Welcome to My Life is a glimpse into a day in the life of Douglas, aka T-Kesh, a Monster-American teenager. He’s doing his best to fit in, and make it through high school. On the inside he’s just like other humans, but there’s no hiding when you are literally a monster on the outside. In this mockumentary short, we see how even day-to-day life can be hard when you’re so very much not like the others.

Cucu lives with her mother. Tonight, it is her father's turn to babysit. Except, Arnaud is more used to rave parties than pyjama parties. When it is time to go to bed, Cucu wants her father to read her a story. Arnaud refuses, pretending he is useless at reading. He then starts improvising an impossible love story between Sissi the Empress and Hercules the half-god.

A master owl tries to present the kindergarten end of year show. Unfortunately the night does not go as planned, as several unforeseen events happened, one after the other, even before the curtain came up.

In 1492, Bugs Bunny sails the ocean blue, as mascot for Christopher Columbus.

Sylvester Cat accepts a position as mouse-catcher on a ship, and his son, Junior, accompanies him. They encounter baby kangaroo Hippety Hopper being shipped from Australia and, as usual, mistake Hippety for a giant mouse.

Yosemite Sam hears that Granny has inherited fifty million dollars. Good guy Bugs tries to save Granny from Sam's clutches.

Bugs is provoked by a pack of foxhounds and their hunters stampeding over his hole, so he gets out his Halloween costume from last year (a fox suit) and sets out to lead the dogs on a merry chase. The stupidest of the dogs, whose objective is to cut a fox's tail off, becomes his main victim; Bugs tricks him into chasing a train instead. He eventually tricks the dog pack into running off a cliff, but the stupid dog ends up with Bugs' tail.

A young poet falling in love. A city that awaits a drama to unfold. A time of sadness and conformity, a time of decisions. There is light, there is hope, there is poetry behind the dark clouds of our world.

Mighty Mouse encounters a Time Machine while trying to save pure-hearted Pearl Pureheart from the unwanted advances and clutches of the evil oily-villain, Oil Can Harry. After brief stops in 1620 and 1890, and ancient Egypt, Mighty Mouse finds himself in the prehistoric age of the dinosaurs. He mops up on Harry and the dinosaurs, proving he can take care of anyone, anyplace, anywhere at any time.

A girl journeys through a vibrant, pulsing, macrocosmic landscape, but a precipitous incident compels her to venture up a mountain in an attempt to save herself. A story about illness, perseverance, and our connection to everything around us.

Where does love go when lovers break apart? Or when they stay together? How do you find the spirit to fall in love again? Is it permissible-possible and is it possible-legal to love several people at the same time? What becomes of our love after death, is it really that important or simply inevitable? This is about the laws of love, which are as simple as one, two, three, when we are still in love, but incomprehensible and unexplainable once love retreats. About the logic of the heart, which has nothing in common with common logic, just like non-Euclidean geometry disproves and surpasses the Euclidean one.

Have you ever woken in the night unable to move, certain that you are not alone? This is an experimental documentary examining what happens when dreams leak into waking life. It is about what is real, what is not, and if it even matters.

A short anti-Semitic propaganda cartoon produced in 1940 based on a poem by Friedrich Rückert of the same name.

A psychotic killer with an affection for snails is welcomed by an abused wife in this gruesome comedy.

The film portrays the author's fear of how Hong Kong has changed and how she faces her emotions. It feels like the soul is broken into many pieces, but if we survive, depths of night will eventually pass.

A Gossy New Wave Production - A lonely and obsessive young man asks an old friend to help him fix a mysterious ironing board.

"Marx was born in Queensland, Australia, and was a landscape painter and model there before moving to San Francisco. However, when she arrived, she found herself in the midst of fascinating non-objective painting and filmmaking activity. She was greatly influenced by the work of Harry Smith and Jordan Belson, and changed her own style to non-objective, receiving graphic inspiration from Jungian brain drawings, symbols in the occult sciences, and the design used by Eastern cultures, all of which being important elements in the San Francisco school mystical school of non-objective art." -Robert Pike, A Critical Study of the West Coast Experimental Film Movement. Preserved by the Academy Film Archive in 2000.