There is an island where dragons still roam. A Jurassic type underworld where ancient warlords still rule. Where they fight for supremacy...where they fight to survive. Komodo Island - deep in the remote basin of the Pacific Ocean - its an ancient Kingdom of fire and brimstone. Here, a string of 452 volcanoes erupt from the ocean bed, its known as "The Ring of Fire" and it's the perfect habitat for dragons. Komodo Dragons! The largest living lizard on the planet with 34 million years of survival in his DNA. Its no surprise that he's still known as a dragon, he has the presence of an ancient gladiator. He's armored in claws and scales, but instead of spitting fire, he spits deadly venom.

While working on a project together, two friends face the feelings they've long had for each other. Now, however, they're both seeing other people.

With stunning views of eruptions and lava flows, Werner Herzog captures the raw power of volcanoes and their ties to indigenous spiritual practices.

This documentary delves into the unanswered questions surrounding the trial of Jessica Wongso — years after the death of her best friend, Mirna Salihin.

Kenny Wells, a modern-day prospector, hustler, and dreamer, is desperate for a lucky break. Left with few options, Wells teams up with an equally luckless geologist to execute a grandiose, last-ditch effort: to find gold deep in the uncharted jungle of Indonesia.

The third and final film in the award-winning box office hit RED AND WHITE trilogy set during the 1947-48 Indonesian revolution, as a band of guerrillas fights for Indonesia's freedom on land, sea and air against the Dutch empire.

Two weeks after the bombing of Hiroshima and Nagasaki, in August 1945, Indonesian Independence leaders proclaimed “Indonesia Merdeka!” ‘Freedom for Indonesia’ and an end to Dutch colonial rule over the Netherlands East Indies. Internationally renowned Dutch filmmaker Joris Ivens, in Australia as Film Commissioner for the Netherlands East Indies government in exile, resigned his position in protest against Dutch policy, which sought to re-impose its colonial rule. In collaboration with Indonesian activists, Chinese, Indian and Australian trade unionists, and local artists and filmmakers, Ivens made Indonesia Calling, a film documenting the crucial role of Australian trade union support in the establishment of the new Republic of Indonesia. Ivens’ film was an activist documentary; it actively contributed to the events it depicted. All those who worked on it became ‘adversely known’ to the security services.

In a city when the ‘men’ have to go crazy about football, Akbar has to pretend to love football in order to prevent rejection.

Devoted to the heroes who fought for their homeland’s freedom in the 1947 Indonesian war of liberation.

Chihiro is depressed and obsessed with his own mortality. Him and his wife, Yuri (Yoko Mitsuya), decide to take a trip to Bali, Indonesia to see his pregnant sister, Kumi (Kiki Sugino). They hope the trip can bring about change.

A street sweeper, The messenger of the red-blooded letter to the soldier found out it was abused. Responsible for the extermination of neutralists during the Gestok/Gestapu era in Bali.

Miranti is left a widow after her pilot husband dies in an accident. She forces herself to work independently, despite feeling alienated. She soon learns that her brother-in-law Dimas cares greatly for her. Miranti ultimately realises that his feelings are more than just pity, and the two can unite.

Edwin was in a dilemma after his daughter ran away from home because she didn't get his blessing for her love affair. This condition makes him trapped in the collections of bizarre dreams and experiences about his daughter.

Dewi returns to her village in Yogyakarta after ten years of leaving. A letter and newspaper clipping sent by her mother, make her return to her village: Dee’s mysterious pregnancy, her mentally handicapped sister Dewi finds her parents' home situation has not changed. What has changed is the pregnancy of Dee and the always changing view behind the large window of the house. Dewi then knows Priyanto who is just a year living in the village. They make an unusual love story. Joko, Dewi’s old friend, is jealous. The arrival of Dewi reveals his unfinished past.

Unit 2 of the StB receive information from their Polish counterparts on a suspicious Indonesian diplomat. He is to be stationed in the Indonesian Embassy in Warsaw but flew early and is headed towards Prague instead. He was seen to be carrying a nondescript box. Agent Tomáš of the StB is assigned to stalk him and find out why he decided to go to Prague.

After the destructions that where caused by the tsunami, the insulars of an Indian archipelago are rolled over by another surge of ruination: the flood of international aid organizations, which pluck this premodern civilisation into the 21st century. The film depicts the partially heroic attempts of the Nicobareses, to live in this world without drowning.

The film focuses on the exciting life journey of Swiss writer Katharina Zimmermann. She follows her husband on a mission to the jungle in Indonesia where she raises their four children and five foster children and lives through the military coup. Back in Switzerland Katharina discovers her voice and finds her path. Now, at eighty, she is writing her life story. Yet suddenly she faces another battle because her publisher is threatening to let her go.

An inter-faith family come to a conflict when the mother, Maryam, died. The children (Fara, Aryo, and Adi) and the housemaid (Ijah) debating on how Maryam will get buried. When Maryam's funeral problem get solved, turns out that other problems still haunting them one by one.

In the midst of the condition of her family full of problems, whether problems about the father or the economic conditions in her home, Her mother cry and calling name of God loudly for help on their suffering. But Siti, the child, looked confused. At this moment she still wonders who actually is called God?

Motorcycles and cars are lost in the sound of traffic and disappear in bands sliced into film footage of Jakarta’s roads. The horizontal and vertical lines or checkerboard patterns emphasizing the density and chaos of the crowded roads were made by optically printing 16mm film.