For decades, Freddy Krueger has slashed his way through the dreams of countless youngsters, scaring up over half a billion dollars at the box office across eight terrifying, spectacular films.
The Amazon rain forest, 1979. The crew of Fitzcarraldo (1982), a film directed by German director Werner Herzog, soon finds itself with problems related to casting, tribal struggles and accidents, among many other setbacks; but nothing compared to dragging a huge steamboat up a mountain, while Herzog embraces the path of a certain madness to make his vision come true.
The gripping story of legendary American actor John Travolta: his rise to stardom in the 1970s; his agonizing fall in disgrace in the 1980s; and his stunning artistic rebirth in the 1990s.
When the silent cinema learned to speak, the audience was surprised not only by the voices of the actors and the sound effects, but also by a new element, the music, which, combined with the dance and an unprejudiced imagination, gave rise to a new genre, as important to Hollywood cinema as the western was: the musical. A journey through the history of this genre, from its beginnings to the present day.
After 40 years, Tom Cruise continues to push the envelope in film. Exposing one's heart to the world through their work is not only risky business, as far as Cruise is concerned, it is the only way to achieve an end that feels complete.
An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.
A documentary about the making of 1976's "Obsession" featuring interviews with director Brian De Palma, stars Cliff Robertson and Genevieve Bujold and more.
This documentary depicts the filmmaker Alejandro Jodorowsky talking about his life, his loves, his career as a filmmaker, graphic novelist, and workshop leader, and his eccentricities including tarot reader and theatrical director during The Panic Movement. Directed by Louis Mouchet, La Constellation Jodorowsky includes a lengthy on-camera interview with Jodorowsky in Spanish with subtitles. Marcel Marceau, Fernando Arrabal, Peter Gabriel, Jean "Moebius" Giraud, and Jean Pierre Vignau make appearances discussing their various projects with the director. In addition to the interview and film clips, Mouchet features some bizarre footage from Jodorowsky’s absurdist plays in which topless women splattered with paint writhe around the stage in a theatrical production meant to represent The Panic Movement, i.e., an artistic expression in which reason cannot fully express the human experience.
The evolution of the zombie from its roots in Haitian voodoo to its coveted role as the world's most popular monster: from being a clumsy corpse to becoming a cannibal killer and the main agent of every infectious pandemic, the zombie has come a long way in seventy years. A look at the rising tide of zombie culture examining why something so dead has so much life in viewers' nightmares and at the box office.
A journey to the heartland of the Midwest for an in-depth look at an ongoing phenomenon: one of the most recent and popular stories has been an ongoing wave of sightings of a red-eyed, shapeless creature dubbed the Chicago Mothman.
Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.
The city of Madrid as it appears in the Spanish films of the 1950s. A small tribute to all those who filmed and portrayed Madrid despite the dictatorship, censorship and the critical situation of industry and society.
Tito del Amo, a passionate 72-year-old researcher, takes the final step to unravel the enigma about the alleged Spanish origin of the American cartoonist Walt Disney, making the same journey that his supposed mother made to give him up for adoption in Chicago. A journey that begins in Mojácar, Almería, Spain, and ends in New York. An exciting adventure, like Alicia's through the looking glass, to discover what is truth and what is not, with an unexpected result.
An interview with Spanish film director Victor Erice, conducted by Hideyuki Miyaoka
"We'll title this tape, "Planet Earth About to be Recycled - Your Only Chance to Evacuate is to Leave With Us." Planet Earth about to be recycled - Your only chance to survive or evacuate is to leave with us. Now, that's a pretty drastic statement - pretty bold - in terms of religion, in terms of anybody's intelligent thinking. To most people who would consider themselves intelligent beings, they'd say, "Well, that's absurd. What's all this doomsday stuff? What's all this prophetic, apocalyptic talk?" You know, intelligent human beings should realize that all things have their own cycle. They have their season. They have their beginning, they have their end. We're not saying that planet Earth is coming to an end. We're saying that planet Earth is about to be refurbished, spaded under, and have another chance to serve as a garden for a future human civilization."
"I'll try to just put it as briefly as I can and as clearly as I can. This planet is about to be recycled, refurbished, started over. That doesn't mean it's going to be destroyed, it doesn't mean it's the end of the world. But it does mean that it is going to be spaded under. Now, you can say, "Well, who are you to say that?" And I'll tell you who I am. As to whether or not you believe who I am is up to you. And whether or not you believe that this civilization is going to be recycled or refurbished is up to you. Now, the purpose of this tape is to warn you that this is about to happen, and that it's going to happen very soon."
In 2013, three women emerged from a flat in Brixton. They had been held there for decades by Aravindan Balakrishnan, a revolutionary Maoist who controlled the women with brainwashing techniques and tales of a sinister, world-controlling machine he called 'Jackie'.
A peculiar homage to the things that go wrong, this film is purportedly about rugby. The self-explanatory title for this jumpy “documentary” is less concerned with the filmed subject (the game, the field, the players) than a comic editing style and the complete acknowledgement given to the technical aspect of gathering and manipulating raw footage.
Eva Ebner is a Berliner who gives the appearance of being rather eccentric. She knows the film business inside out – regardless of whether she’s work- ing behind the camera as an assistant director or in front of it as an actor. Her name is closely associated with a series of now-legendary adaptations of Edgar Wallace’s crime novels which were made in Germany during the 1960s. Upcoming young directors from local film schools have also profited from Ms. Ebner’s unbroken enthusiasm and passion for film. However, this eighty-year-old has a more than broken relationship to the events of her childhood and youth in Gdansk – a time when her life was characterised by an anti-Semitic step-mother and the dangers posed by the Nazi regime. This film portrait does not eschew any of the long dark shadows of that era, nor does it sidestep any friction between portrayer and his subject. (Lothar Lambert)