This deeply human documentary examines the subject of environmental destruction, highlighting the impoverished migrant workers who are chopping down the Amazon rainforest to create charcoal for pig iron production used primarily in the automobile industry. The film examines the children and elders and their daily lives and work as they burn timber in igloo-looking huts, their bodies charred gray for $2 a day, struggling to survive.

The Inheritors immerses us in the daily lives of children who, with their families, survive only by their unrelenting labor. Polgovsky spent two years filming in many of the poorest rural areas of Mexico.

The town of Picher, Oklahoma, was once home to the world's richest lead and zinc mining field. After decades of mining, towering piles of mine waste covered 25,000 acres, devastating Quapaw tribal lands and local economies. Acid mine water burned nearby Tar Creek and stained it red. Despite these environmental hazards, many people in Picher desperately wished to stay and revitalize their town.

Newly into addiction recovery, an urgent threat emerges to spur filmmaker, Mark Titus back to the Alaskan wilderness - where the people of Bristol Bay and the world's last intact wild salmon runs face devastation if a massive copper mine is constructed.

This is a film which challenges our notions of child labor. It peeks into a world where the concept of childhood as we know it has no meaning, where children support their parents, and where work is just another part of growing up. This is Dhaka, Bangladesh. Following several children over a period of six years, A KIND OF CHILDHOOD is an attempt to focus on the realities of child labor, with real children, their struggles and dreams.

Given the fetishizing and normalizing character that is given to motherhood in patriarchy in order to perpetuate the social order, do we truly choose to be mothers? Why is care, of fundamental vital labor, presupposed as an especially appropriate task for women?

The documentary registers the reaction of the inhabitant the communities of Imbabura, Zamora, Chinchipe and others Ecuadorian provinces under the influence of mining. The testimonies of the leaders and the protagonists tell the facts that are at the center of this story.

Warwick company newsreel material of the Universal Colliery at Senghenydd on fire after an explosion on 14th October 1913, and footage of a funeral procession for some of the 439 mine workers who were killed, is followed by a collage of images of the town and its people as they are 50 years later. Wynford Vaughan Thomas, narrating his own commentary, wonders if "colour"- superficial re-decoration – can really make any difference to "the inner heart of Senghenydd". Shot on spare, blank pieces of film by James Clark. Assisted by local amateur photographer and former miner Bill Probert. Script written and narrated by Wynford Vaughan Thomas. 1964.

Documentary marking the 30th anniversary of the 1984 miners' strike, one of the bitterest industrial disputes in British history, with stories from both sides of the conflict.

The mining industry, which always had been “sponsor” and “financier” of the soccer clubs in the Ruhr valley during the post-war period, doesn’t exist anymore nowadays in that form. Many of the once glorious clubs which dominated German soccer until the 1970s faded into obscurity without financial backers. The documentary “Im Westen ging die Sonne auf" ("The sun had risen in the west“) shows the history of the “Revierfußball” from after the second World War until the decline of the mining industry and recalls legendary players and forgotten clubs. The film shows especially how deeply rooted the sport was back then in the entire lifestyle of the Ruhr area - in private life as well as in society - and how structural change also left clearly visible marks in sports. With pictures from back then, interviews with contemporary witnesses, and footage of original locations nowadays, a contemporary document of German post-war history, by taking the example of soccer, has been created.

Featuring Paul Robeson, this is the first documentary film to take a serious look at social conditions and race relations in South Africa.

An insight into the lives of the miners who search for Australia’s famous black opals.

The Bimblebox Nature Refuge lies in the path of what will be the earths largest coal mines. One woman, Paola Cassoni, decides to resist the "China First" project that will destroy her Nature Refuge and supply energy to Asia for the next thirty years. Paola's decision brings the viewer on a tour of Australia's "Quarry Vision". At this critical time, when so much coal and coal seam gas expansion is planned in Australia, this film aims to win the hearts and minds of the people, exposing the destructiveness of this industry to our climate, communities and environment. It tells the stories of the people fighting for their homes and culture. Australia is the worlds largest exporter of coal supplying one third of the worlds supply. It is impossible to address climate change without looking at Australia's role in the planets climate future. http://www.screenzone.tv/products/bimblebox