The two musical masters swing out.
Carlos Santana's concert at the New Orleans Jazz Festival. Recorded April 26 & 27, 2014.
The Life & Times of Bobby Keys ... decades-long Sax player with The Rolling Stones, best friend to Keith Richards, and session player with John Lennon, Eric Clapton, Delaney & Bonnie, George Harrison, Dr. John, Joe Cocker, Harry Nilsson, Ian McLagan, Keith Moon, Etta James, Ronnie Wood, Sheryl Crow, Ringo Starr, Joe Ely, Warren Zevon, Billy Preston, Donovan, Marvin Gaye, Lynyrd Skynyrd, Carly Simon, Barbra Streisand, John Hiatt, Yoko Ono and B.B. King.
A chronological look at the life and career of jazz musician, composer, and performer Dave Brubeck (1920-2012 ), presented through contemporary interviews, archival footage of interviews and performances, and commentary by family, fellow musicians, and aficionados. Emphases include his mother's influence, his wife's invention of college tours, his skill as an accompanist, the great quartet (with Desmond, Morello, and Wright), his ability to find musical ideas everywhere, his orchestral compositions, his religious conversion, and his unflagging sweet nature.
The story of legendary jazz drummer, Gene Krupa. Since his youth, all Gene ever wanted to do is play the drums and make music. This is something his parents would not approve of- they want him to be a priest. When Gene's father dies he promises to enter the priesthood. He soon realizes that he doesn't belong there and leaves to join his friend, Eddie's band. Ethel, Eddie's girlfriend, convinces Gene to go to New York and make it big. The 3 of them head to New York. Here Ethel and Gene soon fall in love and Gene makes a name for himself. Gene starts to live in the fast lane, with drugs, alcohol, women and parties. Ethel, unhappy with Gene's lifestyle, leaves him. Gene soon "hits rock bottom" where he has to face reality and choose where to take his life.
The relationship between an aspiring dancer and a popular songstress provides a retrospective of the great African-American entertainers of the early 1900s.
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
A dancing bear escapes from the zoo and finds his way to Tom and Jerry's house. He dances with Tom, making it impossible for Tom to call the authorities; Jerry takes every opportunity to play music and keep Tom and the bear dancing
Young Benny Goodman is taught clarinet by a music professor. He is advised to play whichever kind of music he likes best, but to make a living, Benny begins by joining the Ben Pollack traveling band.
In 1927, a Kansas City, Missouri cornet player and his band perform nightly at a seedy speakeasy until a racketeer tries to extort them in exchange for protection.
Jazz Icons: Bill Evans features five separate performances by one of the most revered pianists in music history. This collection covers an 11-year span, highlighting Evans’ ever-deepening artistry as he performs with four different all-star rhythm sections, including the stunning duo of bassist Niels-Henning Ørsted Pedersen and drummer Alan Dawson. This DVD includes for the first time on home video Evans’ renditions of the rarely performed “Sareen Jurer,” “Blue Serge” and “Twelve Tone Tune Two.” Among the many surprises in this collection is a live performance of “My Melancholy Baby” with saxophonist Lee Konitz.
A pair wander the streets of Warsaw, meeting famous Polish musicians.
After connecting with the shy Madeline, a jazz trumpeter embarks on a quest for a more gregarious paramour, but through a series of twists and turns punctuated by an original score, the two lovers seem destined to be together.
Oscar Peterson is accompanied by the stellar duo of bassist Ray Brown and drummer Ed Thigpen for each concert performance. This is the classic Oscar Peterson Trio, considered by many to be the best Oscar Peterson Band ever. Oscar and the trio collaborate with trumpeters Clark Terry (Finland'65) and Roy Eldridge (Sweden'63) and re-create some of the excitement and fun of the Jazz at the Philharmonic (JATP) tours. Among the many highlights in this collection are the Oscar and vocalist-trumpeter Clark Terry collaboration on the ever-popular Mumbles ,and for the first time on commercial video, an Oscar Peterson Trio rendition of Tonight from his award-winning West Side Story album.
A bittersweet musical drama set in London centers around a dejected jazz musician who is on the edge. He perceives a cold, black and white existence. In his heart there remains a ray of hope that will transport him to a warm and colorful world. Through the music, his spirit is renewed, if only for an instant, at the end of the rainbow.
Acclaimed jazz vocalist Jane Monheit -- an artist whose voice is often compared to that of Diana Krall and Ella Fitzgerald -- delivers a heartfelt set in this memorable 2004 performance filmed live at the Brecon International Jazz Festival in Wales. The evening's mix of standards includes "In the Still of the Night," "Embraceable You," "Bill," "Too Late Now," "Honeysuckle Rose" and "I Should Care."
The concert held at the ZDF JazzClub in Stuttgart in 1988 was played by Oscar Peterson together with the drummer Kenny Drew and the double bass player Dave Young. Their collaboration had begun in 1974. For Drew, who was British, it lasted until 2004, while the Canadian Young was a regular member of Peterson's trio for 25 years. Jazz classics, including a medley with five compositions from Duke Ellington's repertoire, form the core of the concert.
In May 2022, Henry Threadgill presented an acclaimed concert at Roulette Intermedium in Brooklyn, New York, that combined a vibrant new composition for a 12-piece chamber ensemble with an array of elements, including recited poetic texts and projections of paintings, photographs, and prerecorded film footage and vocal choirs. The New York Times described the music as possessing “a galvanic sense of swing” in a performance imbued with “an obliquely danceable, straightforwardly joyous Threadgillian energy.” The Other One captures and remixes the multimedia performance into a dazzling cinematic document of Threadgill’s experimental vision.