Scent of Rain: A Love Story Really! A delightfully funny and entertaining evening of theater, Scent of Rain is a comic fantasy set in rural America during simpler times in the family we all wish we could have had. This hilarious, compelling and ultimately touching story begins with the dying father of an all-male family who wants to know his sons are happily married before he passes on. The two older straight boys are engaged to twin sisters, but their younger brother is "special" and his father is concerned that he'll go through life alone, unless they can find him a husband. With assistance and support from hired hand Bill Tom, played by Ryan Idol, their comical attempts produce the gay version of "Seven Brides for Seven Brothers." Only this time, it's just "one husband for one brother."

"Pensées d'Alexandrie", "Bises du Caire" ... It's summer. They took their car, drove in coaches, flew in planes and visited camera in shoulder strap some distant country bristling with monuments and other "things to see", such as Egypt, Greece, India or Bordeaux. So as they are bored a bit far from their home sweet home, the Rouchon write to Brochon and vice versa - we are polite all the same! They send postcards not stung from the beetles. In these letters from the front of the leisure society, François Morel as a "melancholy mocker" has fun with often tender humor, sometimes biting, of this irrepressible need to change scenery to finally eye with a weary eye the pyramids and all those centuries that contemplate you while thinking of the evening meal (wine is free and at will) and the friends who have stayed in the country.

Pasquale Grifone, who lives in Naples with his family, receives in a dream the visit of Dante Alighieri. The poet suggests to the man, clouded by the fumes of alcohol, four numbers to play.

Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.

Wrongly accused of physically abusing a fellow actor, starving thespians Arthur and Maurice find themselves pursued by the law aboard a cruise ship.

Praised at the Théâtre du Rond-Point, dedicated to Molières 2019 by Molière for directing for Mathilda May, and for female revelation with Ariane Mourier, Le Banquet is a singular, strong, surprising and universal show. A wedding where everything goes wrong, a banquet where everything suddenly shatters. Without words but in a universal language, the characters love each other, confront each other, meet again, and get lost in a funny and hectic whirlwind. After the immense success of Open Space and when Mr. X was created with Pierre Richard, Mathilda May continues to make us dream and presents us here with a unique fresco. An exceptional spectacle.

José Dourado uses a double identity to be able to have fun without compromising his image as a rich heir and telecommunications shareholder. His best friend, Agenor Nabuco, makes use of this to invade José's farm and, then, he meets the seductive Cecília Feijó, his friend's niece. Agenor is Patrícia Lobato's cousin, with whom José is in love, but Aunt Augusta, Patrícia's mother, is against the relationship. Love impediments will also be imposed by housekeeper Dona Glorinha and pastor Saulo Malaquias. Then, a plot from the past appears to alter the course of the characters in the story.

July 14, 1962. It's the excitement at the famous cabaret "Le Glamour". The alluring singer Lola-Lola begins a new singing tour: we are sold out. But stupor and disaster! In the basement, in the toilets kept by the cantankerous Penelope, we discover a corpse in the ladies' room.