Despite being deaf Sang-kuk never forgets to smile while he makes furniture. Kyung-hee can't hear either but with her natural beauty and outgoing personality, she enjoys her job at a sign language interpretation center. Between them they have hearing daughter Bora who is a director and a son named Kwang-hee. When, after moving eight times since marriage, Sang-kuk wants to move one more time, Kyung-hee opposes him. In filming the silent world of her parents, the director discovers new stories coming from herself, who grew up moving back and forth between two worlds-one of silence and the other of sound.

When director Sharon Shattuck's father came out as transgender, Sharon was in the awkward throes of middle school. As the Shattucks reunite to plan Sharon's wedding, she seeks a deeper understanding of how her parents' marriage, and their family, survived intact.

A look into the life of Brett, a boy born without arms due to thalidomide exposure.

Keenly aware that his niece is going through a particularly rough time at home, Uncle James teaches Ava Dee how to use the Blackmagic Pocket Cinema Camera. As an experiment, he tells her to shoot whatever she wants and he'll edit it into a film.

IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals around the world. In 2013, he died after a short illness. His daughter Mira was left behind with a whole lot of questions, and a box full of videotapes that Wintonick shot for his Utopia project. She resolved to investigate what sort of film he envisaged, and to complete it for him.

One who doesn't have roots won't be able to grow wings-a documentary project about a man tracking his origins to the Middle East and establishing a connection with his father, whom he have never met before.

A journey into the lives of the famed Vachon wrestling family through the eyes of Paul “The Butcher” Vachon, the last living member of the dynasty.

Between 1968 and 1970, J M Goodger, a lecturer at the University of Salford, made a film record of the living conditions in the slums of Ordsall, Salford, which were then in the process of being demolished. Under the title 'The Changing face of Salford', the film was in two parts: 'Life in the slums' and 'Bloody slums'.

One woman and her family trek the broken mental health system in an effort to save her brother as he descends into madness. Beginning as a testimony of his sanity, his iPhone video diary ultimately becomes an unfiltered look at the mind of an untreated schizophrenic.

Dos Islas is a poetic story about old age, family and the bond between a granddaughter and a grandmother. The woman, who just turned 102, tells stories about her past and childhood. In a literary and visual way she describes the most minute details. The film dazzles the viewer with love and optimism, the time passes slowly between the two islands, which might be real people, real places or the products of the main character’s imagination.

This feature-length drama explores the changing role of men in today's society by delving into the stories of 4 men and their relationships with women.

Given the fetishizing and normalizing character that is given to motherhood in patriarchy in order to perpetuate the social order, do we truly choose to be mothers? Why is care, of fundamental vital labor, presupposed as an especially appropriate task for women?

This picturesque Ukrainian farm is not surrounded by fields, but by huge housing developments. Ominous cranes overlook Natasha's land at the edge of Kiev, which year after year is being pushed deeper into a pit by new panel buildings. The brave owner protects not only acres of land, but also traditional family values, faith and ownership. From a bird's-eye view of the farm, a sharp contrast emerges between the village and the city. This peculiar family business model is set forth in a four-year chronicle from the point of view of foreign visitors who don't interfere with the way of life that the family has lived for generations.

A poetic and intimate look at the life and work of photographer Luis Humberto.

This is a detailed personal account of one of the worst incidents to take place during Israel's 2009 invasion of Gaza. Ten-year old Amal Samouni lost her father, brother and 48 members of her extended family. She spent three days trapped under the rubble and still suffers from fifteen pieces of shrapnel imbedded in her head. Her shocking story is brought vividly to the screen by director Anne Tsoulis who examines the events and the cost to those affected.

In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.