A journey through the preparation and hardworking process of ballet dancers and musicians for a unique spectacle in Tokio that Béjart choreographed with the Ninth symphony of Beethoven. Béjart ballet dances with Tokio ballet and the Philharmonic Orchestra of Israel. A marvellous combination of dancers movements and expression of different feelings along the four movements of the symphony with absolute elegance and strength.

Sergei Polunin is a breathtaking ballet talent who questions his existence and his commitment to dance just as he is about to become a legend.

A Delicate Balance explores the life and dreams of young dancers at the dawn of adolescence. A tender and captivating documentary in which the students of the Quebec Superior Ballet School tell each other with candid lucidity.

New 2021 version of the classic. One of Tchaikovsky's three major ballets, The Nutcracker, a heartwarming story of Christmas. The Maki Asami Ballet Company started a regular performance of "The Nutcracker" in 1963. And it has been performing for about 60 years until today.

An unprecedented and intimate look at the life, work and enduring legacy of British actress Audrey Hepburn (1929-1993).

Kansas City Ballet prepares for the world premiere of The WIzard Of Oz with unfettered access to show the process of creating a brand new ballet from the timeless classic.

RHYTHM IS IT! records the first big educational project of the Berlin Philharmonic Orchestra under Sir Simon Rattle. The orchestra ventured out of the ivory tower of high culture into boroughs of low life for the sake of 250 youngsters. They had been strangers to classical music, but after arduous but thrilling preparation they danced to Stravinsky's 'Le Sacre du Printemps' ('The Rite of Spring'). Recorded with a breathtaking fidelity of sound, this film from Thomas Grube and Enrique Sánchez Lansch documents the stages of the Sacre project and offers deep insights into the rehearsals of the Berlin Philharmonic Orchestra.

Seven-year-old Polina and her 13-year-old sister Nastia live and breathe ballet. Both of them are studying at the Boris Eifman Dance Academy in frigid Saint Petersburg. They’re currently awaiting their grades to find out if they’ve done well enough to be promoted to the next year, with Nastia lovingly guiding he little sister through the process. But in the meantime, Nastia also has to deal with the high demands that the academy places on its students. The gorgeously styled shots are sometimes calm, even clinical, and sometimes warm, lively and funny.

Every weekend for six years, Jessica takes a bus from NYC, where she lives and works as a set decorator, to Boston, her hometown, where she cares for her dad, Aloysius, who is 87 and has advanced Alzheimer's disease.

Karolina Kuras is a Toronto-based ballet and portrait photographer. In this piece, we explore her creative collaboration with Canadian National Ballet dancer/choreographer Brent Parolin and Tanya Howard, as well as make-up artist Ashley Readings. We wanted to encapsulate the essence rather than the information. There are many pieces where Karolina is featured as a photographer discussing her work, but we wanted to get underneath the surface, into the intangible matters that drive and inspire her to create and collaborate so intimately. This project was captured on 35mm film, with a small crew in Karolina’s home studio.

Prima ballerina Darcey Bussell talks about her life at the top. From tears at ballet school and forgetting the steps, to becoming the Royal Ballet's youngest-ever principal and her favourite roles, Darcey recalls her performing career from its earliest days.

Is there still a stigma for boys who want to enter ballet? Film-maker Richard Macer investigates the reality of being a male dancer today at the Royal Ballet.

A valuable testimony that approaches the essence of Nijinsky who did not leave a video. Boris Kochno, who was at the center of Russian ballet, vividly tells how Nijinsky, who had fallen ill, witnessed his newly choreographed self-made work. Nijinsky's successor machine is a rare record of transferring Nijinsky's appearance in the popular work "Afternoon of a Faun" to two great dancers, Grigorowich and Wasiriev, who carry Bolshoi ballet on their backs.

When he arrives in Saint Petersburg, at the age of 29, Marius Petipa is just an obscure dancer who fled western Europe to escape his debts. He is far from imagining that his engagement in the troupe of the Russian Imperial Ballet, then rather mediocre, will reveal him, forty years later, as one of the greatest choreographers in the history of dance. It is within the Bolshoi Kamenny theaters, then Mariinsky, in a still provincial capital where three productions a year are enough to satisfy an undemanding audience, that this native of Marseille will invent a new art of ballet, over the course of sixty of creations, between 1862 (La fille du pharaon) and 1895 (Le lac des cygnes).

Ella Havelka made history in 2013 by becoming the first Indigenous dancer at the 50-year-old Australian Ballet. In this engaging, MIFF Premiere Fund-supported world premiere, Ella – a descendant of the Wiradjuri people – charts her inspiring journey from growing up in modest circumstances as the only child of a single mother in rural Australia to gaining entry to National Ballet School, then spending formative years with the acclaimed Bangarra Dance Theatre before accepting the invitation of The Australian Ballet's artistic director David McAllister to join one of the world's foremost ballet companies.

Many young girls dream of becoming ballerinas, but only very few are prepared to apply the all-out effort and make the sacrifices that this dream demands. The famous Vaganova Ballet Academy in St.Petersburg welcomes the most talented and determined young dancers, but it makes them no promises. RT Doc meets some of the young hopefuls storming the doors of the famous Academy to find out more about the dream they share, and to follow them on their first steps towards achieving it.

A documentary about dancer Heinz Bosl who died in 1975 - aged 28.

The former principal ballerina tells her story, with historic performances from the BBC archives and candid interviews from throughout her career. Showing how she grew up in front of the camera and mastered television.

The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).