Bill struggles to put together his shattered psyche.
A strange town and the odd behaviour of its inhabitants.
Be better and more beautiful than you were before.
Inspired by the Greek myth of Prometheus, a Titan who created the first mortals from clay and stole fire from the gods, Prometheus' Garden immerses viewers in a cinematic universe unlike any other. The dark and magical images of this haunting film unfold in a dreamlike stream of consciousness revealing an unlikely cast of characters engaged in a violent struggle for survival.
Sam, a shy young man, finds himself in a slow-motion world. Trying to restore the time, he fails. The circumstances bring him to rescue his coworkers, and Nathalie, the girl he secretly loves.
Three books: a film festival catalogue, a dictionary, the Bible. Three works whose materiality has become obsolete by the digital dematerialization. A commentary on the fragility of culture.
An animation mixing hand-drawn and cut-out techniques depicting the daily rituals of weekday morning that is occasionally interrupted by flights of fantasy delivered in stroboscopic flashes. Showing scenes of brushing teeth and face washing, Tanaami describes the film to be like a self-portrait on his favorite day of the week.
In this short film, a mysterious character goes on a journey to the back of his mind on the night of his birthday.
The project explores the inner struggles of the artist, the fears, anxieties and thought patterns that, to some extent, drive their existence. The artist's voice, sporadically reciting diary-like entries, guides you through a world built as a visual representation of their emotions. The resulting experience is surrealist in nature, but also deeply intimate.
After Billy finds a winning scratch ticket, the gas station gets a new lottery machine that becomes the talk of the town. Part of [adult swim] smalls and second Gassy's Gas n Stuff short
As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.
This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.
A visual and musical elaboration on the Crab Canon in which the theme of intersecting beams is played against itself going backwards.
The surreal film Newscaster/Dragon/Maggots is a transmission of what lurks in between the channels. This is a rotoscoped piece of animation created from three randomly selected pieces of found footage. The foundation of this piece is based in mathematics, chance and montage editing measured in increments of triangular numbers. After the Formalist groundwork was laid, elements of Surrealism were employed to take the film beyond the initial framework of the metric and rhythmic editing process. The pixels were playfully manipulated and melded together into an entirely new form, backed by a noise composition set into place without regard for pacing, only duration. Music by legendary noise musician Merzbow.
Doodles keep dripping down from the mouth of an idiot.
Impressions about fighting the passing of time, living in a constant hurry and the uphill battle of finding the natural tempo to life itself.
A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.
A jazzy film in which the spectator is forced to look with the ears and listen with the eyes. An abstract film drawn directly on the computer.
"My last image of Jonas."—Ken Jacobs