Nerves are on edge as Mohammed and Nouf sneak out to a restaurant for a date, an act prohibited in Saudi Arabia.

Hykade's third and final part of The Country Trilogy. The once dead father of "We Lived in Grass" returns. "I give you the runt," he says. "But you take care of it and you kill it next year."

A solitary dish washing robot living out his life in the back room of a restaurant is enlightened to the world that exists beyond his four walls, with the help of a small friend he breaks free of confinement to pursue his dream of exploration.

The 24 Hours of Le Mans, 1955. 300.000 spectators are watching from the sidelines. It is 6:00 PM when Pierre Levegh's car ploughs into the spectator stands, scattering the crowd with his car engine's hot debris.

An allegorical tale of a couple who attempt to renew their dying relationship by plugging directly into recordings of their memories.

BARK is a portrait of a seemingly simple argument between two teenage girls that curdles into a surreal, psychological struggle.

In the main events of Ice Age: Collision Course, Scrat is captured by Scratazons who take away his acorn. Now, Scrat must rescue his Acorn and escape before the aliens can catch him.

Part of MGM's "Crime Does Not Pay" series, this short film focuses on crimes revolving around pension scams.

A rare bonus short film featuring an epic battle between two magical girls - Creamy Mami and Minky Momo. (Shown as a bonus movie with the theatrical screening of Mahou no Tenshi Creamy Mami: Long Goodbye and Mahou no Princess Minky Momo: Yume no Naka no Rondo.)

One summer afternoon in 1907, Abel and his wife (both mice) are picnicking, when they become separated during a violent rainstorm. After flying some distance, Abel discovers himself alone on a river island, unable to swim due to the powerful current. Abel periodically attempts to leave the island by various means: flying on a leaf, rowing a crudely fashioned boat, etc. Meanwhile, he tries to create a normal life of sorts, even learning to enjoy a new hobby: sculpture. Still, Abel's goal is to escape the island and rejoin his wife in the city.

A queer Arab boy, Nazeem, looks up to his Muslim mother with awe. Later in life, it is only through being a drag queen that he holds on to their lost and fraught connection.

Having suffered the loss of their plane, three pilots inexplicably find themselves stranded in the middle of the desert. While following the perilous and unpredictable course that will ultimately lead them home, they fall prey to visions and must confront the siren call of their own strange fantasies. With Pilots on the Way Home, Priit and Olga Pärn (Divers in the Rain) have created a new, satirical meditation on male-female relations. The film tackles masculinity and the male psyche with the same pointed sense of the absurd that has marked Priit Pärn's previous films. Pilots on the Way Home is also a journey through time and space, and to the universal sources of artistic eroticism. Olga Pärn is a master of the art of animating sand, giving Priit Pärn's unique line drawings a warm and subtle texture reminiscent of etching. Her work is perfectly matched to the impassioned beats of this tale. - Written by NFB

After falling in love with an erotic masseuse, a lonely parking booth attendant must step out of his comfort zone to liberate her from her oppressive boss.

Emma had a c-section. She didn’t see her son when he was born. When she finally meets him, she doesn't recognize her baby. How could she? Little by little, mother and child fall in love. The Cut delicately explores the complexity of the bond between mother and child.

Somewhere between the stars is a place that has gone missing. Hazel is a time traveler. Hat is a zealot. Lily is ghost. And something is always watching. Through the lens of five interconnecting stories, the secrets of the Rift are revealed.

When a young gangster fails his first mission he must confront the enigmatic mafia leader: The Fluffioso

A short film about doing things your own more creative way.

The animation was produced for the Tezuka Osamu Manga Museum, thus it features scenes from the "life and nature" of Tezuka Osamu's childhood, themes that are central to the museum as a whole, through exchanges between the boy Osamu and the carabid beetle (Osamushi) who provided the origin for the artist's name.