Schwartz is an evocative, cinematic portrait of a small spunky deli known worldwide equally for its atmosphere and smoked meat.
The Taj Mahal and shots of Jalandhar nestle between footage from Canada and Africa.
This feature documentary studies the different faces of Montreal’s Greek community in 1969. Instead of giving voice to the businessmen and well-integrated few, the film highlights the cultural and economic problems encountered by new immigrants and their families.
Roadsworth: Crossing the Line details a Montreal stencil artist's clandestine campaign to make his mark on the city streets. As he is prosecuted at home and celebrated abroad, Roadsworth struggles to defend his work, define himself as an artist and address difficult questions about art and freedom of expression. - Written by Loaded Pictures
A film on Tornado Cash and the arrest of Alexey Pertsev.
Pop culture has become “Peep Culture”, where we’ve traded privacy for notoriety and, in the process, reinvented mass culture. But what does it all mean and how is it changing us? Hal Niedzviecki, a 38 year old husband and father, plunges into “deep peep”, with webcams exposing his every move and millions of potential internet viewers invited to watch and engage in the spectacle.
Alanis Obomsawin turns her lens to Le Patro Le Prévost, a recreational centre in the Villeray quarter of Montreal. On the eve of its 80th anniversary in 1989, Le Patro is a vital focal point in the predominantly working-class neighbourhood. Beloved by the many generations who use the facilities and partake in activities daily, Le Patro encourages a strong sense of togetherness through principles of cooperation, respect and sharing. Obomsawin presents a tender portrait of a neighbourhood of diverse residents and the community centre many of them consider a second home.
St. Joseph's Oratory, a picturesque shrine silhouetted against Mount Royal, draws pilgrims by the thousands every year. They come from California by Greyhound bus, from Vancouver by plane, and on foot from many parishes surrounding Montréal. What is the fame of this shrine, that it attracts the devout and the curious alike? The story is told by Brother Placide Vermandère of the Order of the Holy Cross, who was personally acquainted with Brother André, after whom the shrine's famous temple is named. Cameras follow a procession of the League of the Sacred Heart through the streets of the city to the famous sanctuary and show many of the religious observances conducted in the church, including Mass attended by invalids who come in the hope of being healed of various afflictions.
This short film recreates the experience of Sylvie, a battered woman who seeks shelter in a Montréal transition house. Faced with the threat of violence, loneliness, the lack of financial resources or information about services, the victim is often understandably reluctant to seek help. Emphasizing the importance for women of speaking out, the film also points out the role of the transition house in putting victims of abuse in touch with appropriate legal and social services.
Show Girls celebrates Montreal's swinging Black jazz scene from the 1920s to the 1960s, when the city was wide open. Three women who danced in the legendary Black clubs of the day - Rockhead's Paradise, The Terminal, Café St. Michel - share their unforgettable memories of life at the centre of one of the world's hottest jazz spots. From the Roaring Twenties, through the Second World War and on into the golden era of clubs in the fifties and sixities, Show Girls chronicles the lives of Bernice, Tina and Olga - mixing their memories with rarely seen footage of the era.
Hacking at Leaves documents artist and hazmat-suit aficionado Johannes Grenzfurthner as he attempts to come to terms with the United States' colonial past, Navajo tribal history, and the hacker movement. The story hones in on a small tinker space in Durango, Colorado, that made significant contributions to worldwide COVID relief efforts. But things go awry when Uncle Sam interferes with the film's production.