Noah Holiday lives his life being constantly reminded of a tragic event that occurred while he was a baby in 2004. During his rough times alone, Noah rediscovers his long lost childhood teddy bear; however, what once brought him great joy now has a mind of his own and has sinister plans in store for him.
A balls to the wall action film about Fast, the fastest person alive, who is also named Fast.
Disguised as an Italian medic, Dolas finds himself on a ship evacuating wounded Axis soldiers to Italy. He leaves the ship disguised as a Nazi soldier, but is found out, declared a deserter and sent to the Eastern Front. However, on the flight to Russia, he is able to escape with a parachute, and finds himself back in Poland, now occupied by Nazis.
Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.
Two people are waiting together for each other. Their flat waits with them and for them. Together they are living side by side. Someone is coming, someone is leaving, the flat stays where it is.
Jacob’s dream is to be a rap artist, so he works on a song that will give him the big breakthrough. To his big frustration, his dreams are tested every time his roomie Adam gets a visit from his girlfriend Frederikke. And through a journey of unforeseen events Jacob meets additional challenges that test his working discipline.
Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.
The Return is a 2016 documentary directed by Emmy Award winning director Erich Joiner chronicling Ford GT's return to 24 Hours of Le Mans after their 1966 1-2-3 victory.
U.S. Marshal Vance Cordell wordt aangetrokken om de staat Oklahoma te bevrijden van bandieten. Dat blijkt een hele uitdaging zijn. Bijna elke slechterik blijkt op het grondgebied van Oklahoma actief te zijn.
Upon waking up in a strange forest, a young man questions whether or not the environment around him is real or a figment of his imagination.
Preetop (Nishi)is a beautiful girl of handicapped father, her mother is dead. She loves her father and takes responsibility of farming in their fields.
De onovertroffen schutter Sabata komt met een circus naar Hobsonville in Texas. Daar weet de geslepen Joe McIntock de bevolking aardig uit te buiten. Hij heeft plannen om er binnenkort met het geld dat hij van de burgers heeft afgetroggeld vandoor te gaan. Hij heeft echter ook het vermoeden dat Sabata op de hoogte is van zijn praktijken en hem wil dwarsbomen. Er volgt een krachtmeting tussen hen.
In de mistige bossen van Noord-Amerika begint een familie Sasquatches – mogelijk de laatste van hun enigmatische soort – in de loop van een jaar aan een absurdistische, epische, hilarische en uiteindelijk aangrijpende reis. Deze ruige en nobele reuzen vechten om te overleven terwijl ze op ramkoers liggen met de steeds veranderende wereld om hen heen.
Het is het einde van de eeuw, in een hoek van de stad, in een gebouw vol misdaad. Iedereen in het gebouw is in zombies veranderd. Nadat Jenny's vriend is omgekomen bij een zombieaanval, staat ze voor de uitdaging om ondanks tegenslagen te overleven. Om in leven te blijven, worstelt ze met Andy om het gevaar te ontvluchten.
A group of college students researching Dorchester Stewart, better known as the infamous killer Crinoline Head, return to the scene of the horrific murders that happened in 1996.
Restart, created between 2008 and 2010 and exhibited for the first time in Germany in the Ludwig Museum, Koblenz, puts forward a series of decisively new approaches. Aspects of the clash of civilizations, the entanglement of our technologies in the forms of our desire, the role of cultural – and intercultural – memory in commerce with our contemporary situation intersect in a medial attentiveness that lays before us the ambivalence, the seduction, and the disquiet in the experience of the virtual 3-D space and the – transbiomorphic – animation in a completely new manner. Let’s be clear from the start: “RESTART” is frightfully beautiful, unsettling, and enticing all at once, and it thereby hits a nerve with our contemporary desires and fears without having to become involved in the subconscious innocence-deal of a crisis that has apparently affected us as unexpectedly as only a sudden extraterrestrial comet impact could.
When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.