A film pioneer, Binka Zhelyazkova was at the forefront of political cinema under Bulgaria's Communist dictatorship. Though she remained faithful to the communist ideals she became an avid critic of the regime and brought upon herself the wrath of its censorship. As a result four of her nine films were shelved and released to the public only after the fall of the regime in 1989, and Binka Zhelyazkova became known as the bad girl of Bulgarian cinema. A provocative portrait that reveals the pressures and complexities that arise when art is made under totalitarianism.

From leaving Egypt 10 years ago, to almost dying a month ago in a car accident. This film is about the journey in between and the massive role the internet played in the life of prominent Youtuber and Yes Theory co-founder Ammar Kandil.

This video has won festival prizes in Chicago and Rotterdam and has been declared Norway’s finest video for tourists by “Aftenposten”, one of Norway’s largest newspapers, witch wrote: “The reality of this region, communicated by craftsmen who know what they are going, is by itself fantastic enough. Here you will see real people – fishermen and Sami – in our best known travel destination, in magnificent, flowing scenes revealing rapturous artistic flair. Three cheers!” Life in this part of the country is totally dependent on nature. Winter storms, cold polar nights, the midnight sun and warm summer days. Communities that rebuilt themselves after being totally destroyed during World War II. You can take part in all of this and experience life at the North Cape, the northern outpost of Europe. You will find yourself watching this video time and time again…

The incredible story of the Italian Emilio D'Alessandro, personal driver of the great director Stanley Kubrick (1928-1999), who met Emilio by chance in London in 1971 and hired him, thus establishing a deep friendship that lasted thirty years and helped create four masterpieces of cinema. A moving tale about two seemingly opposing people who found their ideal travel companion far away from home…

An account of the life and work of American film director Sam Peckinpah (1925-84), a tortured artist whose genius and inner demons changed the Western genre forever.

Honing his craft as an indie filmmaker in Germany in the early 90s, Uwe Boll never could have imagined the life that lay before him. From working with Oscar-winning actors and making films with US$60million budgets to having actors publicly disparage him and online petitions demanding he stop making films, Boll continued to work; he has a filmography of 32 features, a career that has led to his new life as a successful high-end restauranteur. Already a cult legend, he will be remembered forever in the film world; for some, as a modern-day Ed Wood, who made films so bad, they're good, while for others, a prolific filmmaker who came from a small town in Germany and never compromised his integrity while forging his own unique Hollywood trajectory.

The life story of Richard Pryor (1940-2005), the legendary performer and iconic social satirist who transcended racial and social barriers with his honest, irreverent and biting humor.

The film was about a group of Polish ice skaters at the slide of the Warsaw Ice Skating Society. The film was filmed using a pleograph which was an early type of the movie camera invented by Kazimierz Prószyński.

A short news reel documentary about poster art.

When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."

Taken in 1896 on the Boulevard (upper Broadway) on the occasion of a bicycle parade in the heyday of the wheeling craze. Old-fashioned horse cars lend interest to the scene.

Documentary about women in the film industry. Numerous notable actresses and female directors share their thoughts.

An all-new documentary about filmmaker Anthony Mann and his time making films for Universal Studios in the 1950's.

30 thousand Hasidim journey to Uman in Ukraine to celebrate the Jewish New Year at the gravesite of Rebbe Nachmann. A Ukrainian far-right group erects a cross at the site of Hasidic prayers and builds a monument to Cossacks who slaughtered thousands of Jews and Poles in 1768.

This documentary is a portrait made in Mexico by a group of Argentine exiles, directed by the painter Nicolás Amoroso.

A documentary about unemployed workers in Walbrzych, Poland.

“Where is the human soul? Is it in the heart? In the brain? Or maybe elsewhere?”, wonders an old doctor who has spent his life working at a psychiatric hospital in the Siberian countryside. The place, which was inaccessible for film crews, can be shown thanks to its residents, some of whom spent several decades at the hospital. This discreet and, at the same time, insightful observation of the patients’ daily lives transforms into meditation on the human nature, which is not entirely penetrable.

A documentary tale about sport and politics under martial law. All of Poland saw the great goals of Boniek and Smolarek during the Espana '82 championships. For a moment, it was forgotten that the background of the sporting performance was martial law, censorship, an army on the streets, prisons filled with oppositionists. The performance of the players was so successful that it was called "the most beautiful series of martial law". The game is watched by interned activists of "Solidarity", sports journalists and censors, cutting out all manifestations of the opposition from television broadcasts. We also get to know the performance in Spain from the perspective of the players, trying to meet not only their ambitions but also to bear the burden of fans' expectations and regime propaganda.