Returning to the primal source of language, Hill explores the physical and subconscious origins of speech. In a continuous shot of a rhythmic, linguistically inspired chant-performance by George Quasha and George Stein, the camera wanders from mouth to face to hands to figure in an open-ended visual search. The performers use the body as an acoustic instrument of sound and abstract utterances.
1980-81, 13:27 min, b&w, sound Videograms is an ongoing series of text/image constructs or syntaxes using the Rutt/Etra Scan Processor, a device that enables Hill to sculpt electronic forms on the screen. Each "videogram" relates literally or conceptually to Hill's accompanying spoken text, which is visually translated into abstract shapes. Hill writes, "The vocabulary and precision of this tool allowed me to expand the notion of an 'electronic linguistic' through textual narrative blocks created specifically for the electronic vocabulary inherent in the Rutt/Etra device."
Live theatre presentation of Shakespeare's classic play about two teenagers from warring families whose love affair ends in tragedy.
16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.
As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.
Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.
A boy who was once a perpetual outcast finds friends in a new boarding school. United with his new peers, he gets involved in a heated rivalry with a group of students from a neighboring school.
Buenos Aires. Exe, 25 years old, has just lost his job and is not looking for another one. His neighbors and friends seem as odd to him as they always do. Online, he meets Alf, a boy from Mozambique who is also bored with his job and who is about to follow Archie, another boy who has run away into the jungle. Through the dense vegetation of the forest, Archie tracks ants back to their nest. One of them wanders off course and comes across Canh, a Filipino, sitting on top of a giant heap of earth and who is about to go back to his strange, beautiful home town, where he too has a miserable job.
On planet Sigma, enormous creatures are trapped inside the ice. And then, all of a sudden explosions erupt from subterranean volcanoes. The ice begins to melt; a global warming concludes the giants’ deep slumber and new life begins. The creatures crawl forth, out of the ice.
A "cinematic object" by Mariano Llinás, divided into 9 chapters, based on the poetry of Henri Michaux.
The film consists of three sequences shot by a fixed camera: the first shows the balcony of a hospital with patients (soundtrack from the film "Vivre sa vie" by Jean-Luc Godard), the second is a scraped wall and the third is a crossroad with pedestrians and cars (sound taken from the film "The Time-Machine " by George Pal).
Catchy mix of farce and documentary. Portrait of a Berlin theatre company made up entirely of the homeless, alcoholics and junks. They call themselves ‘rats’ and take the film over to have a party.
An essay on the brutality of beauty and innocence in a hostile world.
Auroratone films were produced by the Auroratone Foundation of America Inc. in Hollywood, Los Angeles, California. The films showed crystal-like abstract color patterns that changed and blended with each other. The patterns were produced by using crystallizing chemicals and polarized light, which were then synchronized to a variety of recorded musical tracks. The process was developed by English psychologist and scientist Cecil Stokes, who was the founder and technical director of the company. Stokes was issued patent 2292172 on August 4, 1942, for "Process and Apparatus for Producing Musical Rhythm in Color". (Provided by Wikipedia)
A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.
Feeling lost, a holidayer takes a vacation, only to discover a world that is as banal as it is hyper-real. A found-footage essay film. A home-movie. A music video. An experimental documentary about the fantasy of air travel. Taking a tour of the global centres of accumulation - New York, Dubai, Burning Man - Twilight documents the unreal, the mundane and the spectre of ecological collapse.
A fantasia of post-indoctrination, immigration, and iconography. A pageant of wanderers and searchers: Mormon missionaries, a pioneer, polygamists, scouts, hunters, church-goers, and an aspiring prophet walk and walk and walk. A pilgrimage of memory, history, ancestry, and place.