A documentary film-project by Dmytro Komarov. He was the first journalist to witness and film the horrors of the just-liberated towns of Bucha, Irpin and Hostomel. He saw the first emotions of people immediately after the de-occupation of Kyiv region, Kharkiv region, and Kherson region. The documentary is the author's view of the war from angles that you won't see in the news. Unique, rare, exclusive comments from those whose hands and minds are shaping our future victory. The main heroes of documentary are both ordinary Ukrainians who heroically show their strength and power every day for a year and high-ranking officials such as Minister of Defense of Ukraine Oleksiy Reznikov, Chief of the General Staff of the Armed Forces of Ukraine Kyrylo Budanov, Major General Oleksandr Syrskyi, Commander of the Air Force of the Armed Forces of Ukraine Lieutenant General Mykola Oleshchuk. Initially, "Year" was a series of journalistic reports, later they were edited into a two-part film.
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
Monsanto is the world leader in genetically modified organisms (GMOs), as well as one of the most controversial corporations in industrial history. This century-old empire has created some of the most toxic products ever sold, including polychlorinated biphenyls (PCBs) and the herbicide Agent Orange. Based on a painstaking investigation, The World According to Monsanto puts together the pieces of the company’s history, calling on hitherto unpublished documents and numerous first-hand accounts.
This documentary from Albert and David Maysles follows the bitter rivalry of four door-to-door salesmen working for the Mid-American Bible Company: Paul "The Badger" Brennan, Charles "The Gipper" McDevitt, James "The Rabbit" Baker and Raymond "The Bull" Martos. Times are tough for this hard-living quartet, who spend their days traveling through small-town America, trying their best to peddle gold-leaf Bibles to an apathetic crowd of lower-middle-class housewives and elderly couples.
Iverson is the ultimate legacy of NBA legend Allen Iverson, who rose from a childhood of crushing poverty in Hampton, Virginia, to become an 11-time NBA All-Star and universally recognized icon of his sport. Off the court, his audacious rejection of conservative NBA convention and unapologetic embrace of hip hop culture sent shockwaves throughout the league and influenced an entire generation. Told largely in Iverson's own words, the film charts the career highs and lows of one of the most distinctive and accomplished figures the sport of basketball has ever seen.
A research-based essay film, but also a very personal perspective on the history of socialist Yugoslavia, its dramatic end, and its recent transformation into a few democratic nation states.
Acclaimed Montreal band Thee Silver Mt. Zion Memorial Orchestra is one of a growing number of rock groups to have accepted an infant into their touring tribe. Touring with children is both costly and complicated, yet SMZ are determined to combine family life and being on the road with the band's deep political commitment.
The drought in the American West is predicted to be the worst in 1,000 years. Join five Academy Award-winning filmmakers as they explore the environmental crisis of our time and how to fix it before it's too late.
"Michael Moore doesn't like documentaries. That's why he doesn't make them." A documentary that looks to distinguish what's fact, fiction, legend, and otherwise as a camera crew trails Michael Moore as he tours with his film, Fahrenheit 9/11.
The first uncensored documentary about the Soviet Union ever made by an outsider. The film takes viewers to 12 of the 15 states of the former USSR.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
Documentary that highlights 18 women and covers a period of time from the 50's to the 90's. The women chosen were selected because they represent the real diversity within both feminism and independent film and video. They range in age from 65 to 25. They are black, white, Puerto Rican, Yugoslavian, Asian American, biracial. They are straight, gay and bisexual. What they share is a need to express their own interpretations of what American culture is and could be and a belief that this work is made particularly powerful through the media.
Carole Laganière dives deeply into personal territory in this beautifully crafted exploration of absence and loss and its painful effect on daily lives. Inspired by her mother’s steadily advancing Alzheimer’s and the inevitability of her estrangement, Laganière weaves their story with the stories of others wrestling with loss: Ines, an immigrant who returns to her birth country of Croatia to find the mother who abandoned her during the war; Deni, an American author who’s finally able to search for his Quebec roots; and Nathalie, who’s desperately looking for her missing sister. Through their experiences the film ponders how absence is often the catalyst for a quest—a quest for information, understanding and often acceptance. Through its many voices, Absences speaks to us of the immense fragility and resiliency of human emotions.
After years of preparation, a team of highly motivated Quebeckers set out on one of the longest wilderness expeditions ever documented. Stage one involves skiing in relentless polar conditions from Ellesmere Island to the Northwest Passage where the challenge was reaching the mainland. Cue canoes for a 2000km journey across Nunavut and NWT until they reach the first dirt road available where bikes are waiting to be pedalled 4000km to Point Pelee in Ontario.
Self-portrait of a 38-year-old mother from Abitibi, struggling with breast cancer.
This short documentary is the portrait of an 88-year-old woman who lives alone in a log cabin without running water or electricity. Augusta is a non-status Shuswap Indian living in the Williams Lake area of British Columbia. She recalls past times, but lives very much in the present. Self-sufficient, dedicated to her people, she spreads warmth wherever she moves, with her songs and her harmonica.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
Filmed with irony, the film describes brief moments in the lives of tourists, workers, and local vacationers around the construction of an artificial beach somewhere in the Caribbean.