In October of 1994, a quartet of filmmakers disappeared into the woods just outside the Emerald City while shooting a documentary about the Wicked Witch Of the West. A year later, their footage was found. Aspiring filmmaker Dorothy Gale arrives in a strange new place after a cyclone hits her beloved Kansas. Enchanted with her new surroundings, she ventures into the nearby woods with her companions to make a documentary about The Wicked Witch of the West, a popular urban legend. She and her friends are never seen again, though their footage inexplicably turns up in a local video store one year later.

Pluto wants to sing along with the birds, bee and cricket, but he is tone deaf.

Pluto is infatuated by a pretty lady dog, but she sighs for Prince, a circus wonder dog she sees on a poster.

Different animals play with a marble in this whimsical story from Hermína Týrlová, ‘the mother of Czech animation’

A delightful short film shot in reverse in which the main protagonist enjoys a day on the town.

Father and son coyotes try to sneak into a henhouse that Pluto is guarding.

Morning, and Figaro the kitten wants to play. Pluto, on the other hand, has been out all night and wants to sleep. Finally, the sandman who has been putting Pluto to sleep calls in Figaro's sandman.

Mickey Mouse sends Pluto to buy sausage at the butcher shop, but Butch schemes to steal it.

Pluto's primitive wolf nature emerges and berates him for going soft. But their little hunting trip goes bad when Pluto encounters a rabbit and bear that give him some trouble.

Pluto falls for Dinah the dachshund; so does Butch. She strings both along, until Pluto very sweetly gives her a bone. But Butch won't let her go, and keeps horning in, much to her annoyance.

A coyote and his rather dim son stalk the sheep that Pluto is guarding.

A little bird tries to fly too soon and lands in Pluto's water dish. Pluto saves it and returns it to the nest but soon the bird tries again. This time, Pluto decides to give flying lessons, first pulling the bird like a kite, then launching him with an improvised slingshot.

Two coyotes (father and son) smell food. They arrive in a campsite just in time to see the owner (presumably Mickey) heading downriver in a boat. The food is secured up in a tree, and Pluto, though sleeping, is standing guard. The father sets to work on getting the food down, but junior keeps dragging Pluto out for his dinner. Dad knows that Pluto is nothing but trouble, and keeps putting him back in the tent. They eventually get the food down, between run-ins with Pluto, and are preparing to feast when Pluto runs them off and the owner returns. Pluto realizes that, without the coyotes, he's going to get blamed, and goes off to join his former foes

Pluto tries to bring in the mail, which gets more difficult when a package sprouts legs and tries to go swimming. Between the wandering turtle and the wind blowing the other mail around, Pluto's got quite a task ahead. And it's not made easier when both the letters and the turtle go off a large cliff.

American cowboy Goofy gets taken mysteriously to the Argentine pampas to learn the ways of the native gaucho.

This haunting animation film, rich with symbolism, is the filmmaker's plea for a peaceful world in which to raise his newborn son. Using the menacing imagery of the howling wind, the artist provokes viewers to reflect on the insanity of war. While the film is symbolic, its message is unmistakably clear: unless there is an end to conflict, we will continue to see our children swept away like leaves in the wind.

Pluto and the cat, goaded by a TV commercial for turkey, raid the fridge and find a turkey inside. The cat gets there first and re-heats the turkey, first on the furnace duct, and then, trying to hide from Pluto, inside the tube-type TV - but he over-does it a bit.

A comic film about traditional Caucasian hospitality.

In Adieu bipède (1987), Hébert turned to performance, using the scratching technique for the scenes with dancing and music. He used the same technique in La Lettre d'amour (1988).

According to the U.S. Dept. of Transportation, 99.9 percent of hitchhikers are murderers. According to the U.S. Dept. of Transportation, 99.9 percent of people who pick up hitchhikers are ALSO murderers.