A super-model begins to question her glitzy, frenetic lifestyle when she awakes after a all night party to find a strange man in her bed. She sees a surfer riding the waves below, follows him to his tented camp on the banks of a river. 'Leatherlip' earns a living making leather goods and roaming around on an extraordinary 'trike' with his worldly goods and surfboard strapped on an overhead rack. They fall in love and she abandons her previous life. Then inexplicably she disappears. Leatherlip sets off on a cross-country odyssey to find her, knowing only that her father lives on a boat on the West Coast...

This was Theda Bara's third starring film, and the first which she carried all on her own, with no other name actors in the cast. Based on the Alexander Dumas story, The Clemenceau Case involves Iza, a vampire-wife (Bara), whose wicked ways scandalize her husband, Pierre (William E. Shay).

A war worker wins back her wounded husband with recollections of their honeymoon.

Just before the scheduled electrocution of stockbroker Kenneth Avery for the murder of Mazie Lawrence, Nan Perry makes one last plea to the governor for a stay of execution and relates the incidents that led to Mazie's death. Preserved by the Academy Film Archive in 2013.

Steve, ambitious to outstrip his rivals, Slim and Tex, in a race for Betty's hand, orders a dress-snit by mail. The spike-tail is an awful fit and Steve retires from Betty's inspection anything but pleased. He gives the "fixins" to a Mexican, who in turn suffers from the hands of the populace when he makes his appearance in public, and is finally suspiciously pursued by a posse.

Vallery Grove is in love with Don Warren but her mother opposes the match because he is poor and has no social standing. Don decides to terminate his engagement to Vallery after attending a party where he meets a spoiled rich girl who is interested in him.

Sequel to von Stroheim's The Wedding March released only in Europe. The only known copy was destroyed in a fire at the Cinémathèque Française in 1959.

Muriel Flemming secretly marries Graydon Burton before he heads West to make his fortune. Later, when he is about to board a train to return to his wife, he is accused of a murder that was actually committed by crooked attorney Herman Slade.

Two men in love with the same girl race to save her when she is trapped aboard a ship on fire in storm-swept seas.

A doctor's wife is arrested for educating impoverished women about birth control.

In this film, African-American Leroy Collins struggles with the onus placed on him by Society when he falls in love with a white woman.

Leslie MacLeod (Kathryn Adams) comes to England from the U.S. so that she can settle financial affairs with Lord Glenayr (Jack Holt), whom she has never met. She encounters Duke Lanzana (Fred Malatesta), who sees her as a way to pay off his mounting debts. He captures her and then heads to a nearby cape to steal a buried treasure that actually should belong to the MacLeods.

"My heart is ice, my passion consuming fire. Let men beware," exclaimed Theda Bara (via an inter-title, of course) in this "Vamp" melodrama based on Grabriele D'Annunzio's 1898 story La Gioconda.

Florid melodrama of misunderstandings, betrayal and desperation as Theda schemes to keep the title secret.

This picture is based on the same story that became D.W. Griffith's Orphans of the Storm in 1921. This version, made by the Fox Studios, stars famous "vamp" actress Theda Bara in the role that Lillian Gish later made famous

The daughter of a Mexican aristocrat endures the travails of the Mexican revolution.

In this film, her next-to-last picture for Fox, it was Theda Bara's turn to tackle a double role. Bara's characters are twin sisters La Belle Russe, the wicked one, and Fleurette, the nice one. They're Parisian dancers, and Fleurette marries Philip Sackton (Warburton Gamble). However, Sackton is a member of Britain's snooty aristocracy, and his family disinherits him.

A story of Vienna following World War I, in which the butchers became millionaires and the aristocrats became beggars, told against a background of mother-love and sacrifice.