Fred Pellerin and Kent Nagano revive the great tradition of the OSM and offer a new symphonic Christmas tale! They take you to Saint-Élie-de-Caxton, where the first post office in history was run by Madame Alice Lavergne. For a long time the only reliable channel through which we could send and receive, this trunk service constituted the privileged link to maintain between us everywhere. Letters, cards, invoices, packages, forms, catalogs: everything went there.
In this classic drama, Vicky Page is an aspiring ballerina torn between her dedication to dance and her desire to love. While her imperious instructor, Boris Lermontov, urges to her to forget anything but ballet, Vicky begins to fall for the charming young composer Julian Craster. Eventually Vicky, under great emotional stress, must choose to pursue either her art or her romance, a decision that carries serious consequences.
Villainous Gru lives up to his reputation as a despicable, deplorable and downright unlikable guy when he hatches a plan to steal the moon from the sky. But he has a tough time staying on task after three orphans land in his care.
The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply. In the context of this film, "Allegro non Troppo" means Not So Fast!, an interjection meaning "slow down" or "think before you act" and refers to the film's pessimistic view of Western progress (as opposed to the optimism of Disney's original).
The Red Shoes is a tale of obsession, possession and one girl's dream to be the greatest dancer in the world. Victoria Page lives to dance but her ambitions become a battleground between the two men who inspire her passion. Matthew Bourne’s magical adaptation of the classic Powell and Pressburger film is set to the achingly romantic music of golden-age Hollywood composer Bernard Herrmann, the production is orchestrated by Terry Davies, with stunning designs by Lez Brotherston, lighting by Paule Constable, sound by Paul Groothuis and projection design by Duncan McLean. Filmed live at Sadler’s Wells in London especially for cinemas.
Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.
An old timbal performer in a puppet theater has a secret past.
Brett and Jake meet in a bar and decide to drown their sorrows in whiskey, forgetting the past, ignoring the future, and exploring life, love, and tragedy together for one fateful night.
Beethoven spent three years composing the Eroica, an intimate journal of his emotional crises and his dramatic emergence as an original master. Michael Tilson Thomas and the musicians of the San Francisco Symphony help you make sense of this voyage into life as it really is.
Inspired by Mary Shelley’s Gothic masterpiece, Frankenstein is the world premiere of Liam Scarlett’s new full-length ballet. A story of betrayal, curiosity, life, death and, above all, love, exploring the very depths of human nature. Federico Bonelli dances the role of Victor Frankenstein, Laura Morera is his Elizabeth, and Steven McRae is the creature. Koen Kessels conducts Lowell Liebermann’s newly commissioned score in this co-production between The Royal Ballet and San Francisco Ballet.
The one act performance by choreographer Yuri Possokhov pays homage to the celebrated founder of the fashion house that bears her name and features a stunning display of Chanel costumes specially created for the ballet. Created specifically for Zakharova, the ballet "Gabrielle Chanel" recounts the most memorable moments of the work and life of the French fashion designer, who died in 1971 aged 87.
André Rieu’s Magical Maastricht celebrates 15 years of André’s glorious hometown concerts. The King of the Waltz has selected his most spectacular performances and emotional songs and will bring the joyous atmosphere of his iconic open-air concerts in Maastricht straight to your local cinemas.
Tamara Rojo, dancer and artistic director of English National Ballet, explores Giselle - the first great Romantic ballet, and a defining role for any ballerina. Through two radically contrasting 2016 productions - a traditional 19th-century recreation, and a gritty reimagining of the work by celebrated Anglo-Bangladeshi choreographer Akram Khan - Rojo examines the cultural and social background to the ballet’s genesis in 1840s Paris, and the spiritual themes that have fuelled its success over the last 175 years. Giselle is the story of a young peasant girl who personifies all that is good in life, and ultimately forgives the aristocrat who has seduced and betrayed her. With Giselle, the look and emotional heart of ballet was transformed forever, from mime-based storytelling to a fusion of emotion, music and movement, formulating a tradition that has inspired audiences, dancers and choreographers ever since.
A dance film-fantasy, a tour of old and new Tallinn from its own unique angle - from the rooftops. First colour film of Eesti Telefilm.
Recently diagnosed with ADHD, a symphony conductor uses the career shutdown of the 2020 pandemic to dive into her mental health. She looks for ways to face the challenges and honour the gifts of being neurodiverse.
The ballet tells the story of a peasant girl named Giselle whose ghost, after her premature death, protects her lover from the vengeance of a group of evil female spirits called Wilis
A psychedelic combination of Shakespeare, rock & roll and Catholic symbolism in the shape of a Cuban ballet.
A dramatic, energetic adaptation of Heinz Spoerli's ballet based on Grieg's Peer Gynt by the Zurich ballet. Marijn Rademaker is excellent as the title character, clearly telegraphing the emotional range required. Each of the characters and the dramatic scenes are supported by the orchestral passages and songs provided by Grieg; some spoken word passages extracted from the Ibsen play.