What do Dietrich Oepke, former GDR model plane champion, Dave Anthony, developer of “Call of Duty” and James Gimzewski, Professor of Nanoarchitecture have in common? They are all players. Concrete or virtual, with quadcopters, futuristic weapons or experiments with an artificial brain, they play with human and technical possibilities. How real are their visions of the future? What do they have in common with developers of unmanned war machines and drone pilots? A cinematic journey.

'OG' is a film about a legendary, Brazilian born, NYC skateboarder, Harry Jumonji. In the course of telling his story, through his triumphs and travails, Jumonji emerges in this portrait as an adolescent innocent, much like skateboarding itself. He is irrepressible, manically energetic and ultimately, pure. He has a transcendent presence, well beyond charm or charisma, of such unalloyed joy that nothing he does is unforgiveable. This is fortunate because, as a drug addict, unsurprisingly, he lies, cheats and steals. Harry is rendered as the poet, the sprite, the artist and the street saint he is.

Beckermann's parents met in Vienna after the Holocaust. Tracing the migratory paths of her family before World War II, Beckerman returns to the European Jewish communities which inspired her childhood stories.

Generation Startup takes us to the front lines of entrepreneurship in America, capturing the struggles and triumphs of six recent college graduates who put everything on the line to build startups in Detroit. Shot over 17 months, it's an honest, in-the-trenches look at what it takes to launch a startup. Directed by Academy Award winner Cynthia Wade and award-winning filmmaker Cheryl Miller Houser, the film celebrates risk-taking, urban revitalization, and diversity while delivering a vital call-to-action-with entrepreneurship at a record low, the country's economic future is at stake.

Love and desire fill the minds of villagers in a Hungarian speaking village in Transylvania, Romania, even in their old age. Time has stood still here, and although most of the village’s inhabitants are elderly, they are refreshingly young at heart.

The film is set to the music of Franz Schubert and is very strange. Much of it consists of disembodies arms and legs all moving about to the music. There are also folks in body suits moving rhythmically to the tune. Occasionally, there are shots of a guy in full color with multiple exposures.

Marc Aurel-Straße in Vienna: The last surviving Jewish textile merchant in the former textile district, the Iranian hotel proprietor and the Café Salzgries and its regulars. Between the summer of 1999 and spring 2000, Ruth Beckermann undertook a series of small journeys on and around her own doorstep and investigated her local area with the help of a film crew. This documentary film also gives an insight into the political changes when a far right Party joined the Government coalition in Austria.

After several farmyard analogies featuring chicks and calves, the well-spoken narrator and director of the film, Winifred Holmes, considers the subject of girls and how they reach adulthood and readiness for the 'important job of motherhood.

In a slum in Chennai, India, a young mother of two, wants to sell her kidney so she can pay off the crippling debts of her family. If she sells Hema will be the fifth member of her family to sell a kidney for an amount that represents several years' wages. Across the world in Nanaimo, Canada, forty year old single mom Sandra's kidneys are failing and she has been on a waiting list for 5 years now. Two different people. Two journeys.

Portrays the exceptional life, career, and mental health challenges of living legend Robert Trivers, the evolutionary biologist TIME Magazine named as “one of the greatest scientists of the 20th Century”.

Experimental film about rhythm as corporal expression of a culture. Presents various choreographies and does not include the participation of men.

This short documentary profiles the traditional music and pageantry of Polish-Canadians in Manitoba. The heritage and national traditions of Poland were brought to Canada by immigrants and sustained across generations. The colourful traditional dress and lively music of Polish-Canadians is captured by ethnomusicologist Laura Boulton, a pioneering woman in the educational documentary film movement whose goal was to “capture, absorb, and bring back the world’s music.”

Below the belt cancers and a below the radar cause are thrust into the limelight as N.E.D., or No Evidence of Disease, a rock band of GYN Oncology Surgeons, put the plight of their patients center stage in this riveting story of women fighting for their lives.

Picking up the story first presented in I Don’t Know (1970), Hats Off to Hollywood (1972) brazenly and brilliantly mixes documentary reality with fully staged recreations/reimaginings of episodes in the lives of Jennifer and Dana, a loving, bickering couple who challenge the notion of homonormativity. Drugs, poverty, disease, bigotry and prostitution all figure into this disarmingly candid and often hilarious film, a remarkable work that is the apotheosis of director Spheeris’ early work, and a luminous signpost leading directly to The Decline of Western Civilization (1979-1997). Preserved by the Academy Film Archive in 2012.

Perfect Life, the second feature by Emily Tang (Tang Xiaobai), at first revolves around Li Yueying, a young woman in the cold north-east of China. In a world where no one is waiting for an untrained, inexperienced woman, she knows that in order to fulfil her dreams she will have to resort to her own stubbornness and selfishness. Her father deserted her mother and the money saved by the family is destined for her younger brother's studies. When she stops working for a shop making artificial limbs in order to take a job as a chambermaid, she attracts the attention of a mysterious criminal, Mongol. Then in the editing, the documentary story of Jenny from Hong Kong starts to emerge. She thought she had her life perfectly worked out, but when her marriage breaks down, she also finds herself in financial problems and has to fight for the custody of her children.

For five years, Schmitt and Lynch followed the buffalo hunt in the American West. Their fascinating portrait of a disappearing world contrasts unspoiled landscapes with commercial influences on the American myth.

Traces the themes and characteristics present in the plastic arts of Puerto Rico, which represent a search for the Puerto Rican identity.

Carlos Oliveira's literary universe is re-enacted in a studio using the writer’s personal objects and manuscripts, and with the help of Luis Miguel Cintra and Fernando Lopes. Shot with the purpose to document his work in the same way Carlos de Oliveira documented his hometown in Gândara, the film uses all the creative liberty that new digital technology allows in order to recreate the visual and sound records that were also present in the writer and poet’s own work.

Amá is a feature length documentary which tells an important and untold story: the abuses committed against Native American women by the United States Government during the 1960’s and 70’s: removed from their families and sent to boarding schools, forced relocation away from their traditional lands and involuntary sterilization. ​The result of nine years painstaking and sensitive work by filmmaker Lorna Tucker, the film features the testimony of many Native Americans, including three remarkable women who tell their stories - Jean Whitehorse, Yvonne Swan and Charon Aseytoyer - as well as a revealing and rare interview with Dr. Reimart Ravenholt whose population control ideas were the framework for some of the government policies directed at Native American women.

Unable to understand why parenting seems like a constant uphill battle, an emotionally exhausted mother who can’t connect with her two young sons courageously confronts the events of her own traumatic childhood.