The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.

While cleaning the apartment of Lucía, her deceased grandmother, Anna finds a notebook where she discovers the story of a secretly kept love, lived during the turbulent years of the Second Republic and the Spanish Civil War.

Actor Jeremy Irons embarks on an epic journey through the halls of the Prado Museum in Madrid, Spain, two hundred years after its inauguration, along corridors where thousands of masterpieces of all time tell the lives of rulers and common people, and tales about times of war and madness and times of peace and happiness; because, as Goya said, imagination, the mother of the arts, produces impossible monsters, but also unspeakable wonders.

An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.

When Spanish Civil War ends in 1939, some of the women who played a leading role in the creative and literary boom known as Generation of 1927, stay in Spain, sacrificing the spirit that had enlightened them; but many others take the hard and long path of exile.

San Sebastián de los Reyes Bullring, Madrid, Spain, March 27, 1977. In response to the strange political alliances that were taking place between antagonistic forces in search of a self-serving consensus, the anarcho-syndicalist union CNT organizes a rally to denounce the reprehensible machinations of its adversaries. (Documentary shot in 1977; edited and released in 2011).

The story of the creation of The Spirit of the Beehive, a film directed by Víctor Erice in 1973.

The chronicle of the process, ten long years, that led to the end of ETA (Euskadi Ta Askatasuna), a Basque terrorist gang that perpetrated robberies, kidnappings and murders in Spain and the French Basque Country for more than fifty years. Almost 1,000 people died, but others are still alive to tell the story of how the nightmare finally ended.

Madrid, Spain, December 27, 1870. General Juan Prim i Prats, president of the Council of Ministers and Minister of War gets involved in a treacherous ambush, is mortal injured and dies three days later. A mystery, a conspiracy, a murder that was never solved.

Spain, 1519. Ferdinand Magellan, Portuguese navigator in the service of King Charles I, undertakes, at the command of five ships, a commercial expedition to the Moluccas. The story of the first circumnavigation of the world, completed by Juan Sebastián Elcano in 1522.

Benjamina Miyar Díaz (1888-1961) led an unusual life in her house on calle del Agua in Corao, Asturias, at the foot of the Picos de Europa mountain range in northern Spain: she was a photographer and watchmaker for more than forty years, but she also fought in her own humble and heroic way against General Franco's dictatorship.

A journey through the Spain of the Baroque, the glorious 17th century, an unfortunate era of endless wars and political tribulations; but also of great painters and sculptors who created astonishing pieces of art: el Siglo de Oro.

Spain, 1997. The story of twelve days in July during which Basque society left indifference and fear behind and faced the threat of the terrorist group ETA.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

When Spanish Civil War ends in 1939, some of the women who played a leading role in the creative and literary boom known as Generation of 1927, stay in Spain, freely or not, sacrificing the spirit that had enlightened them, adapting themselves —or pretending to do so— to the new feminine role imposed by the victors, who were determined to cage these free souls at home, to live just as wives and mothers.

A landscape is only a landscape until we know what lies beneath. Pozo Ibarra, in the Central Mountains of León, is a mining complex full of significant architectural attributes, and also the imposing and ruinous remnant of a painful past that passed the ideas of freedom, literally, through the stone, turned into a great mass grave. Now, when the sun goes down, the souls that inhabit it rise up, refusing to forget.

The turbulent history of the twenty-five years during which, in the midst of Franco's dictatorship, Spain was turned into an immense movie set on which many foreign production companies shot dozens of films, from westerns to historical epics.

‘VIGO 1972’ narrates the events which took place in Vigo in September 1972, when the firing of five Citröen auto workers resulted in the largest general strike in the history of Galicia — with over thirty thousand workers — all of this during the Franco dictatorship in Spain.

A filmed diary which chronicles two visits to the Olivas, a family of Spanish beekeepers from Salamanca, at the time of the honey harvest, in August and September. Their work and their itinerant life are seen from a friend's point of view.