"The problem is the filming of unstylized reality in such a way that the result does have a style." Part of the tradition of radical cinema the energetic collage of "Sales images" is organized sonic and visual chaos that - citing Magritte ("This is not a pipe") - addresses the issue of representation and illusion.

16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.

An observational film that using the fragmented format of a newscast program proposes a cinematic glance to the same reality depicted daily by the media.

A day in the life of an 'organillero' as he plays his music in the streets of a Chilean city.

Lucía and Valeria take out three Tarot cards that reveal the first two dishes of a menu that takes them from Embún, Spain to Llanquihue, Chile; the towns of their grandmothers. Among improvised still lifes, maps and video calls, the friends try to discover the meaning of the third card through a ritual that connects both continents.

A series of shots from six 1970s and 1980s horror films are slowed down to near-still moving images. First feature-length piece in the video art series "The Devonsville Train."

The short film is a montage of sped up clips of The Ringling Brothers Circus in action set to a musical track. The film is separated into four segments, each segment which focuses on different acts within the circus. The later segments often incorporate clips from earlier segments, mostly as background to the featured acts. The speed of the clips match the tempo of the soundtrack music.

Bas Jan Ader hangs from the branch of a tall tree, until he loses his grip and falls into a river below.

On planet Sigma, enormous creatures are trapped inside the ice. And then, all of a sudden explosions erupt from subterranean volcanoes. The ice begins to melt; a global warming concludes the giants’ deep slumber and new life begins. The creatures crawl forth, out of the ice.

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.

White Tape explores the theme of boundaries: the frame, the space between brushstrokes and the implications of occupation.

Shot in his garage-studio, the camera records Ader painstakingly hoisting a large brick over his shoulder. His figure is harshly lit by two tangles of light bulbs. He drops the brick, crushing one strand of lights. He again lifts the brick, allowing tension to accrue. The climax inevitable—the brick falls and crushes the second set of lights. Here the film abruptly ends, all illumination extinguished.

On a bright morning in May 2005 in Landes on the current of Huchet, between the river mouth and the "pas-du-loup" island, I shot a movie which will be like those of the series of naturalistic journeys towards abstraction...

A short film about the meeting of a Trappist monk and a Zen Buddhist master.

A psychological portrait of a disturbed man whose fragmented thoughts and experiences form the framework of an experimental narrative.

A videodance short-film of the avant-garde / experimental dance group of the same name based on the book "Húmus" (released in 1917) by Raul Brandão.

An observer, who clears his mind and reduces the number of his means only to work with time and space. Not only does the observer reach certain pixilation ecstasy but also joins "the wave", absorbing him completely.

A young woman takes drugs in a car park, dreams of love, and dances to the sound of eternal screaming. A bleak and claustrophobic nightmare.