Two bank employees like Lucie, their colleague. They steal money from the cash register to gamble. Jean wins and Paul ends up in prison for five years. When he leaves, he discovers that Jean has become a businessman and that he has married Lucie.

The 1972 Olympic men's basketball final, in which Team USA was accorded their first ever loss since the sport was adopted in competition, was one of the most controversial events in history the history of the Games.

In the early twentieth century, a wandering monk arrives at the court of the last Tsar of Russia: Rasputin. Neglected and lustful, the mujik is nevertheless introduced into the inner circle of the imperial family. Which is not to the taste of some aristocrats...

In 2016, Dutch birdwatcher Arjan Dwarshuis traveled the world to spot as many birds as possible in the span of one year, with the goal to break the big year world record (6042 species, set by Noah Strycker in 2015).

A policeman's son searches for a suitable subject for an essay about an important person.

The Return is a 2016 documentary directed by Emmy Award winning director Erich Joiner chronicling Ford GT's return to 24 Hours of Le Mans after their 1966 1-2-3 victory.

US Marshall Vance is assigned to rid the Oklahoma Territory of outlaws.

Steve McAllister, an Australian official for The New Guinea Administration, gets orders to investigate an oil discovery by Ned 'Shark-Eye' Kelly in the interior. He selects his native policeman, Sergeant-Major Towalaka, to accompany him on his "walk into hell" and then finds that a French lady doctor, Louise Dumurcet, is to go with them part of the journey. They find the malaria-stricken Jeff Clayton in a deserted village and he joins the trek. They are captured by jungle-natives but are released after Dr. Dumurcet cures the fever-stricken children of the chief.

18th-century England and Ireland viewed through the eyes of four beautiful high-born sisters - Caroline, Emily, Louisa, and Sarah Lennox, great-granddaughters of a king, daughters of a cabinet minister, and wives of politicians and peers.

Jairo feels that his privacy is invaded when Hugo, a longtime friend who is temporarily staying with him, brings home his suicidal cousin Moi. This forced cohabitation leads the characters to understand the sense—or nonsense—of life.

Restart, created between 2008 and 2010 and exhibited for the first time in Germany in the Ludwig Museum, Koblenz, puts forward a series of decisively new approaches. Aspects of the clash of civilizations, the entanglement of our technologies in the forms of our desire, the role of cultural – and intercultural – memory in commerce with our contemporary situation intersect in a medial attentiveness that lays before us the ambivalence, the seduction, and the disquiet in the experience of the virtual 3-D space and the – transbiomorphic – animation in a completely new manner. Let’s be clear from the start: “RESTART” is frightfully beautiful, unsettling, and enticing all at once, and it thereby hits a nerve with our contemporary desires and fears without having to become involved in the subconscious innocence-deal of a crisis that has apparently affected us as unexpectedly as only a sudden extraterrestrial comet impact could.

A reality TV crew charter a boat to an island for filming, one which the boat's captain had been to before and attacked by giant shrews, more than fifty years earlier.

A popular singer is suspected of being involved with a notorious drug dealer, el Tiburón (the Shark). Meanwhile, a friend of the singer is recruited by Interpol to find the criminal's real identity.

Detective Lizzie sets out to recover the stolen plans for an invention.

When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.

A widowed mother decides to go after the child psychologist she works for because she thinks he'll be able to provide for her toddler, the catch is her employer doesn't know about her son and he doesn't particularly care for children despite his profession.

A movie so horrible you'll crap someone else's pants.

With the population in decline, a traditional way of life is ending in a remote, rundown Bulgarian village. This poetic and at times tragicomic film follows the last remaining inhabitants from the perspective of several domesticated animals. There’s a great deal of attention given to sound, light and movement: an overflowing bucket, sunlight dancing in rustling foliage, the ticking sound of ants on the move, and a cowbell clanging in the wind.