The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.
The film returns to the origins of the creation of the State of Israel (from 1896 to 1948) and highlights the responsibility of the Western World.
The movie follows Rajai, a Ford Transit driver which is the most popular transportation in the Palestinian occupied territories (occupied by Israel). While taking a ride with Rajai, we experience the frustrating situation the Palestinian need to deal with. On our trips from the roadblock in Ramallah to the roadblock in Jerusalem, we get to hear analysis of the situation by all kinds of random transporters, people from different religions, origins, and levels of class.
Raised in a refugee camp in the West Bank while her mother was in prison, Walaa dreams of being a policewoman, wearing a uniform, avoiding marriage, and earning a salary. Despite discouragement from her family, Walaa applies - and gets in. But her own rebellious behavior and a complicated relationship with her mother are a challenge, as are the circumstances under which she lives. Following Walaa from 15 to 21, this first-ever look inside the Palestinian police academy brings us the story of a young woman navigating formidable obstacles, learning which rules to break and follow, and disproving the negative predictions from her surroundings and the world at large.
A documentary on the historic first-ever visit of a Palestinian National team to Europe, following the Palestinian women's team as they arrive in Ireland to a heroes' welcome and play a solidarity friendly against Bohemian FC on May 15th, 2024. The sold-out match marked the 76th anniversary of the Nakba and highlighted the ongoing genocide and human rights violations happening every day in occupied Palestine. It was one of the most emotional and important games ever held at Dalymount Park in its long and storied history since 1901, and the event raised over €100,000 for three Palestinian humanitarian organizations.
Universities across the US are erupting with protests and encampments in support of Palestine. This is unlike anything humanity has in recent history. Why are students doing this? What's the big deal? And why now? The Journey Tellers team set out to answer these questions and more at the UC Berkeley Free Palestine Encampment, on the first day it was launched in the University of California, Berkeley.
Explore an overlooked moment in pre-WWI Palestine when people's identities overlapped, and Jewish, Muslim, and Christian communities intermingled freely. Few could contemplate the conflict that would engulf their region for the next century.
An examination of Israel and its society after many months of war, seen initially through the prism of viral social media posts - and exclusive interviews with the soldiers behind them. These posts, some shared millions of times, show soldiers humiliating bound Palestinians, ransacking their homes, joking as they detonate schools and whole districts, and laughing as they launch high explosive ordnance into densely-packed areas. The award-winning team behind this Basement Films production traveled to Israel to interview some of these soldiers, who proudly defended themselves and their videos, some expressing callous disregard for Palestinians in Gaza. Through additional interviews with Israeli radical groups, politicians, and media figures, the film reveals Israeli Jewish society in the aftermath of October 7th, gripped by a vengeance and hate that puts into question any possibility for peace.
Tawfiq’s Reef chronicles the plight of Palestinian fishermen in Gaza, heavily restricted in the area in which they can fish, often indebted, shot at, harassed or imprisoned by the Israeli Navy on the narrow sliver of fishing waters available to them off the Gaza coastline, making this one of the most dangerous professions in the world.
In the years 1958 – 1989, public service monopolies prevailed in Sweden and SVT's reporting from Israel and Palestine was unique. Their reporters were constantly on site in the war-torn area, documenting everything from everyday stories to major international crises. This extensive material is the basis for archivist Göran Hugo Olsson's (Black Power Mixtape 1967-1975, about violence/Concerning Violence) latest film in which images of the rise of the Israeli state are interspersed with Palestine's freedom struggle.
As part of the organization of sporting, cultural and solidarity meetings between a team of amputee footballers from Gaza and the French amputee football team, the project coordinator, filmmaker-director followed with his camera the Palestinian footballers in Gaza before their departure, and during their stay in France.
Lies and guilt are at the core of Patrick’s relationship with his mother Randa. Over the years, he has collected their audio messages and video calls, transforming them into a portrait of her life in Lebanon and his own in Belgium. This very intimate yet social piece reveals a complex relationship marked by the distance between the two characters and shows what one may experience as a homosexual migrant. By turns moving, provocative, and hilarious, Mea Culpa questions the links between national and sexual identities for a young Palestinian migrant.
Everyone was surprised at the triumph of Hamas in the last Palestinian elelctions, but the bigger surprise was that the women were behind that victory. We follow three Hamas women to try and understand why an Islamist political party, operating in a very conservative society, allows its women to become political, social and even military leaders.
X-Mission explores the logic of the refugee camp as one of the oldest extra-territorial zones. Taking the Palestinian refugee camp as a case in point, the video engages with the different discourses — legal, symbolic, urban, historical — that give meaning to this exceptional space.
A sci-fi documentary that follows the rise and fall of Lyd — a 5,000-year-old metropolis that was once a bustling Palestinian town until it was conquered when the State of Israel was established in 1948. As the film unfolds, a chorus of characters creates a tapestry of the Palestinian experience of this city and the trauma left by the massacre and expulsion.
Najwa, Nawal, and Siham, three Palestinian widows, live with their 11 children in a house on Shuhada Street in Hebron. Their house lies on the border; the façade is under Israeli occupation, the Palestinian Authority controls the back. At the entrance to the house is a military post; on the roof the Israeli army has placed a watch point over Palestinian Hebron. The three women, trapped in the middle and constantly surrounded by Israeli soldiers, carry on their difficult lives in a perverse situation: the occupation becomes a routine, the absurd becomes a given. This is the story of an occupation that extends to the staircase and the roof of the house, where it encounters poverty, loneliness, pain, but also the small joys of everyday life. This is an internal prison, the external one is the ongoing occupation.
Letter to My Tribe started with a question: Why don’t more Jews and Israelis speak out about Palestine? Over many years my mother, who represents a more messianic perspective, and I have had numerous arguments, some recorded, some not. These form the backbone of this video essay in which Israelis and Jews, journalists, activists and a rabbi are interviewed, and in which documentation of actions on the ground, in the West Bank, are woven with more personal family histories and journeys to Iraq and to Poland.
A Palestinian refugee visiting his ruined village is documented in an Israeli film. Amazingly, out of pure coincidence the same person is filmed again returning to his village in a different film, thirty years later. Will it be possible to film the return scene for the third time?
While millions of birds migrate freely in the skies above, Fadia, a Palestinian refugee stranded in Lebanon, yearns for the ancestral homeland she is denied. When a chance meeting introduces her to the director, Sarah, she challenges her to find an ancient mulberry tree that once grew next to her grandfather’s house in historic Palestine, a tree that stands witness to her family’s existence.