The ceremony performed every morning. The breakfast which never ends.
In describing the foundations for SOLAR SIGHT, artist Lawrence Jordan writes, "A question I had in mind was: what's the place of the human being in the cosmos? More and more we think about what is 'beyond.' Less and less is art concerned. I don't know why. The question seems a bit grandiose but I approached it quite simply. I have never worked with color photography as primary background to cut-out animation before. I was surprised that the result was so powerful (helped by John Davis' very resonant music). It was liberating to release human figures into an apperception of suggested space, along with the primordial enigma of the revolving sphere."
Ponders the possibilities of what awaits us at the end of our life.
Mickey, Minnie, Horace Horsecollar, and Clarabelle Cow go on a musical wagon ride until Peg-Leg Pete tries to run them off the road.
This year's story follows Nicole, the granddaughter from last year's ad, who is now all grown up with a family to make Christmas traditions with. We follow her and her two adorable children, Max and Ella, as their new stepdad Mike moves into their family home. At the heart of the story is a very special storybook – a precious item belonging to Max from his birth father. The book celebrates the power of storytelling and how it can deepen family bonds; as the family are shown delighting in the magic of Disney storytelling, beautiful animation springs off the pages, igniting the true spirit of Christmas. Follow their emotional journey as we see them combine existing festive traditions with wonderful new ones. In partnership with Make-A-Wish. Featuring "Love Runs Deeper" by Gregory Porter.
A group of six young Russian boys at a summer camp tell each other scary stories while waiting to fall asleep one night.
A wild boy is found in the woods by a solitary hunter and brought back to civilization. Alienated by a strange new environment, the boy tries to adapt by using the same strategies that kept him safe in the forest.
A house is visited by a clean, organized, well-mannered guest.
‘La course à l’abîme’ is a depiction of the final ride into hell from ‘La Damnation de Faust’ (1846) by Hector Berlioz.
The cartoon starts off with Woody who, tired of flying, stops to rest on a cloud...
Tom is wooing Toots; he presents her with a present - Jerry. But Toots would rather play mother to Jerry than eat him, much to Tom's annoyance.
A gut reaction to the Coronavirus apocalypse, made in the first weeks of isolation and confusion in March-April 2020, echoing the shocking, eerie and surreal experience of the pandemic. Reworking the classic Zombie public-domain film from 1968 'Night of the Living Dead' by a mix of deep-learning AI coloring technology, datamosh techniques, re-cutting and sound work. Visions of the invisible found in the horror film images get broken apart and reassembled to become a haunting kaleidoscopic experience.
Leonardo is truly a terrible monster-terrible at being a monster that is. No matter how hard he tries, he can't seem to frighten anyone. Determined to succeed, Leonardo sets himself to training and research. Finally, he finds a nervous little boy, and scares the tuna salad out of him! But scaring people isn't quite as satisfying as he thought it would be. Leonardo realizes that he might be a terrible, awful monster-but he could be a really good friend.
While striving for the top digital messenger spot Flash makes a fatal error putting young love in jeopardy. Now he must risk everything he has worked for in order to make it right or save his reputation.
In the forest two gold digger saw a fire nymph, foreshadowing is rich in gold deposits, and had a fight. This greatly angered the nymph. This story told grandfather to his grandson. Suddenly the very same girl appeared in front of them from the flames of the candles, and tease the boy ran out of the hut. After a while the boy again met with Ognevushka, and she invited him to her house. In winter, the old man found out that they had in the house over the potatoes. Trying to earn a livelihood, changing home-made wooden spoons on potatoes, he fails. Then Fedya went to the forest to visit Ognevushka, hoping to take the potatoes. In response to the request Ognevushka lent the boy magic shovel. Which in the same year Fedya with his grandfather comfortably survived until the summer.
A reading of the Grand Prize-winning essay in the Earth Day 50 Art & Essay Contest, April 22, 2020, held in Clark County, Nevada. Narration by winner Sydney Lin; illustrated by the top 20 artwork entries; music by permission, Zukir Hussain.
A documentary about the making of Wallace & Gromit’s Cracking Contraptions.
Uli has found an old book in the attic of the Kulturhaus that tells of the exploitation of the peasants by the feudal lords. He tries to imagine how the robber barons would fare in a socialist village. Then two of this type step out of a dusty picture and Uli joins them on their way to the village. There they fail miserably with their overbearing behavior, and even a break-in turns into a failure.