For anyone who has ever confronted a difficult decision in which none of the solutions seems like the right one, CROSSROADS will have a special resonance. Made at a time when the director was facing great uncertainty in his life, the film is an extended, often humorous, look at a man pulled in too many directions, in a world in which everything keeps changing and all roads seem to lead back to the beginning.
A young llama named Koro discovers that the grass is always greener on the other side (of the fence).
In a post-apocalyptic Spain different tribes survive, struggling to take control of the only existing sustenance: a red wine of negligible quality. (A sequel to Made in Spain, 2016.)
The previously untold origins of Olaf, the innocent and insightful, summer-loving snowman are revealed as we follow Olaf’s first steps as he comes to life and searches for his identity in the snowy mountains outside Arendelle.
Koro wants to get to the other side of the road.
After the original run of the television series, an OAV music video titled Genesis Climber Mospeada: Love Live Alive was specially (mostly due to demands of hardcore Mospeada fans) released in Japan in September 1985. The music video consisted of both old and new footage. The story of Love Live Alive chronicled the events after the ending of the original Mospeada, featuring Yellow Belmont as the main character. The music video focused on Yellow's concert and also on his flashback of past events.
On a night out with the lads, one individual decides that there is more to socializing than mere face value.
A black/white world, slow heavy labor, each frame crossfaded into the next.
This tongue-in-cheek cautionary tale by Croatian director Zlatko Grgic traces man's checkered history with fire, and shows how growing carelessness in the form of overloaded sockets, smoldering cigarettes and other fire hazards can have highly undesirable consequences.
This is an educational short released by the Los Angeles Public Library explaining what to expect when you get your first period.
In search of his lost soul mate, an unpainted Vinylmation finds himself on a quest that alters the destiny of his entire world.
El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.
A surreal trip through the subconscious of a stifled musician as he struggles to sing.
The horrors of a shipwreck, the bells of aforgotten lighthouse and the coming and going of the tides surround a tale about the sea. 'Sailor’s Grave' is the result of a workshop based on a work method taking its inspiration from the exquisite corpse game, a mechanism of collective creation where the participants manipulate and transform one another's drawings to construct an intuitive, improvised narration.
Are you firmly attached or just hanging loose? Every pair of breast is unique, at the same time so alike every other pair. The same goes for relationships and in this film the two are brought together when breasts get to speak. In conversations, showdowns and confessions about living together several pairs of breasts talk about life, sex, loneliness, freedom, childlessness and everyday life with each other. And then some. Sounds crazy? Don´t worry, it gets worse. In this fictional documentary, animated romcomt boobs are shown in a way we never seen before. Breasts are not sex objects or baby feeders here, but part of a unit, with feelings, opinions and wisdom. The kind of wisdom you get from sharing life – or body – for a long time.
A hermit crab with an obsession for shiny objects comes across a wedding ring that a young woman lost at the beach. They both find it at the same time and a chase ensues. Will the woman get her beloved ring back? Will the crab outwit her and hold on to his newly-prized possession?
Soviet cartoon, The Dog and the Cat, from Lev Atamanov.
Ironic impression on the value of Polish money. The leitmotif was a animated image of working miners from an old 500-zloty banknote. . .
A young astronaut works in solitude on a spaceship, trying to avoid reminders of her life back on Earth. When an alien entity finds its way aboard her ship, she must face some difficult truths.
Fairytale full of light, magic and nostalgia. A clay doll awakens her surroundings that become a surreal world in constant flow of change. Shot with natural light the visible changes of daylight emphasize the passing of time in the film.