Artist and filmmaker Philippe Mora (Mad Dog Morgan; The Howling II; Swastika) is producing a graphic novel about his late father, Georges, widely known in Melbourne as a beloved contemporary art patron and owner of bohemian eateries Mirka Café, Café Balzac and the Tolarno Restaurant and Galleries. Less known, however, is Georges' astonishing history as part of the French resistance during World War II, his friendship with renowned mime Marcel Marceau (Philippe's godfather), and how together they saved thousands of Jewish lives with a fiendishly simple trick involving baguettes and mayonnaise.
A behind-the-scenes look at the beloved public television personality's journey from humble beginnings to an American pop-culture icon. "The Happy Painter" reveals the public and private sides of Bob Ross through loving accounts from close friends and family, childhood photographs and rare archival footage. Interviewees recount his gentle, mild-mannered demeanor and unwavering dedication to wildlife, and disclose little-known facts about his hair, his fascination with fast cars and more. Film clips feature Bob Ross with mentor William Alexander and the rough-cut of the first "Joy of Painting" episode from 1982. Famous Bob Ross enthusiasts, including talk-show pioneer Phil Donahue, film stars Jane Seymour and Terrence Howard, chef Duff Goldman and country music favorites Brad Paisley and Jerrod Niemann, provide fascinating insights into the man, the artist and his legacy.
In this brand new episode, master illusionist and showman Derren Brown plans to pull off the perfect crime. He’s bet renowned art collector Ivan Massow that he can steal a painting from right under his nose. In true Derren style, he will tell Ivan exactly which painting he plans to target – a work by Turner-nominated British brothers Jake and Dinos Chapman no less – as well as what time the theft will happen. He’ll even give him a photograph of the person that’s going to take it.
A documentary on the life of Jack Kirby, co-creator of Captain America, The Fantastic Four, Iron Man, Thor, The Avengers, The Hulk, The X-Men and the New Gods, among other classic comic book superheroes.
This documentary shows how an Inuit artist's drawings are transferred to stone, printed and sold. Kenojuak Ashevak became the first woman involved with the printmaking co-operative in Cape Dorset. This film was nominated for the 1963 Documentary Short Subject Oscar.
An inspirational insight into the spectacular art at the center of this annual celebration, BURNING MAN: ART ON FIRE follows the unpredictable journey of the artists who defy reason to bring their massive installations and sculptures to the punishing Nevada desert. Filmed just after Burning Man’s legendary founder suddenly died, the community of artists is challenged by impossible timing and blinding dust storms. This richly cinematic, multi-character narrative unfolds over months as they imagine, build and ultimately burn the extraordinary main structures in this temporary city of dreams…a poignant and uplifting feel-good movie!
MAKE is a feature-length documentary for the modern creative, produced by the team at Musicbed. This film is a question. A conversation starter. It's an examination of the reasons we create and the things that drive us to make something new - passion or success. The film looks to examine the myth of creative success and what it means to live a healthy life as an artist.
Years ago, artists would walk around the muck at the edge of the San Francisco Bay in Emeryville, and build loads of sculptures out there on the flats, created from driftwood and found objects that drivers would enjoy as they motored south on the old Highway 17 (known in numerous radio ads as 'Highway 17, The Nimitz'). Grabbing material off someone else’s work was considered fair game and part of the fun, and contributed a kinetic dynamic to the ongoing display. Now the place is a park, and the sculptures are gone, but you can see what it used to be like in this neat and funny documentary by Ric Reynolds, augmented by Erich Seibert’s wonderful musique-concrète/time-lapse sequences. The flashback circus sequence includes Scott Beach and Bill Irwin. Sculptors interviewed include Walt Zucker, Tony Puccio, Robert Sommer, Ron & Mary Bradden, and Bob Kaminsky.
David Hockney is unquestionably one of the most passionate and versatile experimental artists on the contemporary scene. In the late 1970s the British artist developed a pioneering concept which also changed his perspective on painting – his “joiners”. In this film, the artist himself talks about this photographic approach, a kind of Cubism-inspired photocollage which explores the space-time continuum. Hockney allows the viewer to share in the creative “joiner” process and leads us step by step into the universe of his artistic creativity.
A discovery of the pictorial art that Ndebele women traditionally practice in South Africa: painting the walls of their houses.
A documentary about the Estonian artist Kaarel Kurismaa shows the viewer an insight into the world of artists. Kaarel changed his creative direction several times; he explored different artistic styles. Kaarel Kurismaa laid the foundations for Estonian kinetic and sound art. He is a highly versatile artist whose creative energy is divided between painting, sound, installation, monumental art, and film. On the crest of the avant-garde wave of the 1970s, he created several important sound and kinetic objects in Estonian art history.
One public housing flat in Moscow stood out above all others: the home of George Costakis, the foremost collector of early 20th century Russian avant-garde art. Its walls were crowded with banned and forgotten works by artists such as Malevich, Tatlin, Kandinsky, Chagall, Lissitzky, Rodchenko, and Kliun; public figures such as Edward Kennedy, Stravinsky, and Alfred Barr visited. Barrie Gavin met the collector in 1982 at his home in Athens. Costakis, a Greek born in Russia, passionately shares his story and those of the great Russian avant-garde artists. Their works are his legacy – without him, they would not have survived the political upheavals in Russia.
This film is dedicated to Maria Lai, an artist born in 1919 in Ulassai, Sardinia. Surrounded and inspired by the ogliastra countryside, the cyclopic guardian of plots and landslides, Maria Lai uses inert materials like stone, concrete, asphalt, metal and wood to work old and new legends into librettos of individual works, installations and interventions, thus becoming part of the landscape that calls to her. In making this film the authors have confided in the artist’s role as a spokeperson, and it is as if one is listening to the voice of a wild olive tree - both millenary and contemporary - a voice that knows what to say (and can say whatever it wants) from beyond the boundaries of reality, history, nature and art. As that tree, the artist - confident of her roots - with a sound sense of rhythm and scansion, multiplies big and small stories, just as she did with the bread and fish in Santa Barbara di Ulassai along the way to the country church.
Rough Cut, the debut feature from London-based artist Jamie Shovlin, explores the re-making of an exploitation film that never was. At its dark heart is Hiker Meat, an archetypal 1970s slasher movie imagined by Shovlin, complete with hitchhiking heroine, charismatic commune leader and a group of teens who disappear one by one. This tantalising film-within-a-film serves to both deconstruct and pay affectionate homage to the often-maligned exploitation style. Having created a full screenplay, score and cut-and-paste prototype for Hiker Meat, Shovlin filmed key sections and a full trailer in an intense shoot in the Lake District in summer 2013. Rough Cut contrasts these re-made sequences with on-set footage and insights into the development of Hiker Meat’s script, soundtrack and design, to create a compelling mash-up of self-referencing processes, behind-the-scenes viewpoints and time-honoured slasher tropes.
Examines the mesmerising construction of clear crystal glass pieces created by the craftsmen of Waterford. The process from the intense heat of the furnace to glass blowing, shaping, cutting, honing, filling and finishing is all depicted in this celebration of the art of creation of Waterford Glass. Academy Award Nominee: Best Live Action Short - 1976.
"Art is more precious than a hot dog" - Francis Picabia's (1879-1953) pamphlet is the title of this color animation of Cartsen Regild's art and the studio recording in black and white.
Photographer Imogen Cunningham presents her own work in this Academy Award-nominated documentary.
Research and dissemination documentary-film about contemporary art in which more than 30 staff members of museums and galleries, visual and sound artists, collectors, art critics and curators share their knowledge and give an account of their experiences and anecdotes.
The documentary, made by the students of RUFA documentary course, followed Alice Pasquini for many months, resuming her pictorial interventions, interviewing friends and family, collecting archival material and participating in meetings for the realization of the book. The flow of images is a sort of specific itinerary that Alice Pasquini takes when she decides to give form and substance to what her mind imagines.