Disguised as an Italian medic, Dolas finds himself on a ship evacuating wounded Axis soldiers to Italy. He leaves the ship disguised as a Nazi soldier, but is found out, declared a deserter and sent to the Eastern Front. However, on the flight to Russia, he is able to escape with a parachute, and finds himself back in Poland, now occupied by Nazis.
The first rule is that there are no rules. For the bare-knuckle combatants competing in Musangwe fights, anything goes - you can even put a curse on him. The sport, which dates back centuries, has become a South African institution. Any male from the age of nine to ninety can compete. We follow a group of fighters as they slug it out in the ring. Who will be this year's champion?
On the 20th anniversary of their edgy little 90's cable show Underground Entertainment, the authors, along with many SF, horror and B celebrities in cameos, remember how they pushed the envelope, shocked, entertained, but also introduced the audience to many movies, comics and conventions.
高校1年生の夏休みに大洋、小林、田口の3人は湘南にある田口の別荘で夏休みを満喫しようと江ノ電に乗ってやってきた。そこには水着ギャルやサーファー達が海を楽しんでいる。ところが、大洋達は別荘の鍵を無くしてしまう。そんなところで海辺で全裸で助けを求める男・デューク川原に出会ってしまう。このデューク川原との出会いで大洋達のリッチな夏休みは大きく変わることになる。
On 17 May 1931, the young director Mário Peixoto released his masterpiece "Limite" in a premiere in Capitólio Theater in Rio de Janeiro to astonished audiences bewildered by the impressive and poetic images. Considered by many viewers the best Brazilian movie ever made, this feature has never been released commercially. However, in a great paradox, Mário Peixoto has never made any other movie. The director Sérgio Machado pays a great tribute to the life and work Mário Peixoto a.k.a. Maçarico by his close friends with this documentary, using his diary; footages of "Limite", the never concluded "Onde a Terra Acaba" (1933) and the short "O Homem do Morcego" (1980); and interesting testimonies of Olga Breno, Ruy Solberg, Nelson Pereira dos Santos and Walter Salles among others.
A young girl suffers a terrifying nightmare of a vampire with blazing golden eyes. Eighteen years later, it is revealed to be a hellish prophecy when a strange package containing an empty coffin mysteriously turns up at a nearby lake.
Interpol investigates the freelance killings of drug and porn peddlers.
A documentary chronicling the impact and day to day operations of the journal The Nation.
An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.
With rare behind-the-scenes footage, a detailed look at the making of Walt Disney’s adaptation of the Jules Verne novel 20,000 Leagues Under The Sea.
A young Iranian boy makes friends with a young girl of the same age against a backdrop of the humdrum daily existence of rural workers.
A tectonic shift deep below the Mariana Trench causes a series of ever escalating earthquakes. If a team of leading seismologists fails to stop the disaster, the events will break apart the Earth, resulting in billions of casualties. Finally, someone’s paying attention to our leading seismologists.
A two-minute computer animation of a fantastical centipede having a spot of bother with a mischievous segment.
When a book containing Hong Gil-dong's magic was stolen from the museum, a boy and his friend will see Hong Gil-dong and Terminator of the past.
A sexually defiant teen sets out to seduce an HIV prevention advocate into giving him the virus.
Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australian experimental cinema. But as this intimate film reveals, his work is suffused with the trauma of migration, and the struggle to recognise himself as a ‘new Australian'. In conversation with documentarian Steven McIntyre, Dirk guides us through more than 40 years of his filmmaking: the early years exploring technique and technology, a subsequent phase of unflinching self-examination brought on by upheaval and overseas travel, and more recent projects where he attempts a fusion of personal, cultural, and historical identity. What emerges is an inspiring, rugged, and at times poignant portrait of an artist committed to self-expression and self-discovery through the medium of film.
This is only a teaser of the full concert "Live at Folsom Field" but the live versions of these two fairly new songs, "Bartender" and "When The World Ends" only leave the viewer wanting more Dave. Any fan should check out "Folsom Field" for it is a great concert, mixing the very old material with the very new stuff.