The music of Pink Floyd and the total work of art of this iconic group has been shaping our culture for six decades now. It is an indispensable part of our view of the world. For more than 30 years, The Australian Pink Floyd Show has ensured that this unparalleled cultural heritage appears as vividly as ever, and can renew itself time and again. With their very own, often humorous but always dedicated look at the oeuvre of great role models, they not only create the faithful audio-visual reproduction of Pink Floyd's best moments from all eras, they also rarely bring what they hear to life and thus create magnificent concert experiences.

What happens when a group of talented kids from a performing arts school are faced with an impossible challenge — create a showcase in only two weeks that shows the world how they were created to shine?

Live at Tavastia Club in Helsinki, Finland, 23 November, 2002 - LIVE: 01. Crashing High 02. Angel On My Shoulder 03. Forever More 04. Gothic Girl 05. Velvet Touch 06. Don t Turn Your Back On Fear 07. Stolen Season 08. Sleeping With Lions 09. Betty Blue 10. Radical 11. Still Waters Run Deep 12. The Chair 13. Wasting The Dawn 14. Dance D Amour 15. Framed In Blood 16. Stigmata 17. Brandon Lee PROMO VIDEOS: 01. Betty Blue 02. Dance D Amour 03. The Chair 04. Brandon Lee 05. Gothic Girl 06. Wasting The Dawn 07. Call Me 08. Mr. Pain BONUS: * Beyond The Dawn (Director s Cuts by Sökö Kaukoranta) * From Russia With Goth (The 69 Eyes In Moscow, March 2003) * The 69 Eyes Over Germany (Photo Gallery) * Interviews With The Vampires * Discography

The Sixth "Afrikaans is Groot" concert. It is an annual concert where some of the biggest Afrikaans artist perform

Filmed on Sept. 29th, 2018 at Tokyo Dome City Hall.

Linkin Park have taken their expansive rock show to seemingly every corner of the globe, but they've never played Moscow's Red Square (to be fair, very few acts ever have). But now, thanks to the power of Michael Bay and "Transformers: Dark of the Moon," they can finally cross it off their list.

The Divine Miss M is featured in a concert filmed at the University of Minnesota, Minneapolis, at the culmination of her most recent cross-country tour which was known as "De Tour". This live recording was a combination of footage from both September 10 and 11, 1983. Set against a Renaissance art background and outfitted in a rainbow array of costumes, Midler sings and performs her uninhibited stage antics.

Filmed at the Scala, London in 2011, Claudia Brucken, using the nucleus of her current Onetwo band, performed an exciting 98 minute live set playing 19 song selections from her 27-year career aided by a host of special guests, including Andy Bell (Erasure), Glenn Gregory & Martyn Ware (Heaven 17), Susanne Freytag and Ralf Dorper (Propaganda) and Andrew Poppy.

An extraordinary program of holiday music featuring special guest appearances and musical contributions by Vanessa Williams, Michael McDonald, David Sanborn, and introducing the artistry of Rob Mathes

The 'Debutantes' are an all female orchestra led and directed by Harry Wayman doing some musical and dancing routines, Harrry accompanies with the violin.

A three-dimensional live concert tour spanning three different cities across Europe. Its official theme song is entitled “Music Like Magic!”, produced by OSTER project. This tour, the ninth overall in the HATSUNE MIKU EXPO concert series, saw Crypton Future Media's Vocaloid lineup of Hatsune Miku, Megurine Luka, Kagamine Rin, Kagamine Len, KAITO and MEIKO make their first appearances in Europe, representing Vocaloid's intercontinental reach.

Rickie Lee Jones performs at Berns Salonger in Stockholm, Sweden, on March 7, 2011. 2010 marked the 30th anniversary of the dawn of Rickie Lee Jones storied recording career, which exploded in 1979 with her self-titled debut album and its top 10 hit, 'Chuck E.'s In Love.' Jones had an immediate impact on pop culture, enjoying the massive buzz, an instantaneous Rolling Stone cover, and winning the Grammy for Best New Artist. Three decades later and she s still one of the most vital, distinctive and instantly recognizable voices in music.

The 2-day festival, slated for Sept.21-22 at the MGM Grand in Las Vegas and billed as "the Biggest Live Music Event in Radio History," will be streamed live by Yahoo!, Clear Channel's web and mobile webcast partner for the event. This year's iHeartRadio Music Festival follows last year's inaugural event--tickets for which sold out 10 minutes after being made available to the public—and likewise has focused on superstar talent. The officially announced talent lineup-- unveiled this morning via special live announcement by Ryan Seacrest--also includes Aerosmith, Bon Jovi, Lil Wayne, Swedish House Mafia, Pitbull, Deadmau5, Miranda Lambert, Enrique Iglesias, Linkin Park, Jason Aldean, Pink, Mary J. Blige, Calvin Harris and Shakira.

10/11/13 Zilker Park, Austin, Texas, USA Setlist: 01. The 2nd Law: Unsustainable 0:00 02. Supremacy 4:00 03. Map of the Problematique (0305030 riff outro) 9:10 04. Star Spangled Banner 14:53 05. Hysteria (Back In Black outro) 16:19 06. Panic Station 21:03 07. Resistance 24:35 08. Plug In Baby (Extended outro) 30:05 09. Monty Jam 34:52 10. United States of Eurasia 36:09 11. Follow Me 40:32 12. Liquid State 44:42 13. Madness 48:03 14. Time Is Running Out 52:48 15. Stockholm Syndrome (Freedom outro) 57:33 16. The 2nd Law: Isolated System 1:04:45 18. Uprising 1:09:15 19. Starlight 1:14:40 20. Survival 1:19:06 21. Knights of Cydonia (Man With a Harmonica intro) 1:24:00

Showcasing moments from the moshpit to backstage of the King Gizzard & the Lizard Wizard 2021 Residency at The Princess Theatre, Brisbane.

The musical notes of this Puccini masterpiece provide the starting point and foundation for a new, highly successful collaboration between Riccardo Chailly and Davide Livermore. In their interpretation, there is “no moment, no movement, that goes against the musical meaning” (R. Chailly). The result is an energetic, authentic, and atmospherically strong Bohème, “in which every sacred phrase receives its own orchestral colour, its own dynamic and its own expression.” (Corriere della Sera)