Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.

Comprising train and track footage quickly shot just before a heavy winter's snowfall was melting, the multi-award-winning classic that emerged from the cutting-room compresses British Rail's dedication to blizzard-battling into a thrilling eight-minute montage cut to music. Tough-as-boots workers struggling to keep the line clear are counterpointed with passengers' buffet-car comforts.

Orson Welles acted in Brazilian culture and music by deeply researching Brazil's historical geology, consciously completing a legendary cultural mission. Although being turned down by Hollywood producers, he developed a triumphantly accomplished mission in the language domain - three friends of Welles' testified his love for cinema, his passion for Brazilian music and people and his obstinate endurance against formidable pressures coming from inside and outside Hollywood regarding his unfinished "It's All True".

The Arkansas school integration crisis and the changes wrought in subsequent years. This film profiles the lives of the nine African-American students who integrated Central High in Little Rock, Arkansas, during the fall of 1957. The film documents the perspective of Jefferson Thomas and his fellow students seven years after their historic achievement. Central to this story is their quiet but brave entrance into Little Rock High, escorted by armed troops under the intense pressure of the on looking crowd. We learn first hand their impressions of the past and present and their hopes for the future. Their selfless heroism broke the integration crisis and pioneered a new era. This film went on to win an Academy Award® for Best Documentary Short in 1964.

Thirty Million Letters is a 1963 short documentary film directed by James Ritchie and made by British Transport Films. It was nominated for an Academy Award for Best Documentary Short.

Jenny is a Good Thing is a 1969 American short documentary film about children and poverty, directed by Joan Horvath. Produced by Project Head Start, it shows the importance of good nutrition for underprivileged nursery school children. The film was nominated for an Academy Award for Best Documentary Short.

This documentary shows how an Inuit artist's drawings are transferred to stone, printed and sold. Kenojuak Ashevak became the first woman involved with the printmaking co-operative in Cape Dorset. This film was nominated for the 1963 Documentary Short Subject Oscar.

A short mockumentary detailing the rise of intergenerational cosmetic theft through the eyes of an affected family.

This Documentary goes over how the special effects in the 1981 film "Scanners" were done.

Christine attends her first and last prom accompanied by Martin Fredericksen

An experimental docu-fiction short from hours of collected material shot by the director. Different scenes, from drunk parties with friends to shots of the Dutch landscape during a train ride, are cut together to see if a narrative story can be constructed from nothing but randomly shot footage.

Made for straight 8's 2018 competition on one cartridge of super 8mm film with only in-camera edits and no post-production. Premiered on may 14th 2018 at straight 8's Cannes film festival screening.

The Crystal Text is a fleeting, poetic impression of the the fragmented emotional world of Young Moon's music. Amazingly, all of the visual effects are created within the camera, rather than through digital manipulation. The resulting film explores the rhythms inherent in the combination of music and film, as it evokes both memory and gesture to create an audio and visual dialog with the audience.

A young lieutenant must persuade a captive resistance fighter to betray his comrades, or enforce a law which states that for every German soldier killed, one hundred civilians must be executed.

This short documentary profiles Saint-Jean-Baptiste Day parade in Montreal in 1959. The annual parade takes place every June 24th in memory of Saint-Jean-Baptiste, the patron saint of Québec. Candid shots of youngsters preparing their costumes for the festivities are partnered with a lively jazz soundtrack. All the Montrealers and out-of-town tourists featured in this film avidly participate in a public festivity that is dear to their hearts.

Millions of years scroll by in 10 minutes, illustrated by ingenious designers: this is the geological history of Canada.

Three Kiowa boys attempt to escape a government boarding school in 1891, Oklahoma.

This experimental short film deals with anguish, as imagined by Claude Péloquin, author, poet, performer and filmmaker, in the early 1970s. Vertiginous camera angles, oppressive places and a disturbing soundtrack, the filmmaker uses his sound environment and the words of the interpreter Josée Vanasse to express this generalized disease at a time of great acceleration and fury for life.

Lewis Carroll's 'Alice' stories are used to explain certain sections of the Labelling of Food Regulations 1970.