A timid housewife is jolted into a fight for her survival or sanity when she thinks she hears her new partner at a weekly bridge game whisper a shocking threat.
Rose fabricates her own version of a perfect fairy tale to escape the harsh reality of her life. When a mysterious visitor turns up she must choose between the safety of her own imagination and the acceptance of her true identity.
The story or two men who fall in love and move in together.
Nicolas, a young man in his mid 20s, struggles to decide whether or not to go to the wedding of his best friend from high school, Aaron, who he's always been quietly in love with. The two had a falling out years earlier after Nicolas inexplicably kissed Aaron's girlfriend. Nicolas clings to an idealized image of his former friend, unconsciously sabotaging his own happiness in the process. The film is a realistic slice-of-life that poses the question "How do you get over something you never had?"
A young man struggles with the boundaries of friendship when he finds himself in an intimate situation
A coming-of-age story about Jack, a 16-year old Iranian boy growing up in 1989 Los Angeles. With the 1979 Iranian Revolution a distant memory, the AIDS movement as a backdrop, and a haunting score by Vampire Weekend's Rostam Batmanglij, Jack learns how to stage his own much smaller revolution within the confines of his traditional family.
Balthazar and siblings Christian and Lyla have been friends since childhood. As the trio struggles with coming of age in a rural, conservative Canadian town, they must confront escalating desires for one another that threaten to destroy their delicate bond.
One Person on the street does not vertigo when suddenly something happens to him
In this terribly poignant tale of memory, loss and love, Juliette, a young woman paying a visit to her Alzheimer's suffering father, unexpectedly triggers a brief but touching moment of lucidity between them. A moment she hopes she will never forget, but knows in her heart he has already forgotten.
“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on the return of the ashes of Emir Abdelkader, to Algeria. It was the opportunity to make a film on the ancestors with M'hamed Issiakhem. He designed glass plates on the basis of my texts. Then we had actors collaborate. It was a film which cost us a total of 300 dinars, proof that we could do work for television without too much money. We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state." Kateb Yacine, July 28, 1986, interview with Arlette Casas.
David asks help from Elise for a special occasion during the pandemic in which everyone is required to stay at home. Will things be successful when unspoken feelings become more visible in one of them?
In a picturesque hamlet overlooking the sea near Rome, two young men divide their time between petty thefts and football matches. Their crimes have the lightheartedness and exuberance of childhood games, until an unexpected proposal marks a change in their lives, and that of the history of Italy, with the death of Pier Paolo Pasolini.
The short film poem KYKLOP is dedicated to a mechanical eye as an autonomous being. Round wheels and targets similar to him seem to arouse the interest of this main character. The atmosphere is thundery, thunderous. It reminds of the cyclopean thunder demons from the "Theogony" of the ancient Greek poet Hesiod. KYKLOP (2023) is another autonomous part of the film cycle by Telemach Wiesinger and Alexander Grebtschenko that began with TURBULENCE (2022) and its pairs of mechanical wings.
A roadside movie about a teenage girl who feels trapped by her life in a remote petrol station in the Scottish Highlands.
A park bench plays stage to the meeting between two people - Emma and Ben. Here we see them in present day and we learn that they once spent three years very much in love.
A short silent movie based on the tale Little Red Riding Hood.
Julião is a young farm worker who, one day, contracts leprosy. Overnight, the good mountaineers that were so friendly with him refuse to see him again, and he must be by himself in the far woods. Bathing in olive oil, as suggested by an old woman, proves ineffective. Now, he becomes violent, expressing his anguish against those who expelled him from the village. Production date is 1975. Had its first major public release in 2009, at MotelX, Lisbon's International Horror Film Festival in the section "Lost Room". The movie was suggested to the MotelX production by the portuguese director António Macedo who knew about the existence of this and other portuguese movies about popular legends and myths of the portuguese imaginary. The movie was archived and conserved by the portuguese Cinematheque.