When the groom's oldest friend, Cole, finds out his best friend, Jason, is getting married, he escapes from the institution he has been incarcerated in and makes a surprise visit to serve as the best man. Something does not seem right between bride, Gretchen, and groom. None of their friends seem to fully support the marriage and have secrets of their own. Unresolved about their relationship and endlessly obsessed with the groom, Cole stirs up everyone and everything, making it a weekend to remember.
A single mother and her slacker sister find an unexpected way to turn their lives around in this off-beat dramatic comedy. In order to raise the tuition to send her young son to private school the mom starts an unusual business – a biohazard removal/crime scene clean-up service.
The lives of six roleplaying gamer friends are thrown into upheaval when one of them enlists to go to Iraq. A geek movie without the self-loathing.
'Chance' is a black comedy about how hard it is to find "the one". Mostly told from the point-of-view of a young, sexually aggressive woman, named Chance, whom according to her: "we're all out there looking for true love", which turns out to be a very elusive thing indeed, and Chance is no exception. She's desperately on the prowl for a man, but since she's more mouse than cat, she gets herself into scrape after scrape in her screwball pursuit of love. Surrounded by a bevy of adoring but completely wrong-for-her men (and one dead girl from Manchester, England), Chance has to pick her way through her messy life in order to figure out which guy is "it".
A village girl travels to the Lao capital, Vientiane, to care for her rich cousin who has lost her sight and gained the ability to communicate with the dead.
A mild-mannered bank executive mentors a teenage con artist and tries to make a career change as a doughnut merchant.
A reclusive teenage boy, suffering from identity crisis, discovers his father is not his real father and seeks out to meet his biological father for the first time.
Nora Wilder is freaking out. Everyone around her is either in a relationship, married, or has children. Nora is in her thirties, alone with job she's outgrown and a mother who constantly reminds her of it all. Not to mention her best friend Audrey's "perfect marriage". But after a series of disastrous dates, Nora unexpectedly meets Julien, a quirky Frenchman who opens her eyes to a lot more than love.
A man vacationing in the country with his wife and children finds ideas he has of himself unexpectedly challenged.
After a one-night stand with her coach, a pressured swimming phenom finds the lives of herself and her loved ones in danger.
Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.
A woman celebrates her 40th birthday by having her three best friends come and stay with her and her husband for a long weekend. This woman has been in a wheelchair for the past two years, and it has led her to isolate herself inside of her home. Her husband stands by her as he lives with the guilt of causing the car accident which put her in the wheelchair. Over the course of the three day celebration, it is revealed that everyone is struggling with their own lives and identities. When one best friend makes a terrible mistake and betrays the woman on her birthday, everyone is immediately and uncomfortably forced into looking at their own lives and their own limitations.
A New York schoolteacher hits a midlife crisis when, in quick succession, her husband leaves, her adoptive mother dies and her biological mother, an eccentric talk show host, materializes and turns her life upside down as she begins a courtship with the father of one of her students.
The pain, the weakness, the silence, the despair. These are some of the feelings faced by a couple lost in drugs. Nights can be seen as the story of people who made mistakes in life, but who still continue to seek happiness. It is about the despair of hopeless lives. The characters are, from the beginning, thrown into an empty and sterile world of indifference. In this true no-man's-land, João and Teresa are confronted with their precarious existence. They are broken pillars of a love that has become silent and painful, they share everything: the house, the drugs, the emptiness and the deprivations of their lives. To make the situation even more dramatic, Teresa falls ill. João does everything to help her, betting on his love for her. He, too, an addict, knows how to ease the pain of his beloved. But unfortunately this help also requires extra money, which forces João to prostitute himself, accelerating his process of destruction and his path to a tragic end.
An emotional goodbye between longtime best friends begins an unexpected love affair, putting two marriages and many friendships at stake.
Heaven-Bound Travelers (circa 1935) was discovered among the rolls of film in the Gist collection at the Library of Congress by S. Torriano Berry during the recent restoration of Hell-Bound Train. Eloyce Gist takes a central role onscreen as a wife and mother who is wrongfully accused of adultery by her husband and is left to fend for herself and their daughter in the world. As she struggles to sustain them, the husband becomes riddled with guilt and struggles with his decision, and the social realism of the drama shifts to an allegorical struggle between the devil, appearing to tempt humanity to sin, and the angels. The film does not exist in complete form but the fragments show a project of ambitious scope. Presented with a score composed and performed by Dr. Samuel Waymon.
Penelope is forced to marry Jonathan but there is no attraction between the two. As a matter of fact, Jonathan is more interested in spending time with the butler than with his wife. Penelope finds a way of reuniting with the love of her life and manages to hire him as the gardener. Two secret affairs in one household soon lead to major scandalous situations.
An African American woman living away from her family in Los Angeles yearns to be recognized for more than her physical attributes. In cultivating the friendship of a male office mate, she aspires to a relationship where romance is not a factor, seeking someone who can "see her as she is," rather than see only what he wants to see. (UCLA Film & Television Archive)
When Realtor Sandra visits a foreclosed property with her client, the former owner Danny attacks them.