In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.
When the wife of a 17th century Kyoto scroll-maker is falsely accused of having an affair with his best employee, the pair flee the city and find themselves falling for one another.
A seven-hour epic adaptation of the novel by Leo Tolstoy. The love story of young Countess Natasha Rostova and Count Pierre Bezukhov is interwoven with the Great Patriotic War of 1812 against Napoleon's invading army.
A young man falls for a young woman on his trip home; unbeknownst to him, her family has vowed to kill every member of his family.
“決してひとりでは見ないでください--” この名キャッチコピーは公開当時の流行語に。鮮烈な色彩、ゴブリンが参加した不気味なサウンド、過激演出が三位一体となって独自の緊張感を生み、今も語られることが多い逸品。1977年日本公開の洋画でベストテンに入るヒットを記録。影響で翌年、アルジェントによる1975年の無関係な作品が「サスペリアPART2」として日本公開。監督にとっては「インフェルノ」「サスペリア・テルザ 最後の魔女」に続く“魔女3部作”の第1弾に。 アメリカからドイツのバレエ学校に留学してきたスージー。校舎に到着した夜、ある女性が何か言いながら消えていく姿を目撃する。直後、女性は何者かに殺される。入学したスージーは厳しいレッスンを受けるようになるが、体調に異変が起きて倒れたり、同じ寮で友人になったサラとともに怪しいうめき声や足音を聞くなど、異常な事態が続く。ついにある夜、サラは何者かに追われている気がして、寮の中をひとりで逃げるが……。
North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It's not a military objective. It's The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops' tormentors are not the enemy, but their own comrades-at-arms.
After the death of Shaggy's Uncle Beaureguard, he, Scooby and Scrappy arrive at the late uncle's Southern plantation to collect the inheritance. But as soon as they arrive, they find it is haunted by the ghost of a Confederate soldier. With this spook on their tails while they solve riddles in search of the inheritance, they seek help from the Boo Brothers, a trio of ghost-exterminators to help catch this nasty ghoul.
何万挺に一挺という名銃ウィンチェスター。その銃を順次手にする人々を中心に悲喜こもごものドラマが展開し、全エピソードが一つになって終局を迎える。見事な構成の名作西部劇。
Broadway producer Max Bialystock and his accountant, Leo Bloom plan to make money by charming wealthy old biddies to invest in a production many times over the actual cost, and then put on a sure-fire flop, so nobody will ask for their money back – and what can be a more certain flop than a tasteless musical celebrating Hitler.
A pair of down-on-their-luck swordsmen arrive in a dusty, windblown town, where they become involved in a local clan dispute. One, previously a farmer, longs to become a noble samurai. The other, a former samurai haunted by his past, prefers living anonymously with gangsters. But when both men discover the wrongdoings of the nefarious clan leader, they side with a band of rebels who are under siege at a remote mountain cabin.
During a routine patrol, a reporter is given permission to interview a hardened cold-war warrior and captain of the American destroyer USS Bedford. The reporter gets more than he bargained for when the Bedford discovers a Soviet sub and the captain begins a relentless pursuit, pushing his crew to breaking point.
Vincenzo 'hunchback' plans a robbery on a armored police van with his gang. Once the job is done, his gang try to kill him and absconds with the loot. Vincenzo hides in the sewers before looking up his friend Monezza who the police later interrogate for his involvement with vincenzo. Meanwhile, Vincenzo is getting revenge on his gang by killing them off one at the time in his various brutal ways.
ルイス・ブニュエルが『アンダルシアの犬』に続き、サルバドール・ダリと組んだ前衛映画の大古典! ネズミを襲うサソリ、ならず者たちの会合、海辺の岩場でミサ、骸骨、狂人、犬、カブトムシ、鏡の中の雲、居間に牛、客間に馬車、マグマとトイレ、女の涙、トイレット・ペーパーが海藻・・・禍々しい映像の連続にスクリーンに爆弾が投げつけられる事件が発生! 以後50年間上映禁止・封印された、曰くつきの超問題作!
Live in Barcelona is a DVD release of Elton John performing some of his hits live in Barcelona, Spain. The concert was recorded on July 21, 1992. Gianni Versace served as the show's production designer, designing the costumes and lighting
An obsessive, insubordinate homicide cop is convinced a serial killer is loose in the Hollywood area and disobeys orders in order to catch him.
Divorced and demoralised, Amy Minsky’s prospects look bleak when she is condemned to move back in with her parents at the age of 35. Everyone wants to help but, as her patience level with advice is plummeting, a bold teenage boy enters her life, igniting her last bit of self-esteem.
A group of teenagers that work at the mall all get together for a late night party in one of the stores. When the mall goes on lock down before they can get out, the robot security system activates after a malfunction and goes on a killing spree. One by one the three bots try to rid the mall of the “intruders.” The only weapons the kids can use are the supplies in other stores, or if they can make it till morning when the mall opens back up.
A haunting ghost story set against the backdrop of a busy winter sales period in a department store, following the life of a cursed dress as it passes from person to person, with devastating consequences.
After losing contact with Earth, Astronaut Lee Miller becomes stranded in orbit alone aboard the International Space Station. As time passes and life support systems dwindle, Lee battles to maintain his sanity - and simply stay alive. His world is a claustrophobic and lonely existence, until he makes a strange discovery aboard the ship.
The "Hu-Du-Men" (loosely translated as "stage door") is an imaginary line separating the stage from reality, and a line that must be crossed each and every night by Sum (Josephine Siao), the aging star of a Cantonese Opera troupe. Nearing the twilight of a storied career, Sum must face a variety of challenging new obstacles, including the possible emigration of her family come 1997, the appearance of a promising young actress (Anita Yuen), the hiring of a Western-schooled stage director (David Wu), the surprising revelation of her daughter's sexuality, and finally the reappearance of a shocking secret from her past. Through it all, Sum must retain her professionalism and dignity, as the "Hu-Du-Men" between the stage and her life begins to blur. Emotional, intimate direction and Raymond To's intelligent, relevant screenplay make Hu-Du-Men worthwhile cinema, but it's Josephine Siao's brilliant, emotionally dynamic performance that sets this film above the rest.