"Too Many Cooks" is a humorous parody of US sitcoms of the 1970s and the 1980s, meanwhile what seems like an interminable opening theme, a mysterious killer makes his way and kills (preparing a lunch with their limbs) various members of the Cook Family.

A human body gradually reconstructs itself as its various component parts crowd themselves into a small room and eventually, after much experimentation, sort out which part goes where.

A very free adaptation of Marlowe's 'Doctor Faustus', Goethe's 'Faust' and various other treatments of the old legend of the man who sold his soul to the devil. A nondescript man is lured by a strange map into a sinister puppet theatre, where he finds himself immersed in an indescribably weird version of the play, blending live actors, clay animation and giant puppets.

Conceived as a reflection on the theme of time at the turn of the millennium, "Dans le noir du temps" functions as a Pandora’s box which hides all the horrors of the world: the last moments of youth, fame, thoughts, memory, love, silence, history, fear, eternity and, of course, cinema.

This true, astonishing story describes how King Leopold II of Belgium turned Congo into its private colony between 1885 and 1908. Under his control, Congo became a gulag labor camp of shocking brutality. Leopold posed as the protector of Africans fleeing Arab slave-traders but, in reality, he carved out an empire based on terror to harvest rubber.

Quiet, withdrawn 13-year-old Rynn Jacobs lives peacefully in her home in a New England beach town. Whenever the prying landlady inquires after Rynn's father, she politely claims that he's in the city on business. But when the landlady's creepy and increasingly persistent son, Frank, won't leave Rynn alone, she teams up with kindly neighbor boy Mario to maintain the dark family secret that she's been keeping to herself.

When a childless couple learn that they cannot have children, it causes great distress. To ease his wife's pain, the man finds a piece of root in the backyard and chops it and varnishes it into the shape of a child. However the woman takes the root as her baby and starts to pretend that it is real.

A faceless traveller takes a journey through the barren reaches of a Siberia caught between tradition and modernity, imparting his philosophical musings on its people and places, wildlife and culture.

Six outwardly average individuals have elaborate fetishes they indulge with surreptitious care. A mousy letter carrier makes dough balls she grotesquely ingests before bed. A shop clerk fixates on a TV news reader while he builds a machine to massage and masturbate him. One of his customers makes an elaborate chicken costume for a voodoo-like scene with a doll resembling his plump neighbor. She, in turn, has a doll that resembles him, which she whips and dominates in an abandoned church. The TV news reader has her own fantasy involving carp. Her husband, who is indifferent to her, steals materials to fashion elaborate artifacts that he rubs, scrapes and rolls across his body.

Marion is a woman who has learned to shield herself from her emotions. She rents an apartment to work undisturbed on her new book, but by some acoustic anomaly she can hear all that is said in the next apartment in which a psychiatrist holds his office. When she hears a young woman tell that she finds it harder and harder to bear her life, Marion starts to reflect on her own life. After a series of events she comes to understand how her unemotional attitude towards the people around her affected them and herself.

Centring on the activities of a gang of assorted criminals and, in particular, their leader – a vicious young hoodlum known as "Pinkie" – the film's main thematic concern is the criminal underbelly evident in inter-war Brighton.

An American doughboy, stationed in France during the Great War, goes on a daring mission behind enemy lines and becomes a hero.

Although Wikipedia is the 8th most popular website on the Internet today, and it is already the 3rd most widely read 'publication' in human history, attracting 100 million unique visitors a month, this great social and academic experiment of our age is riddled with vandals and challenged by skeptics, posing compelling questions about whether Wikipedia's model can truly achieve its goal. The film intersperses founder Jimmy Wales' unusual rise to Internet super-stardom among the global implications of Wikipedia. Are entries factually accurate? Biased? Accountable? Does 'Jimbo' Wales posses the wisdom to ensure that Wikipedians aggregate knowledge correctly?

The last moments of a creature made out of fruits and vegetables.

It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.

The Killers is a 1956 student film by the Soviet and Russian film director Andrei Tarkovsky and his fellow students Marika Beiku and Aleksandr Gordon. The film is based on the short story "The Killers" by Ernest Hemingway, written in 1927. It was Tarkovsky's first film, produced when he was a student at the State Institute of Cinematography.

From the Sahara to Mellila, witnesses talk about how they narrowly escaped death, unlike their companions - all migrants who were literally and symbolically swallowed up by the frontier.

Local Pennsylvania polka legend Jan Lewan develops a plan to get rich that shocks his fans and lands him in jail.

Three protagonists and the complications of their lesbian lives.

The year is 2021 AD. Women have been enslaved by a brutal army of men who survived the nuclear holocaust. Their only hope for freedom is in the hands of a nomadic band of fierce she-warriors: The Sisterhood.