This is not horror video. This video was created simply by filming inside my house.
On the set of his amateur short film, Tim unwittingly meets a certain Stéphane, a gruff, loud-mouthed man with stories that smack of a competition mythomaniac. Tim is convinced that he has a golden documentary subject.
Five young New Yorkers throw their friend a going-away party the night that a monster the size of a skyscraper descends upon the city. Told from the point of view of their video camera, the film is a document of their attempt to survive the most surreal, horrifying event of their lives.
In a small supermarket in a blue collar town, a black man smiles at a 10 year old white boy across the checkout aisle. This innocuous moment sends two gangs into a ruthless war that ends with a shocking backlash.
Ten strangers are invited as weekend guests to a remote mountain mansion. When the host doesn't show up, the guests start dying, one by one, in uniquely macabre Agatha Christie-style. It is based on Christie's best-selling novel with 100 million sales to date, making it the world's best-selling mystery ever, and one of the most-printed books of all time.
A young woman studying the habits of webcam chat users from the apparent safety of her apartment witnesses a brutal murder online and is quickly immersed in a nightmare in which she and her loved ones are targeted for the same grisly fate as the first victim.
In 2009 three young men were killed in a remote part of Yellowstone National Park. Authorities never found the murderer. He found them! Hours after the trio were gunned down, Dwayne Nelson confessed to the crime. Despite this Nelson was allowed to go free because of an American Constitution loophole. Documentarian Julian T. Pinder travels to Yellowstone in a compelling chase for truth behind a crime that should have rocked the nation. How did a guilty man go free? In his hunt for answers Pinder risks his own life when he finds evidence that could re-open the case years later.
In the mountains of the Ötztal, the wealthy Fender (Eduard Köck) and Wally (Heath Hatheyer), his only daughter and heir, manage a small farm. He wants to marry the rich, but boring, Vincent (Leopold Esterle). Wally escapes to a mountain hut, where she lives alone and withdrawn. Her love belongs to the hunter, Joseph (Sepp Rist). When she unwisely takes a young vulture from its nest and is attacked by the mother, Joseph comes to her aid and from that point on, she fondly calls him her "Geierwally". He also feels attracted to her, but Wally can't escape the feeling, that the young Afra is his mistress. Mad with jealousy, Wally announces that she'll marry the one who kills Josef. Vincent wants to earn her hand and is determined to kill the Geierwally. Just in time, though, the actual relationship between Joseph and Afra is clarified.
A group of students decide to base their media assignment on a local railway museum myth. However, when they trespass the premises after hours, they soon learn that some myths are more than stories.
"The Bear Joseph", so named because of a fight with a bear, is rescued by Wally, a farmer's daughter, from a dangerous situation in a vulture's nest. He then calls her "Geierwally". They fall in love. Wally's father disapproves of this romance. He has other plans for Wally.
During a wild weekend in Las Vegas, four young friends get into trouble with a loan shark and must skip town in a hurry. But gambling problems may be the least of their worries after they get stranded in the Nevada desert. One of the guys discovers a mysterious metal fragment, then promptly goes missing during the night. When the remaining three catch up with their lost friend, there's something different about him. As his condition worsens, the others realize that something unearthly might be stalking them in the desert.
What happens when an uncontrollable virus turns the living into the living dead?
The viewer becomes the eyes of two detectives who never appear on camera as they unravel a mystery on a video screen, watching tapes from twenty-one hidden cameras which have captured a crime in progress. Three gunmen break into the home of gem dealer Seth Collison to steal the Sophia Diamond, a thirty-three carat stone valued at ten million dollars. Five minutes later the gunmen are dead. The case is closed before police find out about the hidden cameras. At eleven o'clock that night, the task of watching the tapes falls to secondary detectives Blu and Scotty. Through their eyes we discover what really went down.
We were warned in an ancient Mayan prophecy that the 21st December 2012 would be the beginning of the end, but not how and where this new era would unveil itself. Until now.
A lonely woman trapped in an abusive marriage finds solace in her online lover -- a man she only knows through online video chatting. Unknown to her, she is also being secretly watched via her webcam. After the woman suffers a brutal beating, her lover proposes a bold plan -- a way she can kill her husband and claim self-defense. But the plan goes horribly wrong.
A documentary filmmaker team is haunted by a series of supernatural events while working on a documentary about the urban legend "Mama Minta Hotspot".
Rough Cut, the debut feature from London-based artist Jamie Shovlin, explores the re-making of an exploitation film that never was. At its dark heart is Hiker Meat, an archetypal 1970s slasher movie imagined by Shovlin, complete with hitchhiking heroine, charismatic commune leader and a group of teens who disappear one by one. This tantalising film-within-a-film serves to both deconstruct and pay affectionate homage to the often-maligned exploitation style. Having created a full screenplay, score and cut-and-paste prototype for Hiker Meat, Shovlin filmed key sections and a full trailer in an intense shoot in the Lake District in summer 2013. Rough Cut contrasts these re-made sequences with on-set footage and insights into the development of Hiker Meat’s script, soundtrack and design, to create a compelling mash-up of self-referencing processes, behind-the-scenes viewpoints and time-honoured slasher tropes.