Mickey and his friends take a close look at important street safety situations and tips.
事件捜査中、銃弾を受けて昏睡状態だった柴田純（中谷美紀）が8カ月後ようやく目を覚ます。一時心臓が停止したため脳に障害を負い、警察官時代の記憶を失っていた。その頃、真山（渡部篤郎）は街の雑踏の中で、「ゲームを再開する」というメッセージを朝倉（高木将大）から受け取る。 回復した柴田は八王子西署の署長に就任。初出勤途中に交番で「呪いの樹に呪いをかけて人を殺した」と訴える女子高生・美咲（木内晶子）に出会う。伏舟神社の神木に殺してほしい人の名前を彫ると7日以内にその人は死に至るという噂があり、美咲が元恋人・金子の名を書き込んだら、本当に事故で死んだというのだ。その話に興味を持った柴田は早速神社に直行、神木に刻まれたその他の名前の人物について捜査を始める。
East Berlin, October 7, 1989: While the state elite was celebrating the GDR's 40th birthday before the eyes of the world, resistance was forming in the streets. Guests celebrated in the Palace of the Republic in Berlin. In front of it, people loudly demanded reforms. There were also demonstrations outside Berlin, for example in Plauen. The situation escalates ...
A boy and a girl coming from different worlds fall in love. When summer is over, they will face the shackles of their normal routine and discover what binds them and what breaks them apart.
Will the Kurdish dream of independence and freedom ever become reality?With the rise of ISIS and the central role played by the Kurdish Peshmerga in the fight against them, the question of Kurdish independence has taken on greater urgency. To answer this pressing question, Kurdish author Kae Bahar travels from his London home to his rocky and mountainous homeland, finding a complex mix of Kurdish nationalism and internal division. ‘War or Peace?’ Bahar asks. The answer is not so simple.
The film tells a story of two scrap pickers - the title hero Edi and his friend Jureczek. Edi is wrongly accused of having raped the girl whose brothers have got the control over one of the city areas. Edi is severely punished for that but he accepts his fate taking care of the girl's child.
Two bumbling service station attendants are left as the sole beneficiaries in a gangster's will. Their trip to claim their fortune is sidetracked when they are stranded in a haunted house along with several other strangers.
Extraterrestrials contact earth in this delightful fable. Their message is "HELLO" in many languages, and there is a celebration.
Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.
謎の天球で行方不明になっていたジャンボットと再会を果たすエメラナ姫。だが、ジャンボットはそのエメラナ姫に刃を向ける。一方のゼロたちもジャンキラーの猛攻に阻まれ、 身動きが取れずにいた。傷ついたリトラをかばい、ジャンボットが振りかざしたバトルアックスの前に立ちはだかるエメラナ姫。 「やめなさい」、姫の声に動きを止めるジャンボット。そして、それに倣うかのように何故かジャンキラーの動きまでもが一瞬停止するが、即座に機能を回復させて何処かへと飛び 去ってゆく。エメラナ姫の導きによりジャンボット内部に潜入したレイとヒュウガはそこでロボットたちを操る謎の天球ガーディアン、“ビートスター”の存在と、ジャンキラーが ジャンボットのデータをベースにビートスターが作り上げたロボットである事を知る。ビートスターは何故、ロボットたちによる有機生命体の抹殺を企てているのか？ 刻一刻と惑星ブラムへと迫る天球。惑星衝突の危機迫る中、 ウルティメイトフォースゼロの前に再びジャンキラーが出現！容赦ない攻撃の前に、ついにエメラナ姫は…。
From a historic genocide trial to the overthrow of a president, the sweeping story of mounting resistance played out in Guatemala’s recent history is told through the actions and perspectives of the majority indigenous Mayan population, who now stand poised to reimagine their society.
The lives of a group of Hollywood neurotics intersect over the Christmas holidays. Foremost among them, a songwriter visits Los Angeles to work on a singer's album. The gig, unbeknownst to him, is being bankrolled by his estranged father, a dairy magnate, who hopes to reunite with his son. When the songwriter meets an eccentric housewife who fancies herself a modern-day Garbo, his world of illusions comes crashing down.
“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on the return of the ashes of Emir Abdelkader, to Algeria. It was the opportunity to make a film on the ancestors with M'hamed Issiakhem. He designed glass plates on the basis of my texts. Then we had actors collaborate. It was a film which cost us a total of 300 dinars, proof that we could do work for television without too much money. We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state." Kateb Yacine, July 28, 1986, interview with Arlette Casas.