A gang of crooks evade the police by moving their operations to a small town. There the gang's leader encounters a faith healer and uses him to scam gullible public of funds for a supposed chapel. But when a real healing takes place, a change comes over the gang. Lost film, only the most famous scene has survived.
This was Theda Bara's third starring film, and the first which she carried all on her own, with no other name actors in the cast. Based on the Alexander Dumas story, The Clemenceau Case involves Iza, a vampire-wife (Bara), whose wicked ways scandalize her husband, Pierre (William E. Shay).
The daughter of a Mexican aristocrat endures the travails of the Mexican revolution.
Young Edmond Durand (Conrad Nagel) has been reared under the autocratic influence of his aunt (Marcia Manon), who directs a large silk mill in southern France. He revolts against a stifling career planned for him and leaves home with Marcelle, a Gypsy girl (Renée Adorée). They roam the countryside with a Gypsy caravan in romantic bliss; they are inadvertently separated but at the outbreak of war are reunited. When peace is restored, the lovers find happiness together.
A loose adaptation of August Strindberg's Miss Julie. The daughter of a count witnesses her mother's increasing mental instability after being spurned by a lover.
A nobleman wishes to help the woman he had seduced and abandoned years earlier when he learns that she is now on trial for murder.
Fascination is a 1922 American silent drama film directed by Robert Z. Leonard and starring his then wife Mae Murray. The film is based on an original story by Edmund Goulding, soon to be a prolific film director. The story capitalizes on Murray's continuing forays into outlandish costume dramas.
Two rival mountain clans that have been feuding for years begin a new battle over the moonshine whiskey trade. A young man and a girl from each of the different clans try to end the feud, and wind up falling for each other.
Newland Archer is engaged to May Mingott of a prominent New York family. Shortly after the engagement is announced, Newland finds himself attracted to May's older married cousin Countess Ellen Olenska.
A royal princess gives her time to the Red Cross, and works alongside a young American doctor.
Vera, a woman of questionable character places a wager that she will be able to destroy a happy marriage and inveigle the husband into becoming her lover. She succeeds to the extent of a midnight tryst in the family's home, witnessed by the couple's 12-year-old daughter. Her resolve weakened by the child's piteous pleas, Vera deliberately loses the wager, freeing the sadder-but-wider husband to return to his forgiving wife.
A rich girl's fiancé poses as a chauffeur to stop her eloping with a major.
Nina, a blind girl, lives with her grandmother, who has taught her to make artificial flowers, which she sells at a flower-stand. Nina, and Jimmie, a crippled newsboy who sells papers on the same corner, are sweethearts. Nina's grandmother dies, and she turns to Jimmie. One day Jimmie has a fight with another newsboy, whom he thinks is hanging about Nina's stand too much, and the other boy is soon begging for mercy. Miss Fifi Chandler, an artist, happens to be passing, and becoming interested, she accompanies Nina and Jimmie to their rooms, and is surprised to find that Jimmie is an artist, having made a beautiful plaster cast of Nina. Fifi brings Jimmie and his protégé to the notice of her fellow artist, Fred Townsend, who falls in love with Nina.
Wee Lady Betty rules the O'Reilly castle with a stern hand and a big heart until she learns that Roger, the O'Reilly heir, is coming to take possession of his estate. Unable to provide for her aged father, Betty conceives of a scheme. Feigning to leave the castle, she returns after dark with her father and installs him in the haunted chamber.
When her father goes broke in the stock market, Jane Lee is forced to leave her prestigious boarding school. Glad-handing John Brock, an old friend of Jane's father, arranges for the girl to be hired as his stenographer. But Brock's lecherous ulterior motives become obvious when he locks Jane in the office and tries to rape her. When she manages to escape his advances, Brock vengefully frames the girl on a robbery charge.
Nancy Bradshaw (Katherine MacDonald) is a popular stage star who quits her career to marry millionaire clubman Dick Cunningham (Charles Richman). But after a few years of marriage, he starts seeing other women. Figuring that her public was more faithful to her than her husband, Nancy returns to the stage.
After the Show was adapted from Rita Weiman's story "The Stage Door." Lila Lee plays Eileen, a starry-eyed young girl employed as a chorus dancer in New York. Eileen can never be certain if the men in her life are sincere, or if they perceive her as mere temporary plaything. Among the "stage door johnnies," "tired businessmen" and "sugar daddies" surrounding Eileen are Jack Holt and Carlton S. King.
Babs Van Buren saves her lover from the electric chair and at the same time extricates her older sister, Connie from a trying situation.
A young woman becomes rich after striking oil on her property, summarily leaving her home, past, and fiancée for a more flavorful life in Hollywood.