With her deadline fast approaching, Mimi the cat panics across the vast halls of a tech company on a mission to gain approval from her uncaring superiors.

A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer.

Gabby is a servant in a castle and is required to do a little housework.

A clumsy yokel of a male weed courts a delicate female flower ballerina by trying to dance with her.

The Crabe-Phare is a legendary crustacean. He captures the lost sailors' boats to add them to his collection. But the crab is getting old, and it is more and more difficult for him to build his collection.

It's about these children mice on a farm doing work for their mama and grandpop. The mom catches one of her offspring, Herman, sleeping late and wakes him up by spanking him. After he cries to Grandpa, the ground starts shaking. The tractor is on the way!

Gabby teaches a young boy how to fish, even though the boy was doing much better without him.

Gabby goes camping with the Mayor.

Jacqueline has lost her mind a bit, but whatever, for her trip to the seaside, she has decided to take the train by herself, like a big girl!

This half-hour documentary by acclaimed director Jonathan Demme ("The Silence of the Lambs") captures singer-songwriter Neil Young and his hard-rocking backing band Crazy Horse "live" in the studio playing a set of four songs. These sessions took place at the Complex Recording Studios in Los Angeles on October 3, 1994, just one day after Young's critically-lauded Bridge School Benefit concert. Earlier that year, Young and his band had recorded the studio album "Sleeps with Angels" at the Complex studios and came back to film a series of music videos. Jonathan Demme was there to document the recording session, which began at 6:30 pm on a Monday evening and concluded at 4:30 am the next day. "The Complex Sessions" is the result of these sessions. Set List: 1. My Heart (3:08), 2. Prime of Life (4:44), 3. Change Your Mind (14:56), 4. Piece of Crap (3:08).

Porky Pig works hard on his farm all year. On a neighboring farm, a bear lazes around and allows his animals to be idle. The winter comes, and he has nothing to eat.

Animation, also of a new order in the recent series of short works. Mostly on black space, the figures in blue perform a very compact and jewel-like opera in surreal form, again to Satie’s piano music. Ideally, the film should be projected on a 30" wide white card sitting on a music stand, center stage of a large auditorium or music hall, with sound from the projector piped into the big speaker system. The film is most effective this way, but can be shown normal-size also

Stranded on an island after his ship was wrecked by a hurricane, Porky meets a friendly African Native. They build a house, and Porky begins to explore the island. On his way we see various sight gags.

Lazy black folks in Lazy Town (Pop. 123½) are napping and attracting flies. They are so lethargic they even fight in slow motion. Then a riverboat arrives with a red hot mama on board. Faster than you can say "Jim Crow", she has everyone moving to a Harlem boogie beat, dancing, scrubbing clothes, and eating watermelon. As the boogie-woogie comes to a close, Mammy hoists her skirt. Her big bottom reads "The End".

Diogo Alves is a Spanish fugitive that comes to the Portuguese capital terrorizing the inhabitants by his cut-throat methods against rich and poor people alike. He attacks the women launderers on the Lisbon Aqueduct and throws the bodies over the high wall, and assaults homes with his large band of criminals. Eventually arrested, he, his female companion and his henchmen are condemned to death by the court.

THE BLUE HOUR tells the story of Tanya, a young woman with a mysterious past who finds herself trapped in a sexual hell in Los Angeles. Punctuated by striking visuals and avant-garde editing, THE BLUE HOUR is a lost masterpiece of late period sexploitation.

A Japanese man mysteriously wakes up inside of his phone and is forced to confront the destruction his addiction to technology has wreaked on his life.

A man dying of thirst descends further down a labyrinth consisting of nightmarish Bosch-esque creatures.